Rural lifestyle. Something has to give... Lucy McIntosh is a city girl through and through. She works in an advertising agency in Edinburgh with her boyfriend Jake, and her life is a whirl of deadlines, corporate parties, and coffee shops. Then Lucy learns that she is to inherit a hotel in the Highlands from her long-lost Uncle Calum. At first insistent that she will sell it to fund her and Jake’s move to London, she arrives in her uncle’s village to find The Mormaer Inn, a huge, tumbledown place perpetually on the brink of failure – and falls in love with it. Lucy is determined to restore the hotel to former glories. But her dream is blocked at every turn by obstacles. Rooms that need complete renovation, staff members who need personality transplants … and Graham Sutherland. His family have been local landowners for generations, and he wants the Inn for himself. Graham wants to demolish the hotel to build a holiday park, and is so confident Lucy will sell to him that he has already applied for planning permission. He is furious to think that naïve newcomer Lucy might have her own plans for the hotel – and adamant he’ll get what he wants …

    

    But with Halloween coming, the novice psychic medium is in for a surprise. As the historical society manager for her small Georgia town, Chantilly implemented a haunted historical property tour, and on Halloween, two of the ghosts comes by her house for a visit. The ghosts tell her there isn’t much time, but Chantilly has no idea what that means. Can Chantilly figure it out and help the ghosts before that time runs out?

    The only good news is that Steven, her increasingly distant teenage son, is about to move back in with her. The bad news is that Bob, her ex-husband, wants the house. Trisha's mind is unexpectedly made up when she inherits a place in the Highlands. Having pictured a rural idyll, she finds rain, sheep, a jaywalking dog and kamikaze midges. And more rain. Her social life is so limited that she even contemplates joining the Inversnechty Mental Health Awareness Group just for the craic. Then three nurses on holiday leave from Saudi invite Trisha to a ceilidh. A night of whisky-fuelled high jinks with a frozen salmon ensues which leads to a significant encounter with Spider, the local Lothario, and a dramatic discovery that will change Trisha's future forever.

    On the 18th September Scotland voted to stay in the Union. In this provocative new book, Iain Macwhirter argues that the UK will never be the same again. Disunited Kingdom explores Scotland's political and cultural landscape in the immediate build up to, and aftermath of, the referendum. Combining expert and personal insight, Macwhirter examines the future of Scotland, the UK, and the enduring passion for independence.Praise for Iain Macwhirter: "A truly important book, particularly at this moment." ~ Andrew Marr. "A terrific book [...] full of shrewd insights. I'd recommend it highly." ~ The Guardian

    In September 2014, he came close to realising that dream.In a riveting daily diary, written with his trademark wit and charm, Salmond takes us into the heart of the YES campaign, revealing what was said and done behind the scenes as the referendum reached its dramatic climax.He explains how the YES campaign energised the entire Scottish nation and rewrote the rulebook for grassroots political campaigning, not just in the UK but throughout the world.He also looks ahead to the critical role of the ‘national question’ in the future of British politics, making clear that the referendum was not the end of a process, but the beginning of one. The dream of Scottish independence is very much alive.

    As a young man, William Lang worked as a gardener at the old college of Glasgow University but he has spent most of his subsequent life as a printer and bookseller in the growing city of Glasgow. When the novel begins, in the mid 1800s, he is in his seventies, widowed and living with his grown-up family. He has just received a parcel containing a book called the Scots Gard’ner, as well as a handwritten journal. With these volumes comes a letter saying that they were left to him by Thomas Brown, a gentleman who has recently died at his country house in Ayrshire. So many years later, the unexpected legacy of the books reminds William of his youth when he and Thomas became unlikely friends. The memories come flooding back. Some of this is based on truth. There was a gardener in Glasgow called William Lang. There was a nineteenth century lecturer in botany at the old college of Glasgow University whose name was Thomas Brown. It is clear from surviving correspondence that the two men, who were not very far apart in years, struck up a friendship. It is also clear that Thomas valued the work William did in collecting plant specimens for him. Later, when William found himself struggling to cope with a polluted garden and the necessities of providing for a widowed mother and younger siblings, Thomas Brown helped him as far as he could. The printed books mentioned are real. But the rest is entirely fictional.

    two wounded souls are forced on a journey neither wants, resulting in tragedy and disaster. Battle-hardened, untrusting and son of a Scottish Chieftain. Duncan MacThomas wants only to see his country free from English rule. Honor-bound to ensure his clan's financial future, Duncan reluctantly travels to England to wed a woman he doesn't want. Wealthy and pampered. Catherine Gillingham anticipates a marriage to a Duke's son and is dismayed when her king decrees she must wed a Scotsman, the sort of man all of London despises. Can these two opposites find love amidst war and lower their barriers to find the peace they seek within their countries and themselves?

    She’s opposed in a nasty divorce case by dour, stubborn Scotsman, Dunstan Cromarty. And yet, as the clients’ case grows more complicated, so do Jane’s feelings for Dunstan—and his for her. Crossing personal lines the middle of a case could cost each of them their license to practice law, and in a small, rural jurisdiction, they’ll oppose each other frequently. Neither can afford to give up their livelihood or their professional integrity, but can they give up each other? Dunroamin Holiday As a favor to his cousin, art history professor Liam Cromarty agrees to show American attorney Louise Cameron the Scottish sights. He doesn't expect that his guest will challenge and charm him, until all he can see is the possibility of a shared future with Louise. She's at a professional crossroad, between the courtroom and the creative career she was robbed of as a younger woman. Liam is the perfect partner for exploring all of the wonders of Scotland, and he also inspires Louise to renew her artistic ambitions. When Liam realizes his actions were responsible for cheating Louise out of her dream years ago, he knows that whether he keeps silent about the past or reveals the truth, he could lose Louise forever.

    

    

    

    the integrity of vision coruscating; the whole driven by the author's restless experimentation with form. And at least two stories, "Blood" itself and "Fearless", will certainly end up in anthologies: not Best Scottish Writers, or Best Women Writers, but quite simply, Best." - New Statesman and Society"I remember reading a story by Janice Galloway for the first time; its urgency of voice, that certainty of expression, I wondered why I hadn't heard of her before; then discovered that she was altogether new to writing. It was some debut. She really is a fine writer." - James Kelman"A salutary collection... a marvelous revelation. A writer of passion and virtuosity shines through." - Scotland on Sunday"Genuinely unnerving... she is a fierce, troubling new writer." - Observer"Galloway flecks her hard-edged realism with impressionist grace-notes, a potent mixture that confirms her... as one of Scotland's best young writers." - Sunday Telegraph"There is ample proof in Blood of Galloway's unassailable talent. Marvellously funny and beautifully paced." - Glasgow Herald

    The trees are coarse and tall in the winter light, standing like men. Lauren and her father Niall live alone in the Highlands, in a small village surrounded by pine forest. When a woman stumbles out onto the road one Halloween night, Niall drives her back to their house in his pickup. In the morning, she's gone. In a community where daughters rebel, men quietly rage, and drinking is a means of forgetting, mysteries like these are not out of the ordinary. The trapper found hanging with the dead animals for two weeks. Locked doors and stone circles. The disappearance of Lauren's mother a decade ago. Lauren looks for answers in her tarot cards, hoping she might one day be able to read her father's turbulent mind. Neighbours know more than they let on, but when local teenager Ann-Marie goes missing it's no longer clear who she can trust. In spare, haunting prose, Francine Toon creates an unshakeable atmosphere of desolation and dread. In a place that feels like the end of the world, she unites the gloom of the modern gothic with the pulse of a thriller. It is the perfect novel for our haunted times.

    In this hilarious, irreverent and frequently controversial book she explains the real joy of hill-walking and climbing the Munros.