Nine writers, including James P. Blaylock, Peter Dickinson, Patricia A. McKillip, P C Hodgell and the editor, Robin McKinley, have written stories where the land is crucial to the tale: the armchair traveller will find the best of fantasy on this grand tour of imaginary lands.1 • Paper Dragons • [Land of Dreams] • novelette by James P. Blaylock23 • The Old Woman and the Storm • short story by Patricia A. McKillip35 • The Big Rock Candy Mountain • novelette by Robert Westall59 • Flight • novelette by Peter Dickinson91 • Evian Steel • [Merlin's Booke] • novelette by Jane Yolen125 • Stranger Blood • novelette by P. C. Hodgell155 • The Curse of Igamor • short story by Michael de Larrabeiti169 • Tam Lin • novelette by Joan D. Vinge199 • The Stone Fey • novelette by Robin McKinley

    One day, September is met at her kitchen window by a Green Wind (taking the form of a gentleman in a green jacket), who invites her on an adventure, implying that her help is needed in Fairyland. The new Marquess is unpredictable and fickle, and also not much older than September. Only September can retrieve a talisman the Marquess wants from the enchanted woods, and if she doesn’t . . . then the Marquess will make life impossible for the inhabitants of Fairyland. September is already making new friends, including a book-loving Wyvern and a mysterious boy named Saturday.  With exquisite illustrations by acclaimed artist Ana Juan, Fairyland lives up to the sensation it created when the author first posted it online. For readers of all ages who love the charm of Alice in Wonderland and the soul of The Golden Compass, here is a reading experience unto itself: unforgettable, and so very beautiful.

    Fifteen-year-old Corinna Stonewall — the only Folk Keeper in the city of Rhysbridge — sits hour after hour with the Folk in the dark, chilly cellar, "drawing off their anger as a lightning rod draws off lightning." The Folk are the fierce, wet-mouthed, cave-dwelling gremlins who sour milk, rot cabbage, and make farm animals sick. Still, they are no match for the steely, hard-hearted, vengeful orphan Corinna who prides herself in her job of feeding, distracting, and otherwise pacifying these furious, ravenous creatures. The Folk Keeper has power and independence, and that's the way she likes it.One day, Corinna is summoned by Lord Merton to come to the vast seaside estate Cliffsend as Folk Keeper and family member — for she is the once-abandoned child he has been looking for. It is at Cliffsend that Corinna learns where her unusual powers come from, why she is drawn to the sea, and finally, what it means to be comfortable in her own skin. Written in the form of a journal, The Folk Keeper is a powerful story of a proud, ferociously self-reliant girl who breaks out of her dark, cold, narrow world into one of joy, understanding, and even the magic of romance.

    Into this mix comes young Aidan Cain, who turns up from the orphanage asking for safety. Who he is and why he's there is unclear, but a strong connection between the two becomes apparent.

    It is beautiful and it is comic. It is philosophical and it is cheery. What we suppose we are trying fumblingly to say is, in a word, that it is Thurber.There are only a few reasons why everybody has always wanted to read this kind of story: if you have always wanted to love a Princess; if you always wanted to be a Prince; if you always wanted the wicked Duke to be punished; or if you always wanted to live happily ever after. Too little of this kind of thing is going on in the world today. But all of it is going on valorously in The 13 Clocks.

    Perry runs the fastest, speaks her mind, and doesn’t give much thought to the castle’s Bamarre servants, who she knows to be weak and cowardly. The Lakti always wage war, and the battlefield will give her the chance to show her valor.But just as she’s about to join her father on the front lines, she is visited by the fairy Halina, who reveals that Perry isn’t Latki-born. She is a Bamarre. The fairy issues a daunting challenge: against the Lakti might, free her people from tyranny.

    A princess doomed by a witch to lose her “gravity” results in a silly heroine that has neither physical nor spiritual weight. George MacDonald’s masterful teaching on the subject of sacrificial love is delivered eloquently in the events and characters of this engaging story.

    Wodehouse. Composed almost a decade after The Lord of the Rings, and when his lifelong occupation with the 'Silmarillion' was winding down, Smith of Wootton Major was the product of ripened experience and reflection. It was published in 1967 as a small hardback, complete with charming black and white illustrations by Pauline Baynes, and would be the last work of fiction to be published in Tolkien’s own lifetime.Now, almost 40 years on, this enchanting tale of a wanderer who finds his way into the perilous realm of Faery is being republished, but in addition to a facsimile of the illustrated first edition this new version includes a manuscript of Tolkien's early draft of the story, notes on the genesis, chronology and alternate ending of the story, and a lengthy essay on the nature of Faery, all of which is previously unpublished. Contained within Smith of Wooton Major are many intriguing links to the world of Middle-earth, as well as to Tolkien’s other tales, and this 'extended edition' the reader will finally discover the full story behind this major piece of short fiction.

    Now the kids want to tell their story but the faeries will do everything they can to stop them.

    Learn what really happened during that magical summer of 1920 when she discovered the secret world of the Flower Fairies.

    In 1558, while exiled by Queen Mary Tudor to a remote castle known as Perilous Gard, young Kate Sutton becomes involved in a series of mysterious events that lead her to an underground world peopled by Fairy Folk—whose customs are even older than the Druids’ and include human sacrifice.

    So the Folk banish her and send her to live among humans as a changeling. Named Saaski by the couple for whose real baby she was swapped, she grows up taunted and feared by the villagers for being different, and is comfortable only on the moor, playing strange music on her bagpipes.  As Saaski grows up, memories from her forgotten past with the Folks slowly emerge. But so do emotions from her human side, and she begins to realize the terrible wrong the Folk have done to the humans she calls Da and Mumma. She is determined to restore their child to them, even if it means a dangerous return to the world that has already rejected her once.

    This witty and charming collection of ten short fantasies includes a story, set in the Enchanted Forest, about Queen Cimorene's Frying Pan of Doom; a zany yarn about a magical blue chipmunk with a passion for chestnuts; and an eerie tale of a caliph who turns his vizier's daughter into a wolf.

    However, Magpie Windwitch, granddaughter of the West Wind, is not like other faeries. While her kind live in seclusion deep in the forests of Dreamdark, she's devoted her life to tracking down and recapturing devils escaped from their ancient bottles, just as her hero, the legendary Bellatrix, did 25,000 years ago. With her faithful gang of crows, she travels the world fighting where others would choose to flee. But when a devil escapes from a bottle sealed by the ancient Djinn King himself, the creator of the world, she may be in over her head. How can a single faerie, even with the help of her friends, hope to defeat the impenetrable darkness of the Blackbringer?

    This isn’t most fairy tales.Princess Violet is plain, reckless, and quite possibly too clever for her own good. Particularly when it comes to telling stories. One day she and her best friend, Demetrius, stumble upon a hidden room and find a peculiar book. A forbidden book. It tells a story of an evil being—called the Nybbas—imprisoned in their world. The story cannot be true—not really. But then the whispers start. Violet and Demetrius, along with an ancient, scarred dragon, may hold the key to the Nybbas’s triumph . . . or its demise. It all depends on how they tell the story. After all, stories make their own rules.Iron Hearted Violet is a story of a princess unlike any other. It is a story of the last dragon in existence, deathly afraid of its own reflection. Above all, it is a story about the power of stories, our belief in them, and how one enchanted tale changed the course of an entire kingdom.