Historical novel that explodes all the myths that surround Mastani who was the second wife of Peshwa Baji Rao I in Central India in the 1700s.

    Economic and social conflict in a north Indian village are brilliantly captured in the story of Hori, a poor farmer and his family’s struggle for survival and self-respect. Hori does everything he can to fulfill his life’s desire: to own a cow, the peasant’s measure of wealth and well-being. Like many Hindus of his time, he believes that making the gift of a cow to a Brahman before he dies will help him achieve salvation. An engaging introduction to India before Independence, Godaan is at once village ethnography, moving human document and insightful colonial history.

    This is not just Shakespeare repurposed for our times – it’s a novel that urgently matters in 2017, and which will resonate for years to come. Jivan Singh, the bastard scion of the Devraj family, returns to his childhood home after a long absence – only to witness the unexpected resignation of the ageing patriarch from the vast corporation he founded, the Devraj Company. On the same day, Sita, Devraj’s youngest daughter, absconds – refusing to submit to the marriage her father wants for her. Meanwhile, Radha and Gargi, Sita’s older sisters, must deal with the fallout… And so begins a brutal, deathly struggle for power, ranging over the luxury hotels and spas of New Delhi and Amritsar, the Palaces and slums of Napurthala, to Srinagar, Kashmir. Told in astonishing prose – a great torrent of words and imagery – We that are young is a modern-day King Lear that bursts with energy and fierce, beautifully measured rage. Set against the backdrop of the anti-corruption protests in 2011–2012, it provides startling insights into modern India, the clash of youth and age, the hectic pace of life in one of the world’s fastest growing economies – and the ever-present spectre of death. More than that, this is a novel about the human heart. And its breaking point.

    A meeting is in progress to decide the fate of the establishment and its residents. And the zeitgeist of the 1990s appears to have touched everyone and everything around them.Ira is now a journalist on the civic beat, unearthing stories of corruption and indolence, and trying to push back memories of a lost love. Kartik works a corporate job with an MNC, and leads a secret, agonising, exhilarating second life. Between and around them throbs the living, beating heart of Mumbai, city of heaving inequities and limitless dreams.Milk Teeth is subtle, incisive, unputdownable.

    No set of novels so richly recreates the last days of India under British rule--"two nations locked in an imperial embrace"--as Paul Scott's historical tour de force, " The Raj Quartet." "The Jewel in the Crown" opens in 1942 as the British fear both Japanese invasion and Indian demands for independence.

    The splendour of imperial Delhi flares one last time. The young daughter of a craftsman in the city elopes with an officer of the East India Company. And so we are drawn into the story of Wazir Khanam: a dazzlingly beautiful and fiercely independent woman who takes a series of lovers, including a Navab and a Mughal prince--and whom history remembers as the mother of the famous poet Dagh. But it is not just one life that this novel sets out to capture: it paints in rapturous detail an entire civilization.Beginning with the story of an enigmatic and gifted painter in a village near Kishangarh, The Mirror of Beauty embarks on an epic journey that sweeps through the death-giving deserts of Rajputana, the verdant valley of Kashmir and the glorious cosmopolis of Delhi, the craft of miniature painting and the art of carpet designing, scintillating musical performances and recurring paintings of mysterious, alluring women. Its scope breathtaking, its language beguiling, and its style sumptuous, this is a work of profound beauty, depth and power.

    Even the dreams here are small. Adrift among them, the narrator, Arun, a struggling writer of detective novels in Urdu, waits for inspiration to write a blockbuster. Meanwhile, he seeks reassurance in love, and finds it in unusual places: with the young prostitute Kamla, wise beyond her years; and the orphan Suraj, homeless and an epileptic, yet surprisingly optimistic about the future. this is a memorable story about small lives, with all the hallmarks of classic Ruskin Bond prose: nostalgia, charm, underplayed humour and quiet wisdom.

    Aman wants to heal the planet but with each step he takes, he finds helping some means harming others. Will it all end, as 80 years of super-hero fiction suggest, in a meaningless, explosive slugfest?

    This edition includes extensive notes on Indian myths, religion, social customs, and the Independence movement which fill out the background for the American reader's more complete understanding and enjoyment.

    As a religious novel about a decaying brahmin colony in the south Indian village ofKarnataka, Samskara serves as an allegory rich in realistic detail, a contemporary reworking of ancient Hindu themes and myths, and a serious, poetic study of a religious man living in a community of priests gone to seed. A death which stands as the central event in the plot brings in its wake aplague, many more deaths, live questions with only dead answers, moral chaos, and the rebirth of one man. The volume provides a useful glossary of Hindu myths, customs, Indian names, flora, and other terms. Notes and an afterword enhance the self-contained, faithful, and yet readabletranslation.

    . . an American missionary . . . twins separated at birth . . . a dwarf chauffeur . . . a serial killer . . . all are on a collision course. In the tradition of A Prayer for Owen Meany, Irving's characters transcend nationality. They are misfits--coming from everywhere, belonging nowhere. Set almost entirely in India, this is John Irving's most ambitious novel and a major publishing event.

    The heartbreaking story of Kashmir has so far been told through the prism of the brutality of the Indian state, and the pro-independence demands of separatists. But there is another part of the story that has remained unrecorded and buried. Our Moon Has Blood Clots is the unspoken chapter in the story of Kashmir, in which it was purged of the Kashmiri Pandit community in a violent ethnic cleansing backed by Islamist militants. Hundreds of people were tortured and killed, and about 3,50,000 Kashmiri Pandits were forced to leave their homes and spend the rest of their lives in exile in their own country. Rahul Pandita has written a deeply personal, powerful and unforgettable story of history, home and loss.

    An aging feudal landlord's household staff, the villagers who depend on his favor, and a network of relations near and far who have sought their fortune in the cities confront the advantages and constraints of station, the dissolution of old ways, and the shock of change. Mueenuddin bares—at times humorously, at times tragically—the complexities of Pakistani class and culture and presents a vivid picture of a time and a place, of the old powers and the new, as the Pakistani feudal order is undermined and transformed.

    Her children are almost grown, the city is buzzing with excitement after recent elections. Change is in the air. But no one can foresee what will happen in the days and months that follow. For this is East Pakistan in 1971, a country on the brink of war. And this family's life is about to change forever. Set against the backdrop of the Bangladesh War of Independence, 'A Golden Age' is a story of passion and revolution, of hope, faith, and unexpected heroism. In the chaos of this era, everyone must make choices. And as she struggles to keep her family safe, Rehana will be forced to face a heartbreaking dilemma.

    The girl is alive, but she has been beaten and abused. She is held in the local prison, awaiting interrogation for the murders she is believed by the local people to have committed.