Now Trick knows that his blood is poison to the bloodsuckers, and he will stop at nothing to eradicate them. Collects issues #1-#5 of the Dark Horse original series.

    September 4, 1900. A giant hurricane—destined to be remembered as the storm of the century—is brewing offshore. Fighter John McBride has arrived from Chicago to challenge the local heavyweight champion, a 22 year-old Jack Johnson, as-yet unknown to the broader boxing world. Problem is, Johnson is black and the local Sporting Club doesn’t want him to leave the ring alive. Around this central story, Lansdale weaves a compelling historical tale, filled with prostitutes and gamblers, storm-tossed sailors and everyday citizens. His unflinching dialog recreates a time when racism and violence were facts of life.

    Michael is the sort of friend whose funny tales and charm can pull you out of the lowest depths and make life good once more. Along comes Clinton Deix, a friend of Michael's, who tells Ingram that most of those stories are lies. It isn't long before Ingram doesn't know who to believe, and what most confuses and upsets him is that both say they are old school chums. But Michael is in his late thirties while Clinton is still fifteen...

    He is "singular among his peers in his ability to convey with a deceptive lightness the paradoxes of human emotion," says Publishers Weekly, and Robert Hass, in the Washington Post Book World, takes special note of Lux's "bitter wit, the kind of irony that comes with a quick, impatient intelligence."

    Filmed as a CBS television movie starring Johnny Cash and Andy Griffith in 1983, the story gained even more acclaim and is still available on video and DVD.

    Her Poems 1962-2012 was hailed as "a major event in this country's literature" in the pages of The New York Times. Every new collection is at once a deepening and a revelation. Faithful and Virtuous Night is no exception. You enter the world of this spellbinding book through one of its many dreamlike portals, and each time you enter it's the same place but it has been arranged differently. You were a woman. You were a man. This is a story of adventure, an encounter with the unknown, a knight's undaunted journey into the kingdom of death; this is a story of the world you've always known, that first primer where "on page three a dog appeared, on page five a ball" and every familiar facet has been made to shimmer like the contours of a dream, "the dog float[ing] into the sky to join the ball." Faithful and Virtuous Night tells a single story but the parts are mutable, the great sweep of its narrative mysterious and fateful, heartbreaking and charged with wonder.

    'Revolution on Canvas' presents another collection of poetry from some of the country's most popular indie-rock bands, including Deftones, Fall Out Boy, Armor For Sleep, and Say Anything.

    Driving to Yellowstone in a motor home, seeing all the fantastic sights, getting to know their new neighbors...the trip should be a blast. It turns out to be anything but. First they discover their hosts, the Rupes, have no interest in nutrition, manners, or their own children. Even worse, two strange men seem to be following them. Could they have something to do with the one-hundred-dollar bills little Billy Rupe keeps finding in the motor home? Lewis is afraid the answer is yes -- and he should be.

    This collection presents forty-two new poems-an entire volume in itself-along with works chosen by Oliver from six of the books she has published since New and Selected Poems, Volume One.

    Short Haul Engine is one great twist of fate and fury after another. The writing is clear, striking and open to all sorts of possibilities. Even at their most playful, these poems dive much deeper than initially expected. There's a remarkably dark sense of humour at work here, but tempered with a haunting vulnerability that makes even the sharpest lines tremble.from "Signs Taken for Wonders" ... Too delicate for these dog-days, small, clover-blonde, my sister sews indoors. I ask her to fashion me into something nice, ivory silk. I am a big girl, sunburnt skin like raw meat, sweating two pews in front of the Blessed Virgin....

    Hicok gives readers unexpected conjunctions and oddly offbeat thoughts, most darkly whimsical, and has us embrace them wholeheartedly. If he can survive the scary carnival that is this world, we can, too. Highly recommended for a wide range of readers.”— Library Journal, starred review“Bob Hicok is one of my favorite poets. Partly, it’s the movement of his lines, which are both conversational and utterly unexpected, almost as if he (or we) are joining a conversation that extends beyond the framework of the poem…And then there’s his unrelenting vision, a sense of the world as both utterly real and utterly elusive, and heartbreaking because we have to die. Death is at the center of Hicok’s writing—not in a maudlin, self-pitying way, but rather as a vivid presence, infusing everything, even the deepest moments of connection, with a steely sense of loss.”—David Ulin, reviewing Elegy Owed in the Los Angeles Times“This gorgeous collection [Elegy Owed] spans the landscape of loss with unexpected leaps and ripples, as if someone has skipped stones across a lake. …Wordplay, subtle humor and unexpected moments of hope give these lush poems depth and dimension. Hicok’s work is memorable because of the new vistas it creates.” —The Washington Post"Words have weight in Hicok’s poems. They feel nailed in place, and the meter hits like the sure pounding of a hammer. Yet as heft, muscle, and precision draw you forward, Hicok evokes not solidity but, rather, shifting ground, flux, metamorphosis, and, most arrestingly, most unnervingly, death. In his seventh collection, Hicok builds startling images out of the everyday and the surreal, the comic and the sorrowful. Avoiding abstraction and pretension, he cleaves to earth, skin, breath." –Donna Seaman, Booklist“Hicok’s poems [in Elegy Owed] are like boomerangs; they jut out in wild, associative directions, yet find their way back to the root of the matter.” —Publishers Weekly"Seamlessly, miraculously, [Hicok's] judicious eye imbues even the dreadful with beauty and meaning."—The New York Times Book ReviewWhen asked in an interview “What would Bob Hicok launch from a giant sling shot?” he answered, “Bob Hicok.” Elegy Owed, Hicok’s eighth book, is an existential game of Twister in which the rules of mourning are broken and salvaged, and “you can never step into the same not going home again twice.” His poems are the messenger at the door, the unwanted telegram—telling a joke, imparting a depth of longing, returning us finally to a different kind of normality where “the dead have no ears, no answering machines / that we know of, still we call.” There is grief in these poems, though it is a grief large enough for odd awakenings and the unexpected, a grief enlarged by music, color, and joy as well as sober wisdom.“Hicok is funny as hell, in Blake’s sense of the infernal: irreverent, anarchic, undeceived. His bracing ill humor is a vehicle for outrage, longing, tenderness, and a shy cynicism that is the necessary counterbalance to a tenacious sense of hope. He is one of our premier anatomists of contemporary American life, and a wildly refreshing, necessary poet.” —Mark DotyBob Hicok is one of the most active poets writing today, and his poems have appeared widely, including in The New Yorker and Poetry. His honors include the Bobbitt Prize from the Library of Congress and a "Notable Book of the Year" from Booklist. Hicok has worked as an automotive die designer and a computer system administrator, and is currently an associate professor of English at Virginia Tech. He lives in Blacksburg, Virginia.

    The child of emancipated slaves, he overcame the violent segregationism of Jim Crow, challenging white boxers—and white America—to become the first African-American heavyweight world champion. The Big Smoke, Adrian Matejka’s third work of poetry, follows the fighter’s journey from poverty to the most coveted title in sports through the multi-layered voices of Johnson and the white women he brazenly loved. Matejka’s book is part historic reclamation and part interrogation of Johnson’s complicated legacy, one that often misremembers the magnetic man behind the myth.

    This new edition has been updated by his friend and former Rolling Stone comrade Mitch Glazer and includes an epilogue about the memorial concerts for Timothy that James Taylor helped organize.

    Paul Wilson. From The Keep, nearly twenty years ago, to this year's Legacies, Wilson has been one of the most dependable names for fine storytelling in whatever genre he chooses.In The Barren and Others, Wilson lets his fertile imagination run wild, traveling from the Old West of Doc Holliday to the Pine Barrens of present-day New jersey and encountering many strange, suspect, and supernatural happenings along the way. From urban mercenary Repairman Jack, hero of Wilson's recent novel, Legacies, to the obese and food-obsessed Topsy, Wilson's wild array of characters get caught up in adventures both fascinating and horrifying.A first -rate collection of first-rate tales, ranging from Lovecraftian to Western supernatural, with many mysterious combination in between, The Barrens and Others will be a treasure for Wilson's established fans and to those discovering Wilson for the first time.

    The language is, throughout, simple, sensuous, and direct. We can be grateful for this book and this poet." --Jay Parini"I have known the poetry of Edward Hirsch for some time, and have greatly admired it. But I even more greatly admire his Wild Gratitude as a general collection, and I am convinced that the best poems here are unsurpassed in our time." --Robert Penn Warren