While his friends were out getting laid and stoned, he was tucked up at home dreaming of his name in lights, of holding an audience rapt, of perhaps becoming a TV heart-throb, or having someone, anyone, ask for his autograph in the supermarket. This is the true story of an obsessive pursuit of acting fame. It is a life marked by occasional hard-fought successes and routine helpings of ritual humiliation: scout hut Gilbert and Sullivan, dodgy rock operas, sewage farm theatre workshop, Christmas panto hell, straight-to-video film flops, leading roles in Crimewatch reconstructions and dressing up as a chicken to advertise TV dinners. It is a hilarious tale of turgid theatre, tights, trusses and tonsil tennis with Timothy Spall.

    Drawing on an extensive range of sources, Wood takes us back into the staterooms and back alleys of Elizabethan England. Marked by murderous plots and government-sponsored terror, religious divisions and rebellious movements, the Spanish Armada and the colonization of the Americas, the dramatic world in which Shakespeare moved is here conjured up like never before. We enter the lodgings where he wrote his greatest plays and meet the real-life characters who inspired his work: doctors, landladies, musicians, foreigners, and members of London's contemporary black population. With 130 illustrations, full-color and black-and-white, Shakespeare is a book to enjoy on many levels-as both a world-class work of historical investigation and a fascinating yet informative visual feast. Filled with fresh discoveries, Michael Wood's pathbreaking work gloriously reinstates the image of William Shakespeare as a thinking artist, a man who held up a mirror to his age, but who was also, as his friend Ben Jonson said, "not of an age, but for all time."

    As an imperious, acerbic old woman lies dying, she is tended by two other women and visited by a young man. Albee's frank dialogue about everything from incontinence to infidelity portrays aging without sentimentality. His scenes are charged with wit, pain, and laughter, and his observations tell us about forgiveness, reconciliation, and our own fates. But it is his probing portrait of the three women that reveals Albee's genius. Separate characters on stage in the first act, yet actually the same "everywoman" at different ages in the second act, these "tall women" lay bare the truths of our lives—how we live, how we love, what we settle for, and how we die. Edward Albee has given theatergoers, critics, and students of drama reason to rejoice.

    It was like a tiny bit of Dorothy’s Oz in boring old black-and-white Kansas. Pink was for girls.Ava Simpson is trying on a whole new image. Stripping the black dye from her hair, she heads off to the Billy Hughes School for Academic Excellence, leaving her uber-cool girlfriend, Chloe, behind.Ava is quickly taken under the wing of perky, popular Alexis who insists that: a) she’s a perfect match for handsome Ethan; and b) she absolutely must audition for the school musical.But while she’s busy trying to fit in — with Chloe, with Alexis and her Pastel friends, even with the misfits in the stage crew — Ava fails to notice that her shiny reinvented life is far more fragile than she imagined.Debut author Wikinson takes a lighthearted but timely and resonant look at a teen's attempts to don a new personality and figure out who she really wants to be.

    Michael Robinson's highly performable translations are based on the authoritative texts of the new edition of Strindberg's collected works in Sweden and include the Preface to Miss Julie, Strindberg's manifesto of theatrical naturalism

    It is most unusual for a trained philosopher to give us his insight, as Colin McGinn does here, into six of Shakespeare's greatest plays—A Midsummer Night's Dream, Hamlet, Othello, Macbeth, King Lear, and The Tempest.In his brilliant commentary, McGinn explores Shakespeare's philosophy of life and illustrates how he was influenced, for example, by the essays of Montaigne that were translated into English while Shakespeare was writing. In addition to chapters on the great plays, there are also essays on Shakespeare and gender and his plays from the aspects of psychology, ethics, and tragedy.As McGinn says about Shakespeare, "There is not a sentimental bone in his body. He has the curiosity of a scientist, the judgement of a philosopher, and the soul of a poet." McGinn relates the ideas in the plays to the later philosophers such as David Hume and the modern commentaries of critics such as Harold Bloom. The book is an exhilarating reading experience, especially at a time when a new audience has opened up for the greatest writer in English.

    The book pays special attention to differences of race, class, age and physical ability, and addresses the issues raised when one or both partners are recovering from alcohol, substance, or sexual abuse. The book also addresses differences that lesbians may encounter in their relationships regarding such issues as butch-femme, transgender identity, bisexuality, monogamy, and s/m. Thoroughly readable and extremely helpful, with an updated resource guide, Lesbian Couples is a book that every lesbian will want to own.

    'It's an object of pure, virtuoso craft and display, as luxuriously self-sufficient as a netsuke or Faberge Easter egg. But it's as nearly perfect in its kind as a P.G. Wodehouse plot; tiny, ludicrous and beautiful as an ivory Mickey Mouse...It's time we stopped dismissing comedy as an inferior genre.' Observer

    Warren is a madam, proprietress of a string of successful brothels. Her daughter, Vivie, is a modern young woman, but not so modern that she's not shocked to discover the source of her mother's wealth. The clash of these two strong-willed, but culturally constrained Victorian women, is the spark that ignites the ironic wit of one of George Bernard Shaw's greatest plays, in a withering critique of male domination, sexual hypocrisy, and societal convention. Initially banned after its 1893 publication due to its startling frankness, Mrs. Warren's Profession remains a powerful work of progressive theater.

    Hairspray (978-1-5578-3514-7); Rent (978-1-5578-3737-0); Fiddler on the Roof (978-0-8791-0136-7)

    Splendid translations of the poems, with the Russian on a facing page, and a fresh, colloquial version of Mayakovsky's dramatic masterpiece, The Bedbug.

    Success with her business may have been keeping her busy, but deep down, Riley craved more. In the past, everything she’d ever known had left her, leading Riley to believe she was destined to be alone and fearing she would never be good enough for another woman again. New Yorker, Nicole Taylor, had moved her life to follow her career. With the promise to herself that work was her number one priority, her only love, she had no plans to change that when it came to looking for or wanting more. But life changed when she stepped inside her local bar…

    Relationships are tested, hearts are broken, but revenge is sweet in these four short stories by Skyy – the author of the popular series, "Choices", "Consequences" and "Crossroads". You can feel the storm coming in your bones, but after the hurricane only the strong will be left standing? When love is involved is there really such a thing as no strings attached? What do you do when you catch your mate with a person you also crave? And a man learns that he can’t have it all, or can he? Take a seat and enjoy this steamy ride.

    In a harrowing rescue during an apartment fire, she meets young Candace Beacon. Candi becomes displaced when everything she owns is ruined and her apartment is deemed a hazard by the fire department.In an attempt to help Candi, Suzanne invites her to move in with her until she can find a place of her own. What ensues is a push and pull relationship when the two women discover that they are at odds with one another. Will Suzanne find that she is in over her head? Or will they discover they had more in common than they initially thought?

     Billie Page. IndyCar racing’s darling. To the outside world, she seems put together. Determined. Serious. Only she and the ones close to her know the truth. Billie’s a failure. She works every day to change that, to strengthen her mind and her body for the grueling demands of her job. Everything is about racing. It has to be. It’s all she has left. Then a woman makes her laugh. Krysta Ekert lives life on the whims of the wind. She doesn’t know where her next paycheck will come from and doesn’t care. She does what she wants, when she wants it, and asks for forgiveness rather than permission. The moment she meets Billie Page she knows whose bed she’ll be sleeping in that night and it’s not her own. When Krysta is hit by a car, her accident binds the women together in a way neither of them could have predicted. It’s dangerous for both to stay—Billie may lose her career, Krysta her independence—but leaving becomes less and less of an option the longer they wait. Will they find a way to make it work? Can one really have it all? Heartwarming and often humorous, Rocky Road is an emotional look at two women searching for happiness in all the wrong places and discovering how much more life offers when you open your heart.