Till now, twenty-three-year-old Simon Boudlin has evaded military duty but following a barroom brawl in Victoria, Texas, Simon finds himself conscripted into the Confederate Army. Luckily his talent with a fiddle gets him a comparatively easy position in a regimental band.Weeks later, on the eve of the Confederate surrender, Simon and his bandmates are called to play for officers and their families from both sides of the conflict. There the fiddler can’t help but notice Doris Mary Dillon, an indentured girl from Ireland, who is governess to a Union colonel’s daughter.After the surrender, Simon and Doris go their separate ways. But Simon cannot forget the fair Irish maiden, and vows that someday he will find her again.

    He wrote it during 1870–71 and published in 1872, as a prequel to his first book The Innocents Abroad (1869). This book tells of Twain's adventures prior to his pleasure cruise related in Innocents Abroad.

    When Homer asked for her hand, Elsie instead headed to Orlando where she sparked with a dancing actor named Buddy Ebsen (yes, that Buddy Ebsen). But when Buddy headed for New York, Elsie’s dreams of a life with him were crushed and eventually she found herself back in the coalfields, married to Homer.Unfulfilled as a miner’s wife, Elsie was reminded of her carefree days with Buddy every day because of his unusual wedding gift: an alligator named Albert she raised in the only bathroom in the house. When Albert scared Homer by grabbing his pants, he gave Elsie an ultimatum: “Me or that alligator!” After giving it some thought, Elsie concluded there was only one thing to do: Carry Albert home.Carrying Albert Home is the funny, sweet, and sometimes tragic tale of a young couple and a special alligator on a crazy 1000-mile adventure. Told with the warmth and down-home charm that made Rocket Boys/October Sky a beloved bestseller, Homer Hickam’s rollicking tale is ultimately a testament to that strange and marvelous emotion we inadequately call love.

    The sisters nurture Gabrielle’s exceptional sewing skills, a talent that will propel the willful young woman into a life far removed from the drudgery of her childhood.Transforming herself into Coco—a seamstress and sometime torch singer—the petite brunette burns with ambition, an incandescence that draws a wealthy gentleman who will become the love of her life. She immerses herself in his world of money and luxury, discovering a freedom that sparks her creativity. But it is only when her lover takes her to Paris that Coco discovers her destiny.Rejecting the frilly, corseted silhouette of the past, her sleek, minimalist styles reflect the youthful ease and confidence of the 1920s modern woman. As Coco’s reputation spreads, her couturier business explodes, taking her into rarefied society circles and bohemian salons. But her fame and fortune cannot save her from heartbreak as the years pass. And when Paris falls to the Nazis, Coco is forced to make choices that will haunt her.An enthralling novel of an extraordinary woman who created the life she desired, Mademoiselle Chanel explores the inner world of a woman of staggering ambition whose strength, passion and artistic vision would become her trademark.

    Liberated from home and hearth by World War I, politically enfranchised and ready to work, women arrived to take their place in the dazzling new skyscrapers of Manhattan. But they did not want to stay in uncomfortable boarding houses. They wanted what men already had—exclusive residential hotels with maid service, workout rooms, and private dining. Built in 1927, at the height of the Roaring Twenties, the Barbizon Hotel was designed as a luxurious safe haven for the “Modern Woman” hoping for a career in the arts. Over time, it became the place to stay for any ambitious young woman hoping for fame and fortune. Sylvia Plath fictionalized her time there in The Bell Jar, and, over the years, it’s almost 700 tiny rooms with matching floral curtains and bedspreads housed, among many others, Titanic survivor Molly Brown; actresses Grace Kelly, Liza Minnelli, Ali MacGraw, Jaclyn Smith; and writers Joan Didion, Gael Greene, Diane Johnson, Meg Wolitzer. Mademoiselle magazine boarded its summer interns there, as did Katharine Gibbs Secretarial School its students and the Ford Modeling Agency its young models. Before the hotel’s residents were household names, they were young women arriving at the Barbizon with a suitcase and a dream. Not everyone who passed through the Barbizon’s doors was destined for success—for some, it was a story of dashed hopes—but until 1981, when men were finally let in, the Barbizon offered its residents a room of their own and a life without family obligations. It gave women a chance to remake themselves however they pleased; it was the hotel that set them free. No place had existed like it before or has since. “Poignant and intriguing” (The New Republic), The Barbizon weaves together a tale that has, until now, never been told. It is both a vivid portrait of the lives of these young women looking for something more and a “brilliant many-layered social history of women’s ambition and a rapidly changing New York through the 20th century” (The Guardian).

    In this novel of a couple, and of passion, betrayal, and art, Georgia comes alive as never before. By the writer whose work Edna O’Brien called "shimmering, audacious."Georgia O’Keeffe is a young woman, painting and teaching art in Texas, when she travels to New York to meet Alfred Stieglitz, the married gallery owner of 291, modern art promoter, and photographer. Their instantaneous attraction and powerful hunger for each other draw her into his world of art, sex, and passion, and she becomes his mistress and his muse. As their relationship develops, so does Georgia’s place in the art world, but she becomes trapped in her role as the subject of Stieglitz’s infamous nude photographs of her; the critics cannot envision her as her own being. As her own artistic fervor begins to push the boundaries of her life, we see Georgia transform into the powerfully independent woman she is known as today.

    Now, in this riveting new novel by the author of The Other Alcott, we see the world through her eyes…In 1918, a fearless twenty-two-year old arrives in bohemian San Francisco from the Northeast, determined to make her own way as an independent woman. Renaming herself Dorothea Lange she is soon the celebrated owner of the city’s most prestigious and stylish portrait studio and wife of the talented but volatile painter, Maynard Dixon. By the early 1930s, as America’s economy collapses, her marriage founders and Dorothea must find ways to support her two young sons single-handedly. Determined to expose the horrific conditions of the nation’s poor, she takes to the road with her camera, creating images that inspire, reform, and define the era. And when the United States enters World War II, Dorothea chooses to confront another injustice—the incarceration of thousands of innocent Japanese Americans. Learning to See is a gripping account of the ambitious woman behind the camera who risked everything for art, activism, and love. But her choices came at a steep price…

    child of a Shoshoni chief, lone woman on Lewis and Clark‘s historic trek-beautiful spear of a dying nation.She knew many men, walked many miles. From the whispering prairies, across the Great Divide to the crystal-capped Rockies and on to the emerald promise of the Pacific Northwest, her story overflows with emotion and action ripped from the bursting fabric of a raw new land. Ten years In the Writing, SACAJAWEA unfolds an immense canvas of people and events, and captures the eternal longings of a woman who always yearned for one great passion-and always it lay beyond the next mountain.

    For months, she lived with them, unbroken, until she escaped, and followed a thousand mile trail to freedom--an extraordinary story of a pioneer woman who risked her life to return to her people.

    government, travel to the western prairies in 1875 to intermarry among the Cheyenne Indians. The covert and controversial "Brides for Indians" program, launched by the administration of Ulysses S. Grant, is intended to help assimilate the Indians into the white man's world. Toward that end May and her friends embark upon the adventure of their lifetime. Jim Fergus has so vividly depicted the American West that it is as if these diaries are a capsule in time.

    A masterpiece in its own right, this novel offers a compelling portrait of Michelangelo’s dangerous, impassioned loves, and the God-driven fury from which he wrested the greatest art the world has ever known.

    Axie's story begins on the streets of 1860s New York. The impoverished child of Irish immigrants, she grows up to become one of the wealthiest and most controversial women of her day.In vivid prose, Axie recounts how she is forcibly separated from her mother and siblings, apprenticed to a doctor, and how she and her husband parlay the sale of a few bottles of 'Lunar Tablets for Female Complaint' into a thriving midwifery business. Flouting convention and defying the law in the name of women's reproductive rights, Axie rises from grim tenement rooms to the splendor of a mansion on Fifth Avenue, amassing wealth while learning over and over never to trust a man who says "trust me."When her services attract outraged headlines, Axie finds herself on a collision course with a crusading official, Anthony Comstock, founder of the Society for the Suppression of Vice. It will take all of Axie's cunning and power to outwit him in the fight to preserve her freedom and everything she holds dear.Inspired by the true history of an infamous female physician who was once called "the Wickedest Woman in New York," My Notorious Life is a mystery, a family saga, a love story, and an exquisitely detailed portrait of nineteenth-century America. Axie Muldoon's inimitable voice brings the past alive, and her story haunts and enlightens the present.

    She is sold first to a brothel, then to a slave merchant bound for America. In a new country, she is given the name Polly and eventually auctioned to a saloonkeeper. When admirer Charlie Bemis wins her in a poker game, he frees her from her enslavement and eventually proposes marriage. The two live out their days on a bountiful farm, a homestead called Polly’s Place in Salmon Canyon, Idaho.This masterfully told biographical novel is the true story of an extraordinary woman’s successful fight for independence and respect in the early American West.“Lalu comes to life and transfixes the reader with her story of struggle and survival . . . Lalu/Polly was a remarkable pioneer woman—a new heroine of the American West—and we can thank McCunn for bringing her to life in such a moving and inspirational way.” —Jeanne Wakatsuki Houston, San Francisco Chronicle“A valuable book that gives Chinese Americans another true heroine.” —Maxine Hong Kingston“Lalu Nathoy’s courageous journey is an important contribution to the history of pioneer women.” —Ms. Magazine

    He was smart, well-spoken, attractive to both white and Mexican women, a good dancer, and a man with a nose for money, horses, and trouble. His spree of crimes and murders has been immortalized in dime westerns, novels, and movies. But the whole story of his short, epically violent life has never been told as it has been here. “The Kid’s story has been told many times. But not like this” (The New York Times Book Review). In his incredible novel, Ron Hansen showcases his masterful research and inimitable style as he breathes life into history, bringing readers back into the late 1800s and into Billy’s boyhood as a ranch hand just trying to wrest a fortune from an unforgiving landscape. We are with Billy in every gunfight and horse theft and get to know him in full before his grand death in a hail of bullets in 1881 at the age of twenty-one. Original, powerful, and swiftly told, The Kid is an “entertaining and lively…an excellent, transportive read” (Publishers Weekly, starred review).

    Scandalous affairs rage behind closed doors, broken hearts are tossed aside, fires rip through the wings of the house and paparazzi lie in wait outside the front door for the latest tragedy in this never-ending saga. This is the home of the great architect of the twentieth century, a man of extremes in both his work and his private life: at once a force of nature and an avalanche of need and emotion that sweeps aside everything in its path. Sharp, savage and subtle in equal measure, "The Women" plumbs the chaos, horrors and uncontainable passions of a formidable American icon.