He explores the queasy relationships between life and art, love and estrangement, and the bane that is American identity drift, with unsparing but compassionate candor.” –Misha Berson, Seattle Times“Margulies’s remarkable gift of building characterization through realistic dialogue is undiminished. Full of aching ruefulness that underlies the comedy, Brooklyn Boy’s scenes are written with precision and humor. The play isn’t about Brooklyn, nor is it about a boy—it’s about a man without a home.” –Don Shirley, Los Angeles TimesThis new play by the Pulitzer Prize-winning author of Dinner with Friends follows the career of Eric Weiss, a writer whose novel hits the bestseller list the same time his life begins to unravel. His wife is out the door, his father is in the hospital, and his childhood friend thinks he has sold himself to the devil. A funny and emotionally rich look at family, friends and fame.Donald Margulies received the 2000 Pulitzer Prize for Drama for Dinner with Friends. The play received numerous awards, including the American Theatre Critics Association New Play Award, the Dramatists Guild/Hull-Warriner Award, the Lucille Lortel Award, the Outer Critics Circle Award and a Drama Desk nomination, and has been produced all over the United States and around the world. In addition to his adaptation of God of Vengeance, his many plays include Collected Stories, The Country House, Sight Unseen, The Model Apartment, The Loman Family Picnic, What’s Wrong with This Picture? and Time Stands Still. Mr. Margulies currently lives with his wife and their son in New Haven, Connecticut, where he teaches playwriting at Yale University.

    Kate Martin needs a vacation after a failed romance with her business partner nearly ruins her. Lee Foster is recovering from her first lesbian relationship that self-destructed when her partner moved several states away, leaving her behind. Two failed romances, a double booked vacation cabin, and a blizzard — will fate intervene again and turn a passionate affair with a stranger, into something more?

    

    A war of words soon spirals into a forbidden and passionate love that covers many years.But as the years move on, troubled waters lie ahead.

    So when she goes on a weekend getaway with her friend, Ava allows curiosity to get the best of her.​ Miasha Simmons is the perfect little trophy wife for her wealthy attorney-husband, and she knows how to keep her man happy. But when he’s away, his sweet, loving wife likes to play with other women.​ Laila Reynolds loves the sweet sting of a whip from those who seek her out through her website, promising solicitors a night of hot, steamy fun they’ll never forget. There’s nothing more delicious to businesswoman Ebony Rice than being on the receiving end of a gangbang with six lovely, harness-strapped women. Playboy-stud Reggie Sanders loves the chase of beautiful straight women. That’s until she seduces a woman who gives Reggie a taste of her own medicine—straight with no chaser.

    Dani is befriended--against her own better judgment--by a young therapist named Grace Beaumont, who helps Dani make it through the ordeal of bringing the attacker to justice.

    He can remember nothing about a mysterious moment that occurred in the family's potting shed when he was 14-years-old. Family members who recall the event are unwilling to describe it to him. With the help of a psychoanalyst, James tries to recall just what happened that day that left him rejected by his father, alienated from his family, and alone in the world.

    Someone - or something - is leaving bite marks in the avocados, Clay and Kelly's little daughter has an itch, and Carol can't remember who played Gandhi. This work takes a look at phoney liberal values.

    The only thing missing from her picturesque, countryside life is companionship. But with a great distaste for dating – and the city – Stefani approaches an international service to make her marital dreams come true.Enter Yulia, the alluring Russian woman with a penchant for heavy flirtation. She occasionally puts her money where her mouth is, too, driving Stefani wild with fantasies that this marriage might be more than convenience.Yet she can’t shake the feeling that Yulia has an ulterior motive. Or maybe that’s the Valettis’ collective past coming back to bite them.YULIA PETROVAYulia Petrova will do whatever it takes to get to America. Specifically, the Pacific Northwest, where the only person who matters is waiting for her.She’ll even marry a total stranger. A woman, no less.The trick isn’t balancing her own preferences. No, the trick is keeping her new fiancée from finding out the truth too quickly. First, she must ensure that Stefani is in love with her. Then, Yulia must reveal the tragic truth that has brought her to America.DO SVIDANIYA, MI AMORETheir budding passion and rising trust in one another is about to be severely complicated by the illness sweeping the world. For Stefani, that means shutting down the winery and hiding behind her chronic anxiety. For Yulia, that means taking all matters into her own hands. The whole world could burn, and she would still get what she came here for.And she will do it alone – with or without the woman she’s come to love

    The Pillars of the Community (1877) depicts a corrupt shipowner’s struggle to hide the sins of his past at the expense of another man’s reputation, while in The Wild Duck (1884) an idealist, believing he must tell the truth at any cost, destroys a family by exposing the lie behind his friend’s marriage. And Hedda Gabler (1890) portrays an unhappily married woman who is unable to break free from the conventional life she has created for herself, with tragic results for the entire family.

    by such theatrical directors as Lee Strasberg, Elizabeth Swados, Peter Sellars and Robert Wilson. Critics have hailed these translations as making Chekhov fully accessible to American audiences. They are also accurate -- Schmidt has been described as "the gold standard in Russian-English translation" by Michael Holquist of the Russian department at Yale University.Swan song --The bear --The proposal --Ivanov --The seagull --A reluctant tragic hero --The wedding reception --The festivities --Uncle Vanya --Three sisters --The dangers of tobacco --The cherry orchard.

    Years later he's still stranded here, soaked in cheap gin and haunted by a past love. But the arrival of another lost soul brings one last chance of freedom...Inspired by the book The Man Who Fell to Earth by Walter Tevis and its cult film adaptation starring David Bowie, Lazarus brings the story of Thomas Newton to its devastating conclusion.Written by Bowie with the playwright Enda Walsh, and incorporating some of Bowie's most iconic songs, Lazarus was first performed at New York Theatre Workshop in 2015, starring Michael C. Hall and directed by Ivo Van Hove. The production transferred to London in 2016.‘Ice-bolts of ecstasy shoot like novas through the fabulous muddle and murk of Lazarus, the great-sounding, great-looking and mind-numbing new musical built around songs by David Bowie’- Ben Brantley New York Times‘Wild, fantastical, eye-popping. A surrealistic tour de force’ - Rolling Stone Data Lookups Explore 'I'm a dying man who can't die.' Thomas Newton came to Earth seeking water for his drought-ridden planet. Years later he's still stranded here, soaked in cheap gin and haunted by a past love. But the arrival of another lost soul brings one last chance of freedom...Inspired by the book The Man Who Fell to Earth by Walter Tevis and its cult film adaptation starring David Bowie, Lazarus brings the story of Thomas Newton to its devastating conclusion.Written by Bowie with the playwright Enda Walsh, and incorporating some of Bowie's most iconic songs, Lazarus was first performed at New York Theatre Workshop in 2015, starring Michael C. Hall and directed by Ivo Van Hove. The production transferred to London in 2016.‘Ice-bolts of ecstasy shoot like novas through the fabulous muddle and murk of Lazarus, the great-sounding, great-looking and mind-numbing new musical built around songs by David Bowie’- Ben Brantley New York Times‘Wild, fantastical, eye-popping. A surrealistic tour de force’ - Rolling Stone

    That is, until her husband of twenty five years asks for a divorce. After that, Meg is scrambling to pick up the pieces. At least she has Jamie. Jamie's been her best friend, her rock, her ride or die since they were fourteen. That Jamie is Meg's ex's twin sister is a minor complication. Or is it a major problem? As Meg tries to redefine herself, she and Jamie find their friendship enters gray territory. Old fantasies are fanned and soon things are heating up between them. Is their taboo relationship fueled by lust or love? When clay is fired, it grows stronger. But when Meg's world is set alight, she's afraid she may have burned the person she cares for the most.

    Her oldest daughter, Kess, is a university professor in Minneapolis, but she has come home at the request of her sister, Jo who is concerned for Evelyn's mental health. Kess, a professed lesbian, wants to cut her family ties once and for all; Jo, an incurable romantic and longtime virgin, has now become pregnant; while Sherry, salty-tongued and amoral, wants only to finish high school so she can leave home for good. In the end, there is no accommodation possible but, instead, only a kind of arbitrary independence for each of the protagonists, as they come to realize that each must find her own heaven or hell in her own way.

    Thus has it been since before the physical and spirit worlds divided. There are five martial Forms inspired by the elements and humans have learned them, using them to defend themselves, for thousands of years. Ever since the Empire of Iron began using the Metal Form for conquest, the secrets of each Form have been guarded more closely. Few people learn more than one Form as they did in the past. In Avrilatha – an ordinary village in the Western Plains – lives Ayah. Daughter of the village healer, Ayah’s only genuinely remarkable features are a stubborn streak and a desire to master all five Elemental Forms. When she is forced to leave her village, Ayah sets out on her quest to find teachers. Accompanied by a fox with a secret, Ayah’s journey will take her all over the continent and involve her in politics, intrigue, and war. The Empire of Iron is on the move, and the only thing in its way is one stubborn girl.