Virtually overnight, almost against their will, the two befriended the lonely old man; it wasn't long before they were more comfortable in his house than their own. But now Mr. Pignati is dead. And for John and Lorraine, the only way to find peace is to write down their friend's story - the story of the Pigman.

    But they never made it--Willow lost control of the car, and both of her parents were killed.Now seventeen, Willow is living with her older brother, who can barely speak to her. She has left behind her old home, friends, and school. But Willow has found a way to survive, to numb the new reality of her life: She is secretly cutting herself.And then she meets Guy, a boy as sensitive and complicated as she is. When Guy discovers Willow's secret, he pulls her out of the solitary world she's created for herself, and into a difficult, intense, and potentially life-changing relationship.Julia Hoban has created an unflinching story about cutting, grieving, and starting anew. But above all, she has written an unforgettable tale of first love.

    Some are her friends, others are practically strangers, and then there are the ones no else even notices. Trying to fix their lives comes naturally to her. And pushing her own needs to the side is part of the deal. So when her older sister comes home unexpectedly married and pregnant, Scarlet has a new person to worry about. But all of her good intentions are shattered when the unthinkable happens: she falls for her sister’s husband. For the first time in a long time, Scarlet’s not fixing a problem, she’s at the center of one. And ignoring her feelings doesn’t seem to be an option...

    When her mother moves them from the city to a small town to open up a cupcake bakery, Penny's life isn't what she expected. Her father has stayed behind, and Mom isn't talking about what the future holds for their family. And then there's Charity, the girl who plays mean pranks almost daily. There are also bright spots in Hog's Hollow, like Tally, an expert in Rock Paper Scissors, and Marcus, the boy who is always running on the beach. But just when it looks as though Penny is settling in, her parents ask her to make a choice that will turn everything upside down again. A sweet novel about love, creativity, and accepting life's unexpected turns.

    On Christmas Day their rich and imperious grandmother gathers the family and announces that she will soon die . . .and has cut the entire family out of her will. Since she is the source of almost all their income, this means they will soon be penniless. Someone in the family has offended her deeply. If that person comes forward with a confession of her (or his) crime, submitted in writing to her lawyer by New Year's Day, she will reinstate the family in her will. Or at least consider it.And so the confessions begin....

    Gay Awareness Week was beginning at the University of Wyoming, and the keynote speaker was Lesléa Newman, discussing her book Heather Has Two Mommies. Shaken, the author addressed the large audience that gathered, but she remained haunted by Matthew’s murder. October Mourning, a novel in verse, is her deeply felt response to the events of that tragic day. Using her poetic imagination, the author creates fictitious monologues from various points of view, including the fence Matthew was tied to, the stars that watched over him, the deer that kept him company, and Matthew himself. More than a decade later, this stunning cycle of sixty-eight poems serves as an illumination for readers too young to remember, and as a powerful, enduring tribute to Matthew Shepard’s life.

    But when Lizzie is ready to grow up, Tess clings to their fantasies. As Tess sinks deeper and deeper into her delusions, she decides that she can't live in the real world any longer and leaves Lizzie and her family forever. Now, years later, Lizzie is in high school and struggling to understand what happened to her sister. With the help of a school psychologist and Tess's battered journal, Lizzie searches for a way to finally let Tess go.

    It seems as though everyone in her family has better things to do than pay attention to her: Mom (when she’s not meditating) helps Dad run the family restaurant; Sarah is taking a gap year after high school; and Holden pretends that Mom and Dad and everyone else doesn’t know he’s gay, even as he fends off bullies at school. Then there’s Charlie: three years old, a "surprise" baby, the center of everyone’s world. He’s devoted to Fern, but he’s annoying, too, always getting his way, always dirty, always commanding attention. If it wasn’t for Ran, Fern’s calm and positive best friend, there’d be nowhere to turn. Ran’s mantra, "All will be well," is soothing in a way that nothing else seems to be. And when Ran says it, Fern can almost believe it’s true. But then tragedy strikes- and Fern feels not only more alone than ever, but also responsible for the accident that has wrenched her family apart. All will not be well. Or at least all will never be the same.

    Maybe I can make my own movie. The film will be the story of my life. No, not my life, but of this experience. I'll call it what the lady who is the prosecutor called me. Monster.Fade In: Interior Court. A guard sits at a desk behind Steve. Kathy O'Brien, Steve's lawyer, is all business as she talks to Steve.O'BrienLet me make sure you understand what's going on. Both you and this king character are on trial for felony murder. Felony Murder is as serious as it gets. . . . When you're in court, you sit there and pay attetion. You let the jury know that you think the case is a serious as they do. . . .SteveYou think we're going to win ?O'Brien (seriously)It probably depends on what you mean by "win."Sixteen-year-old Steve Harmon is on trial for murder. A Harlem drugstore owner was shot and killed in his store, and the word is that Steve served as the lookout.Guilty or innocent, Steve becomes a pawn in the hands of "the system," cluttered with cynical authority figures and unscrupulous inmates, who will turn in anyone to shorten their own sentences. For the first time, Steve is forced to think about who he is as he faces prison, where he may spend all the tomorrows of his life.As a way of coping with the horrific events that entangle him, Steve, an amateur filmmaker, decides to transcribe his trial into a script, just like in the movies. He writes it all down, scene by scene, the story of how his whole life was turned around in an instant. But despite his efforts, reality is blurred and his vision obscured until he can no longer tell who he is or what is the truth. This compelling novel is Walter Dean Myers's writing at its best.

    Until he meets Curt MacCrae, an emaciated, semi-homeless, high school dropout guitar genius, the stuff of which Lower East Side punk rock legends are made. Never mind that Troy's dad thinks Curt's a drug addict and Troy's brother thinks Troy's the biggest (literally) loser in Manhattan. Soon, Curt has recruited Troy as his new drummer, even though Troy can't play the drums. Together, Curt and Troy will change the world of punk, and Troy's own life, forever.

    Every Body Looking is a debut novel in verse tells the story of Ada--daughter of an immigrant father and an African American mother--and her struggle to find a place for herself in America and in her own family.Every Body Looking is a heavily autobiographical novel of a young woman's struggle to carve a place for herself--for her black female body--in a world of deeply conflicting messages.Told entirely in verse, Ada's story encompasses her earliest memories as a child, including her abuse at the hands of a young cousin, her mother's rejection and descent into addiction, and her father's attempts to create a home for his American daughter more like the one he knew in Nigeria.

    But when her mother is diagnosed with breast cancer, Emma's family moves to a town outside Lowell, Massachusetts, to stay with Emma's grandmother while her mom undergoes treatment.Emma feels out of place in the United States.She begins to have migraines, and longs to be back in Japan. At her grandmother's urging, she volunteers in a long-term care center to help Zena, a patient with locked-in syndrome, write down her poems. There, Emma meets Samnang, another volunteer, who assists elderly Cambodian refugees. Weekly visits to the care center, Zena's poems, dance, and noodle soup bring Emma and Samnang closer, until Emma must make a painful choice: stay in Massachusetts, or return home early to Japan.

    A list is posted, and one girl from each grade is chosen as the prettiest, and another is chosen as the ugliest. Nobody knows who makes the list. It almost doesn't matter. The damage is done the minute it goes up.This is the story of eight girls, freshman to senior, "pretty" and "ugly." And it's also the story of how we see ourselves, and how other people see us, and the tangled connection of the two.

    Her "boyfriend" isn't much of a boyfriend. And her mother refuses to discuss the fight that divided their family eight years ago. Falling apart, it seems, is a Hannaford tradition.Over a summer of new friendships, unexpected romance, and moments that test the complex bonds between mothers and daughters, Delilah must face her family's painful past. Can even her most shattered relationships be pieced together again?Rich with emotion, Sarah Ockler delivers a powerful story of family, love, and self-discovery.

    Then the rumor starts-that Blake has a gun in his locker. In a moment of misguided hopefulness, Andy steals the keys from his dad and opens up Blake's locker, hoping that finding the gun will change his own status. But the gun isn't there and Andy remains an outcast. When an unlikely friendship develops between the two loners, Blake shares most of his secrets with Andy, including the gun. But there's one secret that worries Andy more than anything-the date circled on Blake's calendar. Does Blake have something planned? Something that Andy can prevent? In a fascinating look at how teens deal with the now constant threat of school violence, debut author Ryan G. Van Cleave provides a unique, emotional perspective on how it feels to be the one who can prevent a tragedy.