A children's magician in the English countryside is asked by his bank to explain the unsolicited arrival of more than five million pounds sterling in his young daughter's modest trust. A freighter bound for Liverpool is boarded by Russian coast guards in the Black Sea. The celebrated London merchant venturer "Tiger"Single disappears into thin air.In Single & Single the writer who both epitomizes and transcends the novel of espionage opens with a haunting set piece, then establishes a sequence of events whose connections are mysterious, complex and compelling. This is a story of corrupt liaisons between criminal elements in the new Russian states and the world of legitimate finance in the West. Le Carré's finest novel in years, it is also an intimate portrait of two families: one Russian, the other English; one trading illicit goods, the other laundering the profits; one betrayed by a son-in-law, the other betrayed, and redeemed, by a son.This is territory le Carré knows better than anyone. Masterful and prescient, he is writing at the height of his creative powers, and Oliver Single, the central protagonist, is one of his most fascinating characters.

    And not a moment too soon . . .From behind the rows of razor wire, a new breed of counterterrorism operator has emerged.Just as skilled, just as fearsome, and just as deadly as their colleagues, Delta Force’s newest members have only one thing setting them apart—their gender. Part of a top-secret, all-female program codenamed The Athena Project, four of Delta’s best and brightest women are about to undertake one of the nation’s deadliest assignments.When a terrorist attack in Rome kills more than twenty Americans, Athena Team members Gretchen Casey, Julie Ericsson, Megan Rhodes, and Alex Cooper are tasked with hunting down the Venetian arms dealer responsible for providing the explosives. But there is more to the story than anyone knows.In the jungles of South America, a young U.S. intelligence officer has made a grisly discovery. Surrounded by monoliths covered with Runic symbols, one of America’s greatest fears appears to have come true. Simultaneously in Colorado, a foreign spy is close to penetrating the mysterious secret the U.S. government has hidden beneath Denver International Airport.As the women close in on their target, they will soon learn that another attack—one of unimaginable proportions—has already been set in motion, and the greatest threat they face may be the secrets kept by their own government.

    MONK novels, and THE DEAD MAN series...This is the ultimate JUDGMENT...as it was originally meant to be. Brett Macklin was a freewheeling son of sunny California, a collector of vintage cars and a connoisseur of beautiful women. But when his father is murdered by a street gang, Macklin becomes something else--a deadly weapon against crime, a relentless vigilante who won't stop until he's wiped out the killers who have turned Los Angeles into a war zone. "As stunning as the report of a .357 Magnum, a dynamic premiere effort [...] The Best New Paperback Series of the year!" West Coast Review of Books (Originally published as the first book in the ".357 Vigilante" series, under the pen name Ian Ludlow.)Other books in the series:ADJOURNEDPAYBACKGUILTY

    A scientific genius, the drug tycoon holds the biological key to a new weapon system, a danger engineered from the ancient past to terrorize the modern world.From the frozen steppes of Russia to the sun-blasted savannahs of Africa, Tucker and Kane must piece together a mystery going back to the origins of life on Earth—before the ancient peril can destroy the heartland of America, and with it, all of humankind.

    But the rhythm of her life is disrupted when attorney Mitchell Reece requests her help in locating a stolen document that could cost him not only the multimillion-dollar case he's defending but his career as well. Eager to get closer to this handsome, brilliant, and very private man, Taylor signs on . . . only to find that as she delves deeper and deeper into what goes on behind closed doors at Hubbard, White & Willis, she uncovers more than she wants to kno--including a plentitude of secrets damaging enough to smash careers and dangerous enough to push someone to commit murder. Yet who is capable of going to that extreme? With her life on the line, Taylor is about to learn the lethal answer. . . ."The characters are well drawn, the plot is fast paced, and the writing avoids totally the usual trappings of blockbusterdom. . . . An intelligently written thriller."--Booklist

    Ten months have passed since Nicholas II’s reign was cut short by revolutionaries. Tonight, the White Army advances on the town where the Tsar and his family are being held captive by the Bolsheviks. Nicholas dares to hope for salvation. Instead, the Romanovs are coldly and methodically executed.Moscow: Present Day. Atlanta lawyer Miles Lord, fluent in Russian and well versed in the country’s history, is thrilled to be in Moscow on the eve of such a momentous event. After the fall of Communism and a succession of weak governments, the Russian people have voted to bring back the monarchy. The new tsar will be chosen from the distant relatives of Nicholas II by a specially appointed commission, and Miles’ job is to perform a background check on the Tsarist candidate favored by a powerful group of Western businessmen. But research quickly becomes the least of Miles’ concerns when he is nearly killed by gunmen on a city plaza.Suddenly Miles is racing across continents, shadowed by nefarious henchmen. At first, his only question is why people are pursuing him. But after a strange conversation with a mysterious Russian, who steers Miles toward the writings of Rasputin, he becomes desperate to know more–most important, what really happened to the family of Russia’s last tsar?His only companion is Akilina Petrov, a Russian circus performer sympathetic to his struggle, and his only guide is a cryptic message from Rasputin that implies that the bloody night of so long ago is not the last chapter in the Romanovs’ story . . . and that someone might even have survived the massacre. The prophecy’s implications are earth-shattering–not only for the future of the tsar and mother Russia, but also for Miles himself.

    There he finds peace of mind and a beautiful, sensual woman named Beth Dwyer. Steve will soon discover, however, that Beth harbors heinous secrets. Is she the love of his life--or his most deadly enemy?

    In the jungles of Malaysia, a mysterious buyer purchases deadly cavitation technology, built to his specifications. In Vancouver, a small research submarine is leased for use in the waters off New Guinea. And in Tokyo, an intelligence agent tries to understand what it all means. Thus begins Michael Crichton's exciting and provocative technothriller, State of Fear. Only Michael Crichton's unique ability to blend science fact and pulse-pounding fiction could bring such disparate elements to a heart-stopping conclusion. This is Michael Crichton's most wide-ranging thriller. State of Fear takes the reader from the glaciers of Iceland to the volcanoes of Antarctica, from the Arizona desert to the deadly jungles of the Solomon Islands, from the streets of Paris to the beaches of Los Angeles. The novel races forward, taking the reader on a rollercoaster thrill ride, all the while keeping the brain in high gear. Gripping and thought-provoking, State of Fear is Michael Crichton at his very best.

    Marc Seidman lies in a hospital bed. His wife has been killed. His six-month-old daughter has vanished. But just when his world seems forever shattered, the ransom note arrives: We are watching. If you contact the authorities, you will never see your daughter again. There will be no second chance. With no one to trust, and mired in a deepening quicksand of deception and deadly secrets, Marc clings to one unwavering vow: bring home his daughter, at any cost.

    Able to change shape with lightning speed, to kill silently or with savage, snarling fury, he proved his talents against Rommel in Africa. Now he faces his most delicate, dangerous mission: to unravel the secret Nazi plan known as Iron Fist. From a parachute jump into occupied France to the lush corruption of Berlin, from the arms of a beautiful spy to the cold embrace of a madman's death machine, Gallatin draws ever closer to the ghastly truth about Iron Fist. But with only hours to D-Day, he is trapped in the Nazis' web of destruction....

    Those who control them, control the world. To enforce the Net Laws, Congress creates the ultimate computer security agency within the FBI: Net Force.When the director of Net Force is assassinated, Deputy Director Alex Michaels is thrust into one of the most powerful and dangerous positions in the world. At the same time, cyber-terrorists sabotage mainframe computers across the country, causing famine, chaos, and death.Now Michaels and his team must find out who is responsible—and what they have to gain. But there is another problem. If they assassinated one Net Force director, what will stop them from assassinating another?A powerful examination of America's defense and intelligence systems of the future, Tom Clancy's Net Force is the creation of Tom Clancy and Steve Pieczenik, inspiring this novel as well as the explosive ABC Television miniseries.

    As Fallon turns forty years old, the IRA needs his help again, this time to break Patrick Rogan, the leader of IRA Ulster, out of prison before he is executed.   But not all is as it seems. When a newly freed Rogan commits murder in the name of a ruthless IRA sect, Fallon’s rescue mission will become a deadly clash between those who wish to save Ireland, and those who seek to destroy it.

    And by nightfall, Victoria Jones had conspired to follow him to Baghdad. But no daydream of love could match the real life adventure that unfolded: a stranger was stabbed in her bed, someone issued a hushed warning, and her rival for Edward's affections neatly arranged her kidnapping. From the steamy Arab marketplace to the vast and arid desert, Victoria was pursued by an unknown power that threatened not only her, but the fate of the entire world ...

    A husband she loves. A job at which she excels, and a cherished young daughter. Then, as a plane plummets into the Virginia countryside, everything changes. And suddenly there is no one whom Sidney Archer can trust. Jason Archer is a rising young executive at Triton Global, the world's leading technology conglomerate. Determined to give his family the best of everything, Archer has secretly entered into a deadly game of cat and mouse. He is about to disappear - leaving behind a wife who must sort out his lies from his truths, an aircrash investigation team that wants to know why the plane he was ticketed on suddenly fell from the sky, and a veteran FBI agent who wants to know it all. From Seattle to Washington, D.C., from New Orleans to Maine, the hunt for Jason Archer follows a trail as complex as the world he lived and worked in - a world of enormously powerful computers, a multimillion-dollar takeover deal, titanic financial standoffs, artificial intelligence, and the Internet. With brilliant minds colliding, ruthless men waging battles of intimidation, rainmakers going toe-to-toe with killers, and security specialists making a fortune trying to plug the holes, the startling truth behind Jason Archer's disappearance explodes into a sinister plot with the murder of the country's single most powerful individual. And soon Archer's wife, Sidney, aided by the relentless and sharp-eyed FBI agent Lee Sawyer, will plunge straight into the violence that is leaving behind a trail of dead bodies and shocking, exposed secrets...

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.