1999 - In a world of scientific chaos, cloning and genetic engineering, the cellar of the same house reveals a dark secret buried for 200 years.

    In these 115 titled chapters, a man, who learns he has a 5-year-old son, is caught between the life he knows and a life he may not yet be ready for. This is a book that tears down the boundaries in relationships, sentences, origin and identity, no matter how quickly its narrator tries to build them up.“In Matt Salesses’s smart novel-in-shorts, a newly-minted father flees telling his own story by any means necessary—by sarcasm, by denial, by playful and precise wordplay—rarely allowing space for his emerging feelings to linger. But the truth of who we might be is not so easily escaped, and it is in the accumulation of many such moments that our narrator, like us, is revealed: both the people we have been, and the better people we might be lucky enough to one day hope to become.”– Matt Bell, author of In the House upon the Dirt between the Lake and the Woods“Matthew Salesses has written an extraordinary and startlingly original novel that explores connection and disconnection, the claims and limitations of the self, and the shifting terrain of truth. Poetic, unforgettable, shot through with fury and yearning, I’m Not Saying, I’m Just Saying captures in clear and chilling flashes our capacity for the cruelty and tenderness of love.”–Catherine Chung, author of Forgotten Country“Matthew Salesses’ I’m Not Saying, I’m Not Saying is an absolute stunner of a novel. Told is short, sharp vignettes with prose that is taut, yet overflowing with meaning, this is the story of a year in the life of a complex and haunted, cobbled together family. The beauty of Salesses’ writing here lies in his fearlessness, the emotional blows to the heart and head and gut he’s willing to deliver, as if to say: This, this is life! And we are all, in one way or another, survivors.”– Kathy Fish, author of Together We Can Bury It“I’m not Saying, I’m just Saying renders the messiness of life, family, love in its myriad complex forms—romance lost and found, blood ties, squandered, unrequited—via 115 micro-stories that add up to a pointillist masterpiece.”– Marie Myung-Ok Lee, author of Somebody’s Daughter

    But when a domestic disturbance call takes a turn for the worse, their friendship is put on the line. The result is a difficult journey into a moral gray area where trust and loyalty struggle for survival against a sobering backdrop of pimps, prostitutes, and criminal lowlifes.A dark duologue filled with sharp storytelling and biting repartee, A Steady Rain explores the complexities of a lifelong bond tainted by domestic affairs, violence, and the rough streets of Chicago.

    It's about each and every club in the League and about soccer, rugby and baseball too," writes the Melbourne Sun's football commentator, Lou Richards, himself a former Aussie Rules champion who has seen it all. He and fellow fanatic, Professor Ian Turner of Monash University, introduce David Williamson's latest probe into the confrontations of Australian life. If you have ever belonged to a sports club, if you have ever been part of any organisation in which the will to win prevails and the trial of strength goes on in the clubroom long after the players have left the field - then you will know the men of The Club.

    Ever been racially slurred in the sack? Ever been subjected to strangers yelling at you at 3am about the most intimate details of your life? Ever been to New York? Six characters from wildly different backgrounds make love, war and hysteria late one night in the cultural, sexual and generational smorgasbord that is Manhattan.

    The gaucheness, the rush of excitement, and the inarticulate tenderness of young love are beautifully captured in writing of great truth and delicacy. Only the most irrational of homophobes could fail to be moved by it."—Daily Telegraph"Deliciously upbeat ... seldom has there been a play which so exquisitely and joyously depicts what it's like to be sixteen, in the first flush of love and full of optimism. Truly a most unusual and beautiful thing."—Guardian"An unfakeably truthful portrait of adolescent self-discovery, showing sensitivity and fun pushing up like wild flowers through the concrete crevices of a Thamesmead estate. This is the most heartening working-class comedy since A Taste of Honey."—Independent on Sunday

    But sifting through the overwhelming collection of figurines, outdated appliances and dusty books, she finds something that captures her attention: a yellowed envelope of old photographs. In one, taken almost a century ago, a beautiful woman is seated with a young boy who looks uncannily like Erin's five-year-old autistic son, Will. Intrigued, Erin looks further into her family's history, and discovers parallels to her present day life. The boy in the picture, John Cartwright, was deaf. He and his mother, Amelia, are presumed to have drowned together in Geneva Lake, beside Amelia's family home. Named for the butterflies that flocked to its lush gardens, Monarch Manor still stands, though the once-grand Queen Anne house is now in ruins, slated for demolition. Seeking respite from her own exhausting battle to get the best care for Will, Erin delves even deeper into the past-unearthing a story that is both heartbreaking and surprising.Weaving Erin's and Amelia's narratives together, Maureen Leurck creates an unforgettable and moving novel of sacrifice and hope, and the way love between a parent and child can transform them both.Praise for Maureen Leurck's Cicada Summer"Rich with believable characters and an evocative setting, Leurck's novel is a gem." -Publishers Weekly"Leurck has crafted a perfect summertime story of love, loss, and second chances. . . . Readers of Elin Hilderbrand and Nancy Thayer will enjoy this beach read." -Booklist"A captivating novel about the power of redemption." -Jen Lancaster, New York Times bestselling author

    Kleinman, a logical man in a mad world, is indecisive and insecure; he doesn't want to get involved but everyone is after him to make a choice. He is even accused of being the culprit. When Kleinman confronts the maniac (who looks no different from anyone els

    . . He is - it is now yet more evident - a searing, intelligent, disturbing sociologist with a talent for satirical dialogue and a flair for sexual sensationalism" (Financial Times)

    Created by The United States Theatre Project, written by Stephen Karam and PJ Paparelli, with dramaturgy by Patricia Hersch, and conceived and directed by PJ Paparelli, columbinus weaves together excerpts from discussions with parents, survivors and community leaders in Littleton as well as diaries and home video footage to bring to light the dark recesses of American adolescence. -Doollee.com

    An evil seed takes root in the mind of Macbeth, a general in the king’s army, when three witches tell him he will one day be king. At the urging of his wife, he resolves to take the throne by the most direct path: a dagger in the heart of King Duncan. But "blood will have blood," and when others grow suspicious of his sudden rise to power, is Macbeth prepared to commit more murders to keep the crown?

    This is the first collection by the downtown writer-director, whose explorations of stereotypes of race, gender, and religion are unflinching—and seat-squirming funny. This volume includes the following plays:Songs of the Dragon Flying to Heaven“Scathingly mischievous…Songs of the Dragons Flying to Heaven is a provocateur's funny, guns-blazing take on the utter banality of ethnic stereotypes and other cross-cultural outrages. In its slyly eccentric way, it's an evening of enlightenment.” –Peter Marks, Washington Post“Part performance art, part comic sketches, fights, dance, song and ‘reverse Bible study,’ and at times strangely serious, Dragons is a bracingly funny…always provocative equal-opportunity offender.” –Robert Hurwitt, San Francisco Gate“Miss Lee has a talent for evocative and sometimes grotesque imagery, and on the attack she is at the height of her powers.” –New York TimesChurch“I will happily worship in the house of Young Jean Lee.” –David Cote, TimeOut New York“A thoroughly entertaining, uplifting, inescapable piece of art…So thought provoking, it's only appropriate to give thanks and praise.” –Helen Shaw, The New York SunPullman, WA"[Lee’s] new work has the deadpan simplicity of the plays of Richard Maxwell and the awkward, secretly suffering angst of a teenage diarist working through an identity crisis…. It is an honest [work] that takes itself seriously, and that is refreshing." -Jason Zinoman, New York TimesThe Appeal"The Appeal is the happiest literary desecration since Amy Freed's The Bard of Avon, in which Shakespeare declared, ‘I have great thought-like things within my head.’” -Jeremy McCarter, The New York SunGroundwork of the Metaphysic of Morals“Lee is a queen of unease; chuckles never come unaccompanied by squirms.” –Village VoiceYaggoo“A rising star of the downtown theatre scene.” –New York TimesYoung Jean Lee has written and directed shows in New York with Young Jean Lee’s Theater Company and toured her work to over twenty cities around the world. Her plays include Straight White Men, We’re Gonna Die, Untitled Feminist Show, The Shipment, Lear and Songs of the Dragons Flying to Heaven. Awards include two Obies, the Festival Prize of the Zuercher Theater Spektakel, a Prize in Literature from the American Academy of Arts and Letters, a Guggenheim Fellowship and a Doris Duke Artist Award.

    The play is set in a beach bungalow. The young man who lives there has pulled a lost young woman from the ocean. Soon, she finds herself trapped in his life and torn between her need to come to rest somewhere and her certainty that all human relationships turn eventually into nightmares. The struggle between his tolerant and gently ironic approach to life and her strategy of suspicion and attack becomes a kind of war about love and creation which neither can afford to lose. This is an offbeat, wonderful love story. Note: The play contains a wealth of excellent monologue and scene material.

    Winner of three Tony Awards, including Best Book, Urinetown is a tale of greed, corruption, love, and revolution in a time when water is worth its weight in gold.

    "Love in the Tall Grass" takes Cordelia down a coastal road on the last day of the twentieth century to keep a date with her lover that has been nine years in the waiting. "Stay Close to the Water's Edge" tells of a young Harvard student who is pitilessly humiliated by his homophobic stepfather on his birthday. Keegan's writing has a clear vision of unaffected truths and boldly explores a world where dreams, memory, and chance have crippling consequences for those involved. The stories are often dark and enveloped in a palpable atmosphere, and the reader feels that something "big" is going on in each of these carefully sculpted tales. The award-winning Antarctica, a Los Angeles Times Best Book of 2001, and recipient of the prestigious Rooney Prize for Irish Literature, the William Trevor Prize, and the Martin Healy Award, is a haunting debut. "These stories are diamonds." -- Emily Robichaud, Esquire "That Keegan has a knack for storytelling is proved many times over...." -- Caitlin Macy, The New York Times Book Review "[These] stories ... show Keegan to be an authentic talent with a gimlet eye and a distinctive voice." -- Amanda Heller, The Boston Globe "Reading these stories is like coming upon work of Ann Beattie or Raymond Carver at the start of their careers." -- Jerry Griswold, Los Angeles Times