But for Meg—locked in a dead-end relationship and with a deadline looming for a book that she can't write—this thought fills her with dread. Stuck in a labyrinth of her own devising, Meg knows that there must be a way out.

    Melody Tarleton is driving home for Christmas when a man--clad in Revolutionary War-era costume--appears out of nowhere, right in the path of her car. Shaken, she takes in the injured stranger, listening with concern to Jake Mallory's fantastic claim that he's a Patriot soldier, sentenced to death by British authorities. The last thing he remembers is the tug of the noose.Safe at her parents' house, Melody concocts a story to explain the handsome holiday guest with the courtly manners, strange clothes and nasty bump on the head. Mark, her close friend who wishes he were more, is skeptical and her family is fascinated--though not half so fascinated as Melody herself. Jake is passionate, charming and utterly unlike anyone she's ever met. Can he really be who he claims? And can a man from the distant past be the future she truly longs for?With the aid of enchanted petals, ancient potions and the peculiar magic of the season, Melody and Jake embark on an unimaginable Christmas adventure--and discover a love that transcends time.

    A high-powered lawyer honeymooning with her husband is caught off guard by the appearance of the girl who tormented her in high school. A shy Ivy League student learns the truth about a classmate’s seemingly enviable life.Curtis Sittenfeld has established a reputation as a sharp chronicler of the modern age who humanizes her subjects even as she skewers them. Now, with this first collection of short fiction, her “astonishing gift for creating characters that take up residence in readers’ heads” (The Washington Post) is showcased like never before. Throughout the ten stories in You Think It, I’ll Say It, Sittenfeld upends assumptions about class, relationships, and gender roles in a nation that feels both adrift and viscerally divided.With moving insight and uncanny precision, Curtis Sittenfeld pinpoints the questionable decisions, missed connections, and sometimes extraordinary coincidences that make up a life. Indeed, she writes what we’re all thinking—if only we could express it with the wit of a master satirist, the storytelling gifts of an old-fashioned raconteur, and the vision of an American original.

    Each of them at a different stage in life, each of them away from home, and each of them striving -- in the suburbs of Prague, in an overdeveloped Alpine village, beside a Belgian motorway, in a dingy Cyprus hotel -- to understand what it means to be alive, here and now. Tracing a dramatic arc from the spring of youth to the winter of old age, the ostensibly separate narratives of All That Man Is aggregate into a picture of a single shared existence, a picture that interrogates the state of modern manhood while bringing to life, unforgettably, the physical and emotional terrain of an increasingly globalized Europe. And so these nine lives form an ingenious and new kind of novel, in which David Szalay expertly plots a dark predicament for the twenty-first-century man.Dark and disturbing, but also often wickedly and uproariously comic, All That Man Is is notable for the acute psychological penetration Szalay brings to bear on his characters, from the working-class ex-grunt to the pompous college student, the middle-aged loser to the Russian oligarch. Steadily and mercilessly, as this brilliantly conceived book progresses, the protagonist at the center of each chapter is older than the last one, it gets colder out, and All That Man Is gathers exquisite power. Szalay is a writer of supreme gifts -- a master of a new kind of realism that vibrates with detail, intelligence, relevance, and devastating pathos.

     Teenage girls sneak out on a summer night to meet their boyfriends by the train tracks. A woman escapes suffocating grief through a vivid fantasy life. Members of a cult form an unsettling chorus as they extol their passion for the same man. A love story begins over cabbages in a grocery store. A laundress' life is consumed by obsession for a famous baseball player. Two high school friends kiss all night and binge-watch Winona Ryder movies after the death of a sister. Leesa Cross-Smith's sensuous stories will drench readers in nostalgia for summer nights and sultry days, the intense friendships of teenage girls, and the innate bonds felt between women. She evokes the pangs of loss and motherhood, the headiness and destructive potential of desire, and the pure exhilaration of being female. The stories in So We Can Glow--some long, some gone in a flash, some told over text and emails--take the wild hearts of girls and women and hold them up so they can catch the light.We, moons --The Great Barrier Reef is dying but so are we --Unknown legend --Low, small --A tennis court --Tim Riggins would've smoked --Surreptitious, canary, chamomile --Winona forever --Girlheart cake with glitter frosting --Fast as you --Chateau Marmont, champagne, Chanel --Bearish --All that smoke howling blue --Pink bubblegum and flowers --Knock out the heart lights so we can glow --Get rowdy --Re: little doves --Out of the strong, something sweet --The lengths --Small and high up --Small are dark, some are light, summer melts --Bright --Dark and sweaty and dirty --Home safe --Teenage dreams time machine --Rope burns --Get Faye & Birdie --The Darl Inn --You should love the right things --And down we go! --Crepuscular --Stay and stay and stay --Two cherries under a lavender moon --When it gets warm --Boy smoke --Dandelion light --California, keep us --Cloud report --Downright --You got me --Eine kleine nachmusik --A girl has her secrets --Vincent

    She spends her days, and often nights, tracking the every move of a wild wolf pack—their size, their behavior, their howl patterns. It is a fairly solitary existence, but Rachel is content.When she receives a call from the wealthy and mysterious Earl of Annerdale, who is interested in reintroducing the grey wolf to Northern England, Rachel agrees to a meeting. She is certain she wants no part of this project, but the Earl's estate is close to the village where Rachel grew up, and where her aging mother now lives in a care facility. It has been far too long since Rachel has gone home, and so she returns to face the ghosts of her past.The Wolf Border is a breathtaking story about the frontier of the human spirit, from one of the most celebrated young writers working today.

    But times are tough and the shop is under threat of closure--this Christmas season will really decide their fate. When an elderly man visits the store and buys the one book they've never been able to sell, saying it's the perfect gift for his sick grandson, it gives Nora an idea. She and Simon will send out books to those feeling down this Christmas. Maybe they can't save their bookstore, but at least they'll have one final chance to lift people's spirits through the power of reading.After gathering nominations online, Nora and Simon quietly deliver books to six residents of the village in need of some festive cheer, including a single dad of twins who is working hard to make ends meet, a teenage boy grieving for his big sister, a local Member of Parliament who is battling depression, and a teacher who's newly retired and living on her own. As the town prepares for a white Christmas, the books begin to give the recipients hope, one by one. But with the future of the bookshop still up in the air, Nora and Simon will need a Christmas miracle--or perhaps a little help from the people whose lives they've touched--to find a happy ending of their own....

    But when Gabby spots a "princess" in a gown outside of the UN trying to hail a cab, she begs her brother to stop and help. Before he knows it, he's got a real-life damsel in distress in the backseat of his car. Princess Marie of Eldovia shouldn't be hailing a cab, or even be out and about. But after her mother’s death, her father has plunged into a devastating depression and the fate of her small Alpine country has fallen on Marie’s shoulders. She’s taken aback by the gruff but devastatingly handsome driver who shows her more kindness than she’s seen in a long time. When Marie asks Leo to be her driver for the rest of her trip, he agrees, thinking he’ll squire a rich miss around for a while and make more money than he has in months. He doesn’t expect to like and start longing for the unpredictable Marie. And when he and Gabby end up in Eldovia for Christmas, he discovers the princess who is all wrong for him is also the woman who is his perfect match.

    For the past two years, Evie has lived an invisible life in London. Her neighbours think she’s just moved in, her sister mistakes her for a live-in nanny, and even Evie’s manager at work can’t remember her name. But all that is about to change …this Christmas has brought a flurry of snow and unimaginable possibilities into town. Evie works in the stockroom of an old-fashioned, family-run, London fashion department store. Hardy’s is a beautiful, wood-panelled jewellery box of a building, but it’s in dire need of a makeover. One day Evie overhears that if the entire store’s takings don’t turn round by Dec 26th – 3 weeks’ time – the family who own it will be forced to sell to one of the big chains. Hardy’s is in need of a Christmas miracle. Determined to save her beloved store, Evie hatches a plan to secretly transform it into a magical place to shop again. But has the time come for her to be noticed too? When an accidental romantic encounter with handsome, enigmatic Joel gives her the chance of a whole new identity, she takes it.

    Here are classic tales from writers including Truman Capote, Shirley Jackson, Dylan Thomas, Saki and Chekhov, as well as little-known treasures such as Italo Calvino's wry sideways look at Christmas consumerism, Wolfdietrich Schnurre's story of festive ingenuity in Berlin, Selma Lagerlof's enchanted forest in Sweden, and Irène Nemerovsky's dark family portrait. Featuring santas, ghosts, trolls, unexpected guests, curmudgeons and miracles, here is Christmas as imagined by some of the greatest short story writers of all time.

    “Scroll Through the Weapons” is about a couple taking care of their underfed and almost feral nieces and nephews. “Signal to the Faithful” follows a boy as he takes a tense road trip with his priest. And “Baby, You’re Gonna Be Mine,” the title story, is about a narcissistic rock star who moves back home during a rough patch. These stories all build on each other in strange and remarkable ways, showcasing Wilson’s crackling wit and big heart.Filled with imagination and humor, Baby, You’re Gonna Be Mine is an exuberant collection of captivating and charmingly bizarre stories that promise to burrow their way into your heart and soul.

    But then her best friend signs her up for a dating agency that promises to help singles find love before the holidays. Twenty-three days until Christmas. Twelve dates with twelve different men. The odds must finally be in her favor . . . right? Yet with each new date more disastrous than the one before--and the whole town keeping tabs on her misadventures--Kate must remind herself that sometimes love, like mistletoe, shows up where it's least expected. And maybe, just maybe, it's been right under her nose all along. . . .

    With her own inexorable but utterly unpredictable logic and her almost uncanny ability to conjure the strange states of mind and emotion that constitute our daily consciousness, Eisenberg pulls us as if by gossamer threads through her characters—a tormented woman whose face determines her destiny; a group of film actors shocked to read a book about their past; a privileged young man who unexpectedly falls into a love affair with a human rights worker caught up in an all-consuming quest that he doesn't understand.In Eisenberg’s world, the forces of money, sex, and power cannot be escaped, and the force of history, whether confronted or denied, cannot be evaded. No one writes better about time, tragedy and grief, and the indifferent but beautiful universe around us.

    She had a play that was to be produced at the New York International Fringe Festival and a job waiting for her at the New Yorker. Tragically, five days after graduation, Marina died in a car crash.As her family, friends, and classmates, deep in grief, joined to create a memorial service for Marina, her unforgettable last essay for the Yale Daily News, “The Opposite of Loneliness,” went viral, receiving more than 1.4 million hits. She had struck a chord.Even though she was just twenty-two when she died, Marina left behind a rich, expansive trove of prose that, like her title essay, captures the hope, uncertainty, and possibility of her generation. The Opposite of Loneliness is an assem­blage of Marina’s essays and stories that, like The Last Lecture, articulates the universal struggle that all of us face as we figure out what we aspire to be and how we can harness our talents to make an impact on the world.

    The Dukes of Hazzard is on TV and Curly Wurlys are in the shops. And trying to find a place in it all is young Leon.Leon is nine, and has a perfect baby brother called Jake. They have gone to live with Maureen, who has fuzzy red hair like a halo, a belly like Father Christmas, and mutters swearwords under her breath when she thinks can't hear. Maureen feeds and looks after them, and claims everything will be okay.But will they ever see their mother again? Who are the couple who secretly visit Joke? The adults are speaking in low voices, and wearing pretend faces. They are threatening to take Jake away and give him to strangers. Because Jake is white and Leon is not. As Leon struggles to cope with his anger, certain things can still make him smile – like Curly Wurlys, riding his bike fast downhill, burying his hands deep in the soil, hanging out with Tufty (who reminds him of his dad), and stealing enough coins so that one day he can rescue Jake and his mum.Evoking a Britain of the early eighties, My Name is Leon is a story of love, identity and learning to overcome unbearable loss. Of the fierce bond between siblings. And how – just when we least expect it – we somehow manage to find our way home.