And when their own family collapses in the wake of a revelation and a resulting devastating fight with their Catholic mother, the twins move to Prague, the city in which their “falling curse” began. There, Marta and Nick try to forge a new life for themselves. But their ties to the past and each other prove difficult to disentangle, and when they ultimately return to their midwestern home and Nick falls from a balcony himself, Marta is forced to confront the truths they've hidden from each other and themselves.Ingeniously and unforgettably narrated by Marta as she reflects on all the ways there are to fall--from defenestration in nineteenth century Prague to the pratfalls of her childhood idol Buster Keaton, from falling in love to falling midflight from an airplane--Defenestrate is a deeply original, gorgeous novel about the power of stories and the strange, malleable bonds that hold families together.

    Inspired by Simone Weil’s concept of ‘decreation’, and often drawing on Batak and Christian cultural elements, these tales put queer characters in situations and plots conventionally filled by hetero characters.The stories talk to each other, echo phrases and themes, and even shards of stories within other stories, passing between airports, stacks of men’s lifestyle magazines and memories of Toy Story 3, such that each one almost feels like a puzzle piece of a larger whole, but with crucial facts – the saddest ones, the happiest ones – omitted, forgotten, unbearable.A blend of science fiction, absurdism and alternative-historical realism, Happy Stories, Mostly is a powerful puff of fresh air, aimed at destabilising the heteronormative world and exposing its underlying absences.

    Through monologues, emails, and text exchanges, she brilliantly weaves together the coming of age of five distinct characters: a woman who’s “gone off sausage” (men); her brother, in a secret affair with a powerful married man; a lesbian couple confronting an important transition; and the troubled young woman who forces them all to face their fears. With vibrant imagery and daring prose, Korneliussen writes honestly about finding yourself and growing into the person you were meant to be. Praised for creating “its own genre” (Politiken, Denmark), Last Night in Nuuk is a brave entrance onto the literary scene and establishes her as a voice that cannot be ignored.

    Through the eyes of the ancient slave Ti-Noel, The Kingdom of This World records the destruction of the black regime--built on the same corruption and contempt for human life that brought down the French--in an orgy of voodoo, racial hatred, erotomania, and fantastic grandeurs of false elegance.

    Patroclus is an awkward young prince, exiled from his homeland after an act of shocking violence. Brought together by chance, they forge an inseparable bond, despite risking the gods' wrath.They are trained by the centaur Chiron in the arts of war and medicine, but when word comes that Helen of Sparta has been kidnapped, all the heroes of Greece are called upon to lay siege to Troy in her name. Seduced by the promise of a glorious destiny, Achilles joins their cause, and torn between love and fear for his friend, Patroclus follows. Little do they know that the cruel Fates will test them both as never before and demand a terrible sacrifice.

    A girl with a strong will, a full heart, and much to learn. Born into a family reeling from the ruptures of Partition in India, we follow her as she crosses the precarious lines between childhood, teenage discovery, and realizing her adult self. In the process, Paro must confront fear, desire and the darkest parts of herself in the search for meaning and, ultimately, empowerment.Nikita Gill's vivid poetry and beautiful illustrations have captured hearts and imaginations--but in The Girl and the Goddess, she offers us her most personal and deeply felt writing to date: an intimate coming-of-age story told in linked poems that offers a look into the Hindu mythology and rich cultural influences that helped her become the woman she is today.

    The increasingly frantic protagonist fails to defend his supposed masculinity and eventually finds himself in a sanatorium. A Gothic tale of destabilized male-female binaries and subverted literary tropes, this is the book's first English publication.

     Marie Antoine is the charismatic, spoiled daughter of a sugar baron. At 12 years old, with her blond curls and her unparalleled sense of whimsey, she's the leader of all the children in the Golden Mile, an affluent strip of 19th century Montreal. Until one day in 1873, when Sadie Arnett, dark-haired, sly, and brilliant, moves to the neighborhood.Marie and Sadie are immediately united by their passion and intensity, and they attract and repel each other in ways that light each of them on fire. Marie with her bubbly charm sees the light and sweetness of the world, whereas Sadie's obsession with darkness is all consuming. Soon their childlike games take on a thrill of danger and then become deadly.Forced to separate, they spend their teenage years engaged in acts of alternating innocence and depravity--until a singular event unites them once more, with dizzying effects. And after Marie inherits her father's sugar empire and Sadie disappears into the city's gritty underworld, a revolution of the working class begins to foment. Each of them will have unexpected roles to play in events that upend their city--the only question is whether they will find each other once more.Traveling from a repressive finishing school to a vibrant brothel, taking readers firsthand into the brutality of factory life and the opulent lives of Montreal's wealthy, When We Lost Our Heads dazzlingly explores gender and power, sex and desire, class and status, and the terrifying power of the human heart when it can't let someone go.

    Pronounced ‘cheena’: designation for female, from the Quechua. Iron: The English word for Fierro, reference to the gaucho Martín Fierro, from José Hernández’s epic poem.) This is a riotous romp taking the reader from the turbulent frontier culture of the pampas deep into indigenous territories. It charts the adventures of Mrs China Iron, Martín Fierro’s abandoned wife, in her travels across the pampas in a covered wagon with her new-found friend, soon to become lover, a Scottish woman named Liz. While Liz provides China with a sentimental education and schools her in the nefarious ways of the British Empire, their eyes are opened to the wonders of Argentina’s richly diverse flora and fauna, cultures and languages, as well as to its national struggles. After a clash with Colonel Hernández (the author who ‘stole’ Martín Fierro’s poems) and a drunken orgy with gauchos, they eventually find refuge and a peaceful future in a utopian indigenous community, the river- dwelling Iñchiñ people. Seen from an ox-drawn wagon, the narrative moves through the Argentinian landscape, charting the flora and fauna of the Pampas, Gaucho culture, Argentinian nation-building and British colonial projects. In a unique reformulation of history and literary tradition, Gabriela Cabezón Cámara, with humour and sophistication, re-writes Martín Fierro from a feminist, LGBT, postcolonial point of view. She creates a hilarious novel that is nevertheless incisive in its criticism of the way societies come into being, and the way they venerate mythical heroes.

    It centers around a young Nigerian woman, Ada, who develops separate selves within her as a result of being born "with one foot on the other side." Unsettling, heartwrenching, dark, and powerful, Freshwater is a sharp evocation of a rare way of experiencing the world, one that illuminates how we all construct our identities.Ada begins her life in the south of Nigeria as a troubled baby and a source of deep concern to her family. Her parents, Saul and Saachi, successfully prayed her into existence, but as she grows into a volatile and splintered child, it becomes clear that something went terribly awry. When Ada comes of age and moves to America for college, the group of selves within her grows in power and agency. A traumatic assault leads to a crystallization of her alternate selves: Asụghara and Saint Vincent. As Ada fades into the background of her own mind and these selves--now protective, now hedonistic--move into control, Ada's life spirals in a dark and dangerous direction.Narrated by the various selves within Ada and based in the author's realities, Freshwater dazzles with ferocious energy and serpentine grace, heralding the arrival of a fierce new literary voice.

    The people of Segu, the Bambara, are guided by their griots and priests; their lives are ruled by the elements. But even their soothsayers can only hint at the changes to come, for the battle of the soul of Africa has begun. From the east comes a new religion, Islam, and from the West, the slave trade. Segu follows the life of Dousika Traore, the king’s most trusted advisor, and his four sons, whose fates embody the forces tearing at the fabric of the nation. There is Tiekoro, who renounces his people’s religion and embraces Islam; Siga, who defends tradition, but becomes a merchant; Naba, who is kidnapped by slave traders; and Malobali, who becomes a mercenary and halfhearted Christian.Based on actual events, Segutransports the reader to a fascinating time in history, capturing the earthy spirituality, religious fervor, and violent nature of a people and a growing nation trying to cope with jihads, national rivalries, racism, amid the vagaries of commerce.

    ‘Beware, for I am fearless and therefore powerful.'What will happen when homo sapiens is no longer the smartest being on the planet? Jeanette Winterson shows us how much closer we are to that future than we realise. Funny and furious, bold and clear-sighted, Frankissstein is a love story about life itself.

    Like him, they are diminutive but graceful, unique, and with surprising depths. Perhaps that's why he answers the enigmatic personal ad in his collector's magazine.Letter by letter, Bramber Winters reveals more of her strange, sheltered life in an institution on Bodmin Moor, and the terrible events that put her there as a child. Andrew knows what it is to be trapped, and as they knit closer together, he weaves a curious plan to rescue her.On his journey through the old towns of England, he reads the fairy tales of Ewa Chaplin--potent, eldritch stories which, like her lifelike dolls, pluck at the edges of reality and thread their way into his mind. When Andrew and Bramber meet at last, they will have a choice--to break free and, unlike their dolls, come to life.A love story of two very real, unusual people, The Dollmaker is also a novel rich with wonders: Andrew's quest and Bramber's letters unspool around the dark fables that give our familiar world an uncanny edge. It is this touch of magic that, like the blink of a doll's eyes, tricks our own.

    V. Bishop, set in Renaissance Florence.Florence. Winter, 1536. A prominent Jewish moneylender is murdered in his home, a death with wide implications in a city powered by immense wealth.Cesare Aldo, a former soldier and now an officer of the Renaissance city’s most feared criminal court, is given four days to solve the murder: catch the killer before the feast of Epiphany – or suffer the consequences.During his investigations Aldo uncovers a plot to overthrow the volatile ruler of Florence, Alessandro de’ Medici. If the Duke falls, it will endanger the whole city. But a rival officer of the court is determined to expose details about Aldo’s private life that could lead to his ruin. Can Aldo stop the conspiracy before anyone else dies, or will his own secrets destroy him first?

    The Gold children—four adolescents on the cusp of self-awareness—sneak out to hear their fortunes.The prophecies inform their next five decades. Golden-boy Simon escapes to the West Coast, searching for love in '80s San Francisco; dreamy Klara becomes a Las Vegas magician, obsessed with blurring reality and fantasy; eldest son Daniel seeks security as an army doctor post-9/11; and bookish Varya throws herself into longevity research, where she tests the boundary between science and immortality.A sweeping novel of remarkable ambition and depth, The Immortalists probes the line between destiny and choice, reality and illusion, this world and the next. It is a deeply moving testament to the power of story, the nature of belief, and the unrelenting pull of familial bonds.