With each new book, his instinct for playing upon our deepest dread has grown only stronger and more sinister. He?s never been afraid to push the boundaries of suspense and confront us with what frightens us most.After his father?s untimely death sends fifteen-year-old Ryan McIntyre into an emotional tailspin, his mother enrolls him in St. Isaac?s Catholic boarding school, hoping the venerable institution with a reputation for transforming wayward teens can work its magic on her son. But troubles are not unknown even at St. Isaac, where Ryan arrives to find the school awash in news of one student?s violent death, another?s mysterious disappearance, and growing incidents of disturbing behavior within the hallowed halls.Things begin to change when Father Sebastian joins the faculty. Armed with unprecedented knowledge and uncanny skills acquired through years of secret study, the young priest has been dispatched on an extraordinary and controversial mission: to prove the power of one of the Church?s most arcane sacred rituals, exorcism. Willing or not, St. Isaac?s most troubled students will be pawns in Father Sebastian?s one-man war against evil?a war so surprisingly effective that the pope himself takes notice of the seemingly miraculous events unfolding an ocean away.But Ryan, drawn ever more deeply into Father Sebastian?s ministrations, sees?and knows?otherwise. As he witnesses with mounting dread the transformations of his fellow pupils, his certainty grows that forces of darkness, not divinity, are at work. Evil is not being cast out . . . something else is being called forth. Something that hasn?t stirred since the Inquisition?s reign of terror. Something nurtured through the ages to do its vengeful masters? unholy bidding. Something whose hour has finally come to bring hell unto earth.

    But does that make her capable of a vicious murder? Fearing the worst, Work launches his own investigation, crossing paths with a power-hungry detective, a string of damning evidence, and the ugly rumors that swirl within his small, moneyed Southern town.Desperate for the redemption that has eluded him for so many years and stripped of everything he once valued, he fights to save his sister and clear his name--in this poignant and thrilling anatomy of a murder and its ripple effect within a family and a community.

    But one night, at a symposium in Moscow concerning the release of secret Soviet archives, he is approached by Papu Rapava, a former Kremlin bodyguard with a story to tell. No one but the desperate Kelso would believe the tale, for what Rapava describes is a sort of Holy Grail among researchers: an actual diary left by Joseph Stalin himself. Such an artifact, if it's genuine -- and if Kelso can survive the fascist Vladimir Mamantov, who wants it for his own agenda -- would be the coup of a lifetime for the discredited researcher.Before Kelso can learn the location of the diary, Rapava disappears, and Kelso's search for the former bodyguard leads him to the man's daughter, a whore selling herself in the new Moscow of drugs, corruption, and the Russian mafia. With an unscrupulous American journalist hot on their heels, a major of the new KGB close behind, and the shadowy Mamantov following them all, the two follow a trail that leads from Moscow's seedy underbelly to the industrial city of Archangel, where Russia once built her fleets of submarines, to a remote camp on the edge of the Siberian nothingness, and finally to a shocking conclusion that bites like the wind blowing off the tundra. What Kelso sees as the coup of his career might turn out to be the catalyst for an actual coup in Russia. There is a legacy behind the diary, a legacy of evil and death, and Fluke Kelso is unwittingly about to unleash it on the world.

    On a business trip to Paris to promote their luxury brand, Niamh learns of Ruairidh's affair, and then looks on as he and his lover are killed by a car bomb. She returns home to Lewis, bereft.I'LL ALWAYS BE THERE FOR YOUNiamh begins to look back on her life with Ruairidh, desperate to identify anyone who may have held a grudge against him. The French police, meanwhile, have ruled out terrorism, and ruled in murder - and sent Detective Sylvie Braque to shadow their prime suspect: Niamh.I'LL KEEP YOU SAFE, NO MATTER WHATAs one woman works back through her memories, and the other moves forward with her investigation, the two draw ever closer to a deadly enemy with their own, murderous, designs.

    But now a diabolical killer is challenging Rhyme to a terrifying and ingenious duel of wits. With police detective Amelia Sachs by his side, Rhyme must follow a labyrinth of clues that reaches back to a dark chapter in New York City's past -- and reach further into the darkness of the mind of a madman who won't stop until he has stripped life down to the bone.

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    Under its charismatic Sultan, Suleiman the Magnificent, it is an empire on the rise. It has defeated Christian fleets. It has conquered Christian cities.Then the Sultan sends out an invitation to every king in Europe: send forth your champion to compete in a tournament unlike any other.We follow the English delegation, selected by King Henry VIII himself, to the glittering city of Constantinople, where the most amazing tournament ever staged will take place.But when the stakes are this high, not everyone plays fair, and for our team of plucky English heroes, winning may not be the primary goal. As a series of barbaric murders take place, a more immediate goal might simply be staying alive…

    In present-day Russia, ruled by blue-eyed, unblinking President Vladimir Putin, Russian intelligence officer Dominika Egorova struggles to survive in the post-Soviet intelligence jungle. Ordered against her will to become a “Sparrow,” a trained seductress, Dominika is assigned to operate against Nathaniel Nash, a young CIA officer who handles the Agency’s most important Russian mole.Spies have long relied on the “honey trap,” whereby vulnerable men and women are intimately compromised. Dominika learns these techniques of “sexpionage” in Russia’s secret “Sparrow School,” hidden outside of Moscow. As the action careens between Russia, Finland, Greece, Italy, and the United States, Dominika and Nate soon collide in a duel of wills, tradecraft, and—inevitably—forbidden passion that threatens not just their lives but those of others as well. As secret allegiances are made and broken, Dominika and Nate’s game reaches a deadly crossroads. Soon one of them begins a dangerous double existence in a life-and-death operation that consumes intelligence agencies from Moscow to Washington, DC.Page by page, veteran CIA officer Jason Matthews’s Red Sparrow delights and terrifies and fascinates, all while delivering an unforgettable cast, from a sadistic Spetsnaz “mechanic” who carries out Putin’s murderous schemes to the weary CIA Station Chief who resists Washington “cake-eaters” to MARBLE, the priceless Russian mole. Packed with insider detail and written with brio, this tour-de-force novel brims with Matthews’s life experience, including his knowledge of espionage, counterintelligence, surveillance tradecraft, spy recruitment, cyber-warfare, the Russian use of “spy dust,” and covert communications. Brilliantly composed and elegantly constructed, Red Sparrow is a masterful spy tale lifted from the dossiers of intelligence agencies on both sides of the Atlantic. Authentic, tense, and entertaining, this novel introduces Jason Matthews as a major new American talent.

    He's handsome and charming, but something in his past has made him abide by a different set of rules. He's a serial killer whose one golden rule makes him immensely likeable: he only kills bad people. And his job as a blood spatter expert for the Miami police department puts him in the perfect position to identify his victims. But when a series of brutal murders bearing a striking similarity to his own style start turning up, Dexter is caught between being flattered and being frightened—of himself or some other fiend.

    Now Dillon is a terrorist for hire, a master of disguise employed by Saddam Hussein. Brosnan is the one man who knows Dillon’s strengths and weaknesses … and brilliant mastery of espionage. — Once friends, now enemies, they are playing the deadliest game of their careers. A game that culminates in a frightening -- and true -- event: Iraq’s attempted mortar attack on the British war cabinet at 10 Downing Street in February 1991.

    Former publishing executive Joseph Kanon's first novel does all of that, and adds a layer of acute perception about recent history that immediately vaults it up into the hallowed heights of John Le Carre's Tinker, Tailor, Soldier, Spy and Charles McCarry's The Tears of Autumn--thrillers that deserve space next to Tolstoy and Dostoyevsky. In the spring of 1945, as the war in Europe is coming to an end, a former police reporter turned Army Intelligence agent named Mike Connolly arrives on the high mesa above Santa Fe, New Mexico, where J. Robert Oppenheimer and a team of scientists are rushing to finish their atomic bomb. A security man has been found battered to death, and Connolly's job is to see if it is anything more than the sordid sex crime it appears to be. Using a devilishly clever mixture of real and fictional characters, Kanon spins out a story that manages to be audacious, persuasive--and totally engrossing.

    Raymond Shaw is a hero of the first order. He's an ex-prisoner of war who saved the life of his entire outfit, a winner of the Congressional Medal of Honor, the stepson of an influential senator...and the perfect assassin. Brainwashed during his time as a P.O.W., he is a "sleeper" -- a living weapon to be triggered by a secret signal. He will act without question, no matter what order he is made to carry out. To stop Shaw and those who now control him, his former commanding officer, Bennett Marco, must uncover the truth behind a twisted conspiracy of torture, betrayal, and power that will lead him to the highest levels of the government -- and into the darkest recesses of his own mind....

    But the Red Army still patrols the capital's rubble-strewn streets, and the ideals of the Revolution are but memories. Twenty-two-year-old Detective Emil Brod, an eager young man who spent the war working on a fishing boat in Finland, finally gets his chance to serve his country, investigating murder for the People's Militia.The victim in Emil's first case is a state songwriter, but the evidence seems to point toward a political motive. He would like to investigate further, but even in his naivete, he realizes that the police academy never prepared him for this peculiar post-war environment, in which his colleagues are suspicious or silent, where lawlessness and corruption are the rules of the city, and in which he's still expected to investigate a murder. He is truly on his own in this new, dangerous world.The Bridge of Sighs launches a unique series of crime novels featuring a dynamic cast of characters in an ever-evolving landscape, the politically volatile terrain of Eastern Europe in the second half of the 20th century.The Bridge of Sighs is a 2004 Edgar Award Nominee for Best First Novel.

    Thea Sperelakis, diagnosed as a teen with Asperger’s syndrome, has always been an outsider. She has a brilliant medical mind, and a remarkable recall of details, but her difficulty in dealing with hidden agendas and interpersonal conflicts have led her to leave the complex, money-driven dynamics of the hospital, and to embrace working with the poor, embattled  patients of Doctors Without Borders. Her father, Petros, is one of the most celebrated internal medicine specialists in the world, and the founder of the cutting-edge Sperelakis Center for Diagnostic Medicine at Boston’s sprawling, powerful Beaumont Clinic.Thea’s rewarding life in Africa is turned upside-down when Petros is severely injured by a hit-and-run driver. He is in the Beaumont ICU, in a deep coma. No one thinks he will survive. Thea must return home. Two of Petros’ other children, both physicians, battle Thea and her eccentric brother, Dimitri, by demanding that treatment for their father be withheld.As Thea uncovers the facts surrounding the disaster, it seems more and more to be no accident. Petros, himself, is the only witness. Who would want him dead? The answers are trapped in his brain . . . until he looks at Thea and begins slowly to blink a terrifying message.In The Second Opinion, Michael Palmer has created a cat-and-mouse game where one woman must confront a conspiracy of doctors to uncover an evil practice that touches every single person who ever has a medical test. With sympathetic characters and twists and betrayals that come from the most unlikely places, The Second Opinion will make you question…everything.

    Now he's out - for revenge.Former CIA officer James 'Wes' Wesley paid the ultimate price for his patriotism when he was locked up in a French jail for an anti-terror operation gone wrong - abandoned by the Agency he served, shunned by his colleagues and friends, cut off from his family.Now he is shattered by the news that his ex-wife, Rachel, a State Department analyst, has been killed in a terrorist attack in Spain. He also discovers that his young son, Ethan, is missing. But Wes didn't know he had a son - until now.Why was Rachel in Spain? And why did she keep his son secret from him?Granted early release, Wes takes flight across Europe to search for the truth and exact his revenge. But can he catch the spies who betrayed him before they track him down? In order to find the answers and save his son, Wes realises he must confront the dark secrets in his own past - before it's too late.