But as his father boldly marches off to battle in August, 1914, Jim must be content to record his thoughts and dreams in his journal. Gradually, Jim's simple life begins to unravel. His father is killed in action, his mother suffers a breakdown, and when he does at last join up, it is as much to find a refuge as it is to seek glory. What Jim discovers in the trenches of France is enough to dispel any romantic view of war. And while his longing for adventure is replaced by a basic need to survive, the final tragic outcome is one he never dreamed of.

    In the heart of the Deepwoods, Rook encounters a mysterious character - the last sky pirate . . . Vox High in the crumbling Palace of Statues, little more than a prisoner of the all-powerful Guardians of the Night, Vox Verlix plots and schemes . . . Rook Barkwater finds himself embroiled in Vox's scheming.He must stop him or the Edgeworld could fall into total chaos . . . Freeglader Undertown is destroyed! Gnokgoblins, waifs and cloddertrogs huddle by the ruins, preparing for a mass exodus to the Free Glades. Rook Barkwater knows the journey will be full of peril. Dangers are everywhere, and in the Goblin Nations, the tribes are massing for war. Can Rook and his friends preserve freedom in the Edgeworld?

    This Choose Your Own Adventure 6-Book Boxed Set includes the following storied titles from the classic, interactive, children's series: The Abominable Snowman * Journey Under the Sea * Space and Beyond * The Lost Jewels of Nabooti * Mystery of the Maya * House of Danger.Book Details: Format: Paperback Publication Date: 6/1/2011 Pages: 864 Reading Level: Age 9 and Up

    

    Pack your bags and get ready to hit the road with this latest installment of family fun! You can help create car songs, spot some historical sights, even stop at a roadside diner--with a Mad Libs? twist, of course!Many have tried to imitate the world's most popular word game, but they just can't ___VERB___ the mustard! With Mad Libs? on the Road, traveling has never been so wacky!Book Details: Format: Paperback Publication Date: 6/7/1999 Pages: 48 Reading Level: Age 8 and Up

    A remarkable memoir which is often humorous and ultimately very moving as a young Catholic girl struggles to break away from destructive influence of her father in 1960s Ulster.

    Includes Amber Brown is Not a Crayon, You Can't Eat Your Chicken Pox, Amber Brown and Amber Brown Goes Fourth.

    At the turn of eighteenth-century England, a spirited young woman copes with the suit of a snobbish gentleman as well as the romantic entanglements of two of her four sisters.

    In What We Lost, a story that startles in its immediacy and lack of sentimentality, Dale Peck refracts his father's past through the prism of his own vivid imagination, forging a bridge between generations and revealing the dark secrets at the heart of family.

    But under the surface new currents are stirring — forces that threaten everything he believes indestructible. As events spiral out of control, Pip is brought face to face with a dramatic choice that changes his life forever as he learns what it means to confront issues of life and death alone. And in the face of ultimate loss, what matters most of all?

    An ugly duckling spends an unhappy year ostracized by the other animals in the barnyard before he grows into a beautiful swan.

    It's a chance to rediscover her lifelong love of the sea - and to forget, if only for a few weeks, the boring career her parents have mapped out for her.Swept immediately into the rhythm of life in a fishing community, Saskia slowly begins to realize how little she really knows about her roots. Somehow, she needs to understand the past if she is to find the direction she needs for her future - a future that may or may not include her new friend Ben.Just as the sea gives up its bounty, so too her great-aunt must reveal the secrets of the past - the terrible toll of lives lost, and the very personal tragedy that left Alessandra herself so isolated.Only then can Saskia break free . . .

    

    Find your favourite pop-culture character in this collection of silhouettes from well-known movie, television, comics and video game characters!

    Is it for children, or for adults? Is it fantasy or a psychological novel? In its great range, it encompasses poetry and farce, comedy and tragedy -and sudden flights of schoolboy humour. White's `footnote to Malory' (his own phrase) resulted in the last major retelling of the story based on Malory's Morte Darthur, and Elisabeth Brewer explores the literary context of White's finest work as wellas considering his aims and achievement in writing it.White's story of Arthur begins with his `enfances', set in an imaginary medieval England, but it is far removed from the conventional historical novel. White was writing in wartime England, a country increasingly absorbed by a need to find an antidote to war. Through the medium of the Arthurian story he found his own voice, his unique contribution to keeping alive the flame of civilisation. Malory's chivalric virtues are rejected in favour of White's own twentieth-century values; the love affair of Lancelot and Guenever is interpreted in terms of modern psychology.The books which eventually made up The Once and Future Kingof 1958 appeared in distinctly different editions. In discussing these, Elisabeth Brewer looks at some of the ways in which White drew on his own personal experience at a deep psychological level, while also incorporating into his story material inspired by his antiquarian pursuits and by his years as a schoolmaster. She completes her study with an account of White's use of historical material, and the relationship of The Once and Future King to the Morte Darthur.ELISABETH BREWER lectured in English at Homerton College, Cambridge. She is the author of books and articles on Chaucer and the Arthurian legends