Under the watchful gaze of his young assistant and the threatening presence of a new generation of artists, Mark Rothko takes on his greatest challenge yet: to create a definitive work for an extraordinary setting.A moving and compelling account of one of the greatest artists of the twentieth century, Mark Rothko, whose struggle to accept his growing riches and praise became his ultimate undoing.

    He browbeats his flatmate, terrorizes his wife, and is not above sleeping with her best friend-who loathes Jimmy almost as much as he loathes himself. Yet this working-class Hamlet, the original Angry Young Man, is one of the most mesmerizing characters ever to burst onto a stage, a malevolently vital, volcanically articulate internal exile in the dreary, dreaming Siberia of postwar England.First produced in 1956, Look Back in Anger launched a revolution in the English theater. Savagely, sadly, and always impolitely, it compels readers and audiences to acknowledge the hidden currents of rottenness and rage in what used to be called "the good life."

    A house party is in full swing at Lady Hunstanton's country home, when it is announced that Gerald Arbuthnot has been appointed secretary to the sophisticated, witty Lord Illingworth. Gerald's mother stands in the way of his appointment, but fears to tell him why, for who will believe Lord Illingworth to be a man of no importance?

    Closer is hailed as one of the best plays of the nineties, and as the London Observer noted, it "has wired itself into the cultural vocabulary in a way that few plays have ever done."

    The Iron Age. The Age of Oil.The Stone Age didn't end for want of stones. What do you do when you know it's going to run out? Oil follows the lives of one woman and her daughter in an epic, hurtling crash of empire, history and family.Ella Hickson's explosive new play drills deep into the world's relationship with this finite resource.Oil premiered at the Almeida Theatre, London, in October 2016.

    Yeats, Lady Gregory, J.M. Synge, Bernard Shaw, Sean O'Casey, Brendan Behan, Samuel Beckett, and Brian Friel. The texts are fully annotated with explanatory notes on Anglo-Irish usage, place names, historical figures, and literary allusions. "Backgrounds and Criticism" contains almost fifty texts relevant to the twelve plays represented. Included are prefaces by the authors, reports by spectators on original productions, memoirs concerning playwrights and performances, and recent critical assessments by American, British, and Irish scholars. From its collection of documents relevant to the origin of the Irish Literary Revival in the midst of Ireland's republican revolution to the recent formation of the Field Day Company in Northern Ireland, Modern Irish Drama charts the rise and development of one of the most powerful national dramas of the twentieth century. A Chronology and Selected Bibliography are also included.

    A maverick English teacher at odds with the young and shrewd supply teacher. A headmaster obsessed with results; a history teacher who thinks he's a fool.In Alan Bennett's classic play, staff room rivalry and the anarchy of adolescence provoke insistent questions about history and how you teach it; about education and its purpose.The History Boys premiered at the National in May 2004.

    Forced to abandon the life he has built, he embarks on a last, frantic search to recruit a friend, anyone, to speak in his defence. But Death is close behind, and time is running out.One of the great primal, spiritual myths, Everyman asks whether it is only in death that we can understand our lives. A cornerstone of English drama since the 15th century, this new adaptation by Poet Laureate Carol Ann Duffy was presented at the National Theatre, London, in April 2015.

    Jacobs Theater, New York City, in March 2009.

    

    But for the people of Laramie–both the friends of Matthew and those who hated him without knowing him–the tragedy was personal. In a chorus of voices that brings to mind Thornton Wilder’s Our Town, The Laramie Project allows those most deeply affected to speak, and the result is a brilliantly moving theatrical creation.

    I use 'remains' in the loosest sense of the word: my grandfather, 45, puffed his last breaths of air into my birthday balloon before suffering a massive heart attack right there at my birthday party which becomes his deathday party.Feeling responsible for 45's death, and as a thank-you for filling Clinical Dad's void after leaving that questionable suicide note, I make it my quest to return 45 to his birthplace amongst the corn of Iowa, USA, suspended inside his soul-bubble. This journey might also help me with my identity-crisis ... I'm a genealogy student, by the way. And who knows, maybe I'll find love - I tend to find things when I'm not looking for them.Join me on a desperate race against time to unveil the truth as my birthday balloon begins to deflate and loose 45 forever to the wind

    Evan is shy, lonely, and bullied for it―teeming with the irrepressible emotions all too familiar with anyone who's ever been a teenager. After a tragedy strikes, Evan's life suddenly gets turned around, but is it ultimately for the better?

    Zarina has a bone to pick with the place of women in her Muslim faith, and she's been writing a book about the Prophet Muhammad that aims to set the record straight. When her traditional father and sister discover the manuscript, it threatens to tear her family apart. With humor and ferocity, Akhtar's incisive new drama about love, art, and religion examines the chasm between our traditions and our contemporary lives.

    Innocuous remarks suddenly turn damning. Socratic dialogue gives way to heated assault. And the relationship between a somewhat fatuous teacher and his seemingly hapless pupil turns into a fiendishly accurate X ray of the mechanisms of power, censorship and abuse.