"The Canterbury Tales" gather twenty-nine of literature's most enduring (and endearing) characters in a vivid group portrait that captures the full spectrum of medieval society, from the exalted Knight to the humble plowman. A graceful modren translation facing each page of the text allows the contemporary reader to enjoy the fast pace of these selections from "The Canterbury Tales" with the poetry of the Middle English original always at first hand.

    Now nearly twenty years later they've both begun to ask themselves if that long-ago romance was the enduring love that they've been searching for.

    . . . Mr. Thurber belongs in the great lines of American humorists that includes Mark Twain and Ring Lardner." --Philadelphia InquirerJames Thurber’s unique ability to convey the vagaries of life in a funny, witty, and often satirical way earned him accolades as one of the finest humorists of the twentieth century. A bestseller upon its initial publication in 1945, The Thurber Carnival captures the depth of his talent and the breadth of his wit. The stories compiled here, almost all of which first appeared in The New Yorker, are from his uproarious and candid collection My World and Welcome to It--including the American classic "The Secret Life of Walter Mitty"--as well as from The Owl in the Attic, The Seal in the Bathroom, Men, Women and Dogs. Thurber’s take on life, society, and human nature is timeless and will continue to delight readers even as they recognize a bit of themselves in his brilliant sketches.

    When Michael Crichton -- a Harvard-trained physician, bestselling novelist, and successful movie director -- began to feel isolated in his own life, he decided to widen his horizons. He tracked wild animals in the jungles of Rwanda. He climbed Kilimanjaro and Mayan pyramids. He trekked across a landslide in Pakistan. He swam amid sharks in Tahiti. Fueled by a powerful curiosity and the need to see, feel, and hear firsthand and close-up, Michael Crichton has experienced adventures as compelling as those he created in his books and films. These adventures -- both physical and spiritual -- are recorded here in Travels, Crichton's most astonishing and personal work.

    Created by author Edgar Rice Burroughs, the ape man character of Lord Greystoke continues to enthrall and captivate readers and audiences, the world over. This compilation contains all 25 of the Tarzan novels written and published by Burroughs during his lifetime, and is formatted with an active table of contents by title and chapter for easy navigation:Tarzan of the ApesThe Return of TarzanThe Beasts of TarzanThe Son of TarzanTarzan and the Jewels of OparJungle Tales of TarzanTarzan the UntamedTarzan the TerribleTarzan and the Golden LionTarzan and the Ant MenTarzan, Lord of the JungleTarzan and the Lost EmpireTarzan at the Earth's CoreTarzan the InvincibleTarzan TriumphantTarzan and the City of GoldTarzan and the Lion ManTarzan and the Leopard MenTarzan's QuestTarzan and the Forbidden CityTarzan the MagnificentTarzan and the Foreign LegionThe Tarzan TwinsTarzan and the Tarzan Twins and Jad-Bal-Ja the Golden LionTarzan and the Castaways

    A survival instinct that’s part of the human condition, the drive to wage war is natural. Without war, the United States would not exist. The technology that has eased manual labor, extended lifespans, and become an integral part of our lives and culture has often evolved from wartime scientific advancements. War is necessary to defend the social and political principles that define the virtues and freedoms of America and other Western nations. We should not be ashamed of the heroes who sacrificed their lives to build a better world. We should be honoring them.The son of a Korean War veteran of the Inchon landing and the battle of the Chosin Reservoir with the U.S. Marine Corps, Michael Walsh knows all about heroism, valor, and the call of duty that requires men to fight for something greater than themselves to protect their families, fellow countrymen, and most of all their fellow soldiers. In Last Stands, Walsh reveals the causes and outcomes of more than a dozen battles in which a small fighting force refused to surrender to a far larger force, often dying to the last man.From the Spartans’ defiance at Thermopylae and Roland’s epic defense of Charlemagne’s rear guard at Ronceveaux Pass, through Santa Anna’s siege of the Alamo defended by Davy Crockett and Jim Bowie to the skirmish at Little Big Horn between Crazy Horse’s Sioux nation and George Armstrong Custer’s Seventh Calvary, to the Soviets’ titanic struggle against the German Wehrmacht at Stalingrad, and more, Walsh reminds us all of the debt we owe to heroes willing to risk their lives against overwhelming odds—and how these sacrifices and battles are not only a part of military history but our common civilizational heritage.

    You’ll read about the freedom that comes from leaving resentments behind and understanding the motivation of the people who hurt you. You’ll also learn how to forgive yourself. You’ll read chapters about: Lessons on forgiving fathers Forgiveness between mothers and children Learning to live with family-through-marriage Patching up rifts with siblings When bad things happen in love and marriage Forgiving friends and colleagues Lessons from the people you meet When a crime has been committed The importance of self-forgiveness

    How do we get out of what we’ve gotten ourselves into? How do we deal with what’s been thrust upon us? Granta 118 zooms in close on the phenomenon of the exit strategy.With award-winning reportage, memoir and fiction, Granta has illuminated the most complex issues of modern life through the refractory light of literature. This issue features new stories by Alice Munro, Susan Minot, Ann Beattie, David Long, and Daniel Alarcon; an excerpt from an upcoming novel by Anne Tyler; new memoir writing by John Barth and Aleksandar Hemon; and many other pieces that examine how we get ourselves out and the repercussions that follow. Hindsight is twenty/twenty, but it’s what we do moving forward that defines us and � in the best of all worlds � redeems us.

    On assignment in West Africa in a post-9/11 world, he is tasked with hunting down the terrorist Omar al-Suqqit, who is looking to launch his group of ragtag militants onto the international jihadi stage. But chasing a terrorist proves an easier challenge than managing his agency’s bureaucracy. Omar, meanwhile, faces his own bureaucratic struggles as he joins forces with a global terrorist group that begins micro-managing its franchises in an effort to streamline attacks. When Victor appears on his own country’s Terrorist Watch List and Omar finds himself struggling to write “Lessons Learned” in the suicide bomber program, they each realize they might have a common enemy: red tape.

    This modern section has been overhauled to reflect the diversity of American writing since 1945. A section on 19th-century women's writing is included.

    She was raised by the tribe and eventually became the wife of a warrior. Twenty-four years after her capture, she was reclaimed by the U.S. cavalry and Texas Rangers and restored to her white family, to die in misery and obscurity. Cynthia Ann's story has been told and re-told over generations to become a foundational American tale. The myth gave rise to operas and one-act plays, and in the 1950s to a novel by Alan LeMay, which would be adapted into one of Hollywood's most legendary films, The Searchers, "The Biggest, Roughest, Toughest... and Most Beautiful Picture Ever Made!" directed by John Ford and starring John Wayne. Glenn Frankel, beginning in Hollywood and then returning to the origins of the story, creates a rich and nuanced anatomy of a timeless film and a quintessentially American myth. The dominant story that has emerged departs dramatically from documented history: it is of the inevitable triumph of white civilization, underpinned by anxiety about the sullying of white women by "savages." What makes John Ford's film so powerful, and so important, Frankel argues, is that it both upholds that myth and undermines it, baring the ambiguities surrounding race, sexuality, and violence in the settling of the West and the making of America.

    Pulitzer Prize winner Yusef Komunyakaa delivers a powerful meditation on American, and particularly African American, life in the wake of Vietnam.Centering on the disorienting experiences of the returning soldier and drawing on multiple traditions, Yusef Komunyakaa's poetry is potent, live, and, like the strains of jazz running through it, an erudite and soulful music.

    Entering the wrong house, by accident, she finds the nude sleeping body of a young man.Navy SEAL Kyle Lansdowne, on a mission to find his AWOL Team buddy, is staying at his buddy’s home while investigating the disappearance. When someone breaks in, he takes protective measures. He doesn’t expect to find that a beautiful young woman is responsible for his teammate’s abduction.What starts out as a meeting by accident becomes a hot affair neither one is ready for. Kyle is conflicted about getting Christy involved in his mission, but his hand is forced when he learns the same San Diego gang responsible for his teammate’s abduction has kidnapped her.Battling a cadre of dirty law enforcements hell-bent on getting military equipment, especially state-of-the-art firepower, Kyle is forced to admit that he would die to protect her.

    The details of Arthur's story are mainly composed of folklore and literary invention, and his historical existence is debated and disputed by modern historians. The sparse historical background of Arthur is gleaned from various sources, including the Annales Cambriae, the Historia Brittonum, and the writings of Gildas. Arthur's name also occurs in early poetic sources such as Y Gododdin. The legendary Arthur developed as a figure of international interest largely through the popularity of Geoffrey of Monmouth's fanciful and imaginative 12th-century Historia Regum Britanniae (History of the Kings of Britain). However, some Welsh and Breton tales and poems relating the story of Arthur date from earlier than this work; in these works, Arthur appears either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated with the Welsh Otherworld, Annwn. How much of Geoffrey's Historia (completed in 1138) was adapted from such earlier sources, rather than invented by Geoffrey himself, is unknown. Although the themes, events and characters of the Arthurian legend varied widely from text to text, and there is no one canonical version, Geoffrey's version of events often served as the starting point for later stories. Geoffrey depicted Arthur as a king of Britain who defeated the Saxons and established an empire over Britain, Ireland, Iceland, Norway and Gaul. In fact, many elements and incidents that are now an integral part of the Arthurian story appear in Geoffrey's Historia, including Arthur's father Uther Pendragon, the wizard Merlin, the sword Excalibur, Arthur's birth at Tintagel, his final battle against Mordred at Camlann and final rest in Avalon. The 12th-century French writer Chretien de Troyes, who added Lancelot and the Holy Grail to the story, began the genre of Arthurian romance that became a significant strand of medieval literature. In these French stories, the narrative focus often shifts from King Arthur himself to other characters, such as various Knights of the Round Table. Arthurian literature thrived during the Middle Ages but waned in the centuries that followed until it experienced a major resurgence in the 19th century. In the 21st century, the legend lives on, not only in literature but also in adaptations for theatre, film, television, comics and other media. The Sir James Knowles version of King Arthur is considered as the most accurate and well known original story of King Arthur and the Knights of the Round Table.