In a series of elegant, nonchronological scenes spanning the years from 1946 to 2015, the play hopscotches through Mary Page Marlowe’s quiet existence as an accountant from Ohio—complicating notions of what it means to lead a “simple life.”

    The hoard is endless, stacked into every room in the house, teetering in piles along the landing and forming a scree up the stairs. It is all part of Clifford’s waste-not way of thinking in which everything, no matter how broken or obscure, can be re-cycled or re-purposed into something useful or, if kept long enough, will one day be valuable. He had believed in his vision as ardently as any mystic in his holy revelation but now, without the clear projection of his vision to light it up for her as what it would be, it appears to Maisie more grimly than ever as what it is: junk. As Maisie disassembles his stash she is forced to confront the issues which drove her husband to squirrel away other people’s rubbish; after all, she knows virtually nothing about his life before they met. Finally, in the last bastion of his accumulation, she discovers the key to his hoarding and understands – much too late – the man she married. Then, with empty rooms in a house which is too big for her, she must ask herself: what next?

    Overseas, war is raging in Vietnam, Civil Rights marches are on the streets, and women’s liberation is stirring – but at home in Corrigan Charlie Bucktin dreams of writing the Great Australian Novel. Charlie’s 14 and smart. But when 16-year-old, constantly-in-trouble Jasper Jones appears at his window one night, Charlie’s out of his depth. Jasper has stumbled upon a terrible crime in the scrub nearby, and he knows he’s the first suspect – that goes with the colour of his skin. He needs every ounce of Charlie’s bookish brain to help solve this awful mystery before the town turns on Jasper. Kate Mulvany’s adaptation of Craig Silvey’s award-winning novel is wise and beautiful. A coming-of-age story, Jasper Jones interweaves the lives of complex individuals all struggling to find happiness among the buried secrets of a small rural community.Whether you know the book or not, this piercing adaptation is very much worth seeing for the way it depicts – and shows ways across – some of the deep and enduring divides in our society." - Jason Blake SMH

    Four boats. One Grand Canyon. MEN ON BOATS is the true(ish) history of an 1869 expedition, when a one-armed captain and a crew of insane yet loyal volunteers set out to chart the course of the Colorado River.

    A thriller that actually manages to thrill, and a very dark comedy that twists and spirals towards a completely unexpected ending. This is one play where seeing isn't quite believing and reading the text is the only way to uncover all the clues.

    With her long hair and bright eyes, she is beautiful, but she can see in the dark, hunt better than any farmhand and communicate with the creatures of the forest. One day in the woods, Irina meets the ancient wise-woman Raizel, who reveals the truth: Irina is a princess, the long-lost daughter of King Harmon and Queen Chloe of Ragnor. Unsure of her place, Irina returns home, only to find her kingdom threatened by a wicked magician intent on revenge. Yet in the coming days of battle, could it be that a princess with the courage of a warrior and the instincts of a wolf is exactly what Ragnor needs?

    She's just 17, hates her parents, skives college and prefers life in the chatrooms. What she's looking for is someone honest and direct. Instead she finds Tim, a man twice her age, who thinks she is 11 and a boy.What seems at first to be a case of crossed wires, ends up as an unlikely, and unsettling friendship between the two, which culminates in a shocking, and morally challenging revelation.

    H. Auden once defined light verse as the kind that is written by poets who are democratically in tune with their audience and whose language is straightforward and close to general speech.  Given that definition, the 123 poems in this collection all qualify; they are as accessible as popular songs yet have the wisdom and profundity of the greatest poetry.As I Walked Out One Evening contains some of Auden's most memorable verse: "Now Through the Night's Caressing Grip," "Lullaby:  Lay your Sleeping Head, My Love," "Under Which Lyre," and "Funeral Blues."  Alongside them are less familiar poems, including seventeen that have never before appeared in book form.  Here, among toasts, ballads, limericks, and even a foxtrot, are "Song:  The Chimney Sweepers," a jaunty evocation of love, and the hilarious satire "Letter to Lord Byron."  By turns lyrical, tender, sardonic, courtly, and risqué, As I Walked Out One Evening is Auden at his most irresistible and affecting.

    When Agnes finds Tilly's Dungeons & Dragons notebook, however, she stumbles into a journey of discovery and action-packed adventure in the imaginary world that was Tilly's refuge. In this high-octane dramatic comedy laden with homicidal fairies, nasty ogres, and 90s pop culture, acclaimed young playwright Qui Nguyen offers a heart-pounding homage to the geek and warrior within us all.

    Her father, Paul, is wary of this beggar Jenn has brought home who, he suspects, is conning his much-loved daughter while her mother, Maggie, is frightened that this alien stranger will steal away her only child, her focus in life. In the months leading up to the backyard wedding, Maggie is forced to reevaluate her virtues as she casts about for support, and Paul faces an unexpected threat at work one that Maggie could help him meet, if he would only ask. But even with these distractions, the two parents are focused on one primary question: Can they convince their daughter she is making a terrible mistake before the wedding takes place?

    Leroy Hamilton, the younger man, shocks Frick, a successful businessman in his 60s, by revealing that, though descended from one of the Founding Fathers of the USA, Alexander Hamilton, he is by profession a carpenter.

    He is sent to Italy by a wealthy financier to try and coax home the rich man's son. In the process Ripley becomes both attracted and seduced, finding the murder the only way to deal with the situation. From that point Ripley tries to cover up his crime. Patricia Highsmith's beguiling tale of morality and amorality is given a dramatic rendering by contemporary dramatist Phyllis Nagy, who knew Highsmith in her later years in Paris."Each play I see by Phyllis Nagy confirms me in the belief that she is the finest playwright to have emerged in the 1990s" (Financial Times)

    Hairspray (978-1-5578-3514-7); Rent (978-1-5578-3737-0); Fiddler on the Roof (978-0-8791-0136-7)

    This volume presents a comprehensive critical study of Samuel Beckett's first and most renowned dramatic work. Lawrence Graver discusses the play's background and provides a detailed analysis of its originality and distinction as a landmark of modern theatrical art. He also reviews some of the differences between Beckett's original French version and his English translation.

    On the outside, she's a normal seventeen year old girl with amazing friends, a charitable job and a loving family. She's beautiful, funny and easy to get along with and just by looking at her, you'd think that she's the perfect girl, living in the perfect world. On the inside though, just waking up and living her day-to-day life is a struggle for Sawyer. Well, aware of this fact, Sawyer's mother forces to see a psychiatrist after school on a daily basis in order to cope with the tragic events Sawyer encountered a year prior. Now meet Graham Cambridge. Those who don't know him could easily stereotype him as being a blunt, selfish, egotistical golden boy, just because he likes to party and play football. Those who actually know him though know that he's actually quite the opposite of all of those things.When Graham transfers from his elite prep school to Sawyer's high school and quickly takes an interest in her, things go from bad to worse. At least, that's what Sawyer's convinced herself of. What people don't realize though is that maybe they were wrong about Graham Cambridge and that his life is about as far from perfect as they come and that he and Sawyer are alike in more ways than one. Two completely different teenagers that maybe aren't all that different after all are about to embark on a wild ride that neither of them could have ever expected. Can they help each other get past their demented previous tragedies? Or are their bygones too great to ever escape them? And can Sawyer ever truly be saved? Full of romance, heartbreak and just a little bit of fate, the next couple of months will challenge both Sawyer and Graham in ways they never thought possible.And maybe, just maybe, something beautiful will come out of it.