Love fiercely. For all else is dust.Every child of Glasnith learns the last words of Aillira, the god-gifted mortal whose doomed love affair sparked a war of gods and men, and Lira of clan Stone knows the story better than most. As a descendant of Aillira and god-gifted in her own right, she has the power to read people's souls, to see someone's true essence with only a touch of her hand.When a golden-haired warrior washes up on the shores of her homeland--one of the fearful marauders from the land of the Frozen Sun--Lira helps the wounded man instead of turning him in. After reading his soul, she realizes Reyker is different than his brethren who attack the coasts of Glasnith. He confides in her that he's been cursed with what his people call battle-madness, forced to fight for the warlord known as the Dragon, a powerful tyrant determined to reignite the ancient war that Aillira started.As Lira and Reyker form a bond forbidden by both their clans, the wrath of the Dragon falls upon them and all of Glasnith, and Lira finds herself facing the same tragic fate as her ancestor. The battle for Lira's life, for Reyker's soul, and for their peoples' freedom has only just begun.

    Renowned classicist Bernard Knox observes in his superb introduction that although the violence of the Iliad is grim and relentless, it coexists with both images of civilized life and a poignant yearning for peace. Combining the skills of a poet and scholar, Robert Fagles, winner of the PEN/Ralph Manheim Medal for Translation and a 1996 Academy Award in Literature from the American Academy of Arts and Letters, brings the energy of contemporary language to this enduring heroic epic. He maintains the drive and metric music of Homer’s poetry, and evokes the impact and nuance of the Iliad’s mesmerizing repeated phrases in what Peter Levi calls “an astonishing performance.”

    . . and a love for the man who wields it. Abandoned by their father for the gold rush, Gentry and her siblings labor to survive alone in the inhospitable west. When bizarre natural disasters begin wreaking havoc on the land, Gentry discovers a world of magic. Desperate for help, she accepts aid from a mysterious stranger. Winn not only sees the magic, but controls its hunger by feeding it gold—the very thing Gentry’s father left to acquire. But the earth’s unrest only grows worse, and Gentry’s fear leads her to a terrible choice: marry a wealthy man she does not love, or trust in Winn’s unpredictable power to save her family.

    Proving herself an astute confidante, she becomes her father’s chief political asset—and reluctantly enters into an advantageous marriage to a prominent military officer. Her mother tells her, “It is possible for a woman to influence public affairs,” reminding Livia that—while she possesses a keen sense for the machinations of the Roman senate—she must also remain patient and practical.But patience and practicality disappear from Livia’s mind when she meets Caesar’s heir, Octavianus. At only eighteen, he displays both power and modesty. A young wife by that point, Livia finds herself drawn to the golden-haired boy. In time, his fortunes will rise as Livia’s family faces terrible danger. But her sharp intellect—and her heart—will lead Livia to make an unbelievable choice: one that will give her greater sway over Rome than she could have ever foreseen.

    Their only means of survival is by picking pockets. One December night, Tiki steals a ring, and sets off a chain of events that could lead to all-out war with the Fey. For the ring is a reservoir that holds a truce between the English royals and the world of the Fey. But there are many who want the ring, including the mysterious Rieker, a handsome pickpocket who has been watching Tiki, and a rebel group of UnSeelie fey who would do anything to break the truce...A delicious blend of urban fantasy and heart-stopping suspense, the story of THE FAERIE RING takes you from the gritty slums of London to the glittering ballrooms of the Royal Palace to the menacing Otherworld - in a spellbinding tale of mystery and suspense where nothing is what it seems...

    Roma recounts the tragedy of the hero-traitor Coriolanus, the capture of the city by the Gauls, the invasion of Hannibal, the bitter political struggles of the patricians and plebeians, and the ultimate death of Rome’s republic with the triumph, and assassination, of Julius Caesar.     Witnessing this history, and sometimes playing key roles, are the descendents of two of Rome’s first families, the Potitius and Pinarius clans:  One is the confidant of Romulus. One is born a slave and tempts a Vestal virgin to break her vows. One becomes a mass murderer. And one becomes the heir of Julius Caesar. Linking the generations is a mysterious talisman as ancient as the city itself.     Epic in every sense of the word, Roma is a panoramic historical saga and Saylor’s finest achievement to date.

    But when the old king dies and his successor is appointed, John faces a terrible choice: he must join the rival faction-his enemies- or risk losing everything. His new wife helps him carry his burden, but his final choice will seal not only her fate, but those of his young children. As the fight for England's crown enters a new phase, John may be forced to make a terrible sacrifice...

            The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    saw the corrupt and bloody reigns of Tiberius, Caligula, Claudius, and Nero, as well as the Year of the Four Emperors. It also saw the rise of Vespasian, the destitute son of a provincial senator who brought peace to the empire after years of strife, court intrigue, and murder. Written from the perspective of Caenis, a female slave who was Vespasian's forbidden love, the future emperor advances in his climactic struggle for power. But as Vespasian brings hope to the people of Rome...he brings only despair to the one woman who loves him most.

    The story’s focus is not on drama but on a bitter truth: both armies want nothing more than to stop fighting and go home. Achilles—the electrifying hero who is Homer’s brilliant creation—quarrels with his commander, Agamemnon, but eventually returns to the field to avenge a comrade’s death. Few warriors, in life or literature, have challenged their commanding officer and the rationale of the war they fought as fiercely as did Homer’s Achilles.Homer’s Iliad addresses the central questions defining the war experience of every age. Is a warrior ever justified in challenging his commander? Must he sacrifice his life for someone else’s cause? Giving his life for his country, does a man betray his family? Can death ever be compensated by glory? How is a catastrophic war ever allowed to start—and why, if all parties wish it over, can it not be ended?As she did in The Endurance and The Bounty, Caroline Alexander has taken apart a story we think we know and put it back together in a way that reveals what Homer really meant us to glean from his masterpiece. Written with the authority of a scholar and the vigor of a bestselling narrative historian, The War That Killed Achilles is a superb and utterly timely presentation of one of the timeless stories of our civilization.

    London, 1799. Dora Blake is an aspiring jewellery artist who lives with her uncle in what used to be her parents' famed shop of antiquities. When a mysterious Greek vase is delivered, Dora is intrigued by her uncle's suspicious behaviour and enlists the help of Edward Lawrence, a young antiquarian scholar. Edward sees the ancient vase as key to unlocking his academic future. Dora sees it as a chance to restore the shop to its former glory, and to escape her nefarious uncle. But what Edward discovers about the vase has Dora questioning everything she has believed about her life, her family, and the world as she knows it. As Dora uncovers the truth she starts to realise that some mysteries are buried, and some doors are locked, for a reason. Gorgeously atmospheric and deliciously page-turning, Pandora is a story of secrets and deception, love and fulfilment, fate and hope.

    Running from the humans to keep her immortality a secret. And running from a man who haunts her dreams. Not a man but a god, who will stop at nothing until he gets what he wants. And what he wants most, is her.Trapped in the realm of the dead, Persephone plans to return to the land of the living. The underworld is a terrifying place where ghosts roam freely, three headed dogs patrol the gates, and it’s a living grave where the rules of earth and the warmth of the sun no longer apply. But then, something unexpected happens. Persephone finds herself falling for the god who abducted her, the god who has chased her for five thousand years, a god who is none other than death himself, Hades.Ripped out of the underworld by Zeus, Persephone must find a pomegranate to return to the realm of the dead and to her beloved. Consuming only a seed of the fruit of the dead would bind Persephone to spend her life beneath the earth’s core with Hades. But Zeus has reduced every pomegranate tree in the world to ash. Except one. Persephone must locate that one remaining pomegranate tree, a quest that could ignite a war between the two mightiest of the god’s. A war that could cause Persephone to lose the only family she’s ever known or give up a love that comes only once every five thousand years.

    In Stealing Athena, Karen Essex chronicles the Marbles' amazing journey through the dynamic narratives of Mary Nisbet, wife of the Earl of Elgin, the British ambassador to Constantinople, and Aspasia, the mistress of Pericles, the most powerful man in Athens during that city's Golden Age.At the height of the Napoleonic Wars, the twenty-one-year-old, newly wed Countess of Elgin, a Scottish heiress and celebrated beauty, enchanted the power brokers of the Ottoman Empire, using her charms to obtain their permission for her husband's audacious plan to deconstruct the Parthenon and bring its magnificent sculptures to England. Two millennia earlier, Aspasia, a female philosopher and courtesan, and a central figure in Athenian life, plied her wits, allure, and influence with equal determination, standing with Pericles at the center of vehement opposition to his vision of building the most exquisite monuments the world had ever seen.Rich in romance and intrigue, greed and glory, Stealing Athena is an enthralling work of historical fiction and a window into the intimate lives of some of history's most influential and fascinating women.

    Abandoned at birth, she serves the Tribequeen of her township. Ailia is not permitted to marry, excluded from tribal ceremonies and, most devastatingly, forbidden to learn. But the Mothers, the tribal ancestors, have chosen her for another path.Lured by the beautiful and enigmatic Taliesin, Ailia embarks on an unsanctioned journey to attain the knowledge that will protect her people from the most terrifying invaders they have ever faced.Set in Iron-Age Britain on the cusp of Roman invasion, Skin is a thrilling, full-blooded, mesmerising novel about the collision of two worlds, and a young woman torn between two men.

    Leaving her militaristic homeland, Caecilia is determined to remain true to Roman virtues while living among the sinful Etruscans. But, despite her best intentions, she is seduced by a culture that offers women education, independence, sexual freedom, and an empowering religion.Enchanted by Veii but terrified of losing ties to Rome, Caecilia performs rites to delay becoming a mother, thereby postponing true entanglement. Yet as she develops an unexpected love for Mastarna, she’s torn between her birthplace and the city in which she now lives. As war looms, Caecilia discovers Fate is not so easy to control, and she must choose where her allegiance lies.The Wedding Shroud is the first book in the series A Tale of Ancient Rome. Subsequent books in the series include The Golden Dice and Call to Juno.