Bucking under the weight of being a single parent―her Turkish husband is unable to return to the United States because of a “processing error”―Daphne takes refuge in a mobile home left to her by her grandparents in hopes that the quiet will bring clarity.But clarity proves elusive. Over the next ten days Daphne is anxious, she behaves a little erratically, she drinks too much. She wanders the town looking for anyone and anything to punctuate the long hours alone with the baby. Among others, she meets Cindy, a neighbor who is active in a secessionist movement, and befriends the elderly Alice, who has traveled to Altavista as she approaches the end of her life. When her relationships with these women culminate in a dangerous standoff, Daphne must reconcile her inner narrative with the reality of a deeply divided world.Keenly observed, bristling with humor, and set against the beauty of a little-known part of California, The Golden State is about class and cultural breakdowns, and desperate attempts to bridge old and new worlds. But more than anything, it is about motherhood: its voracious worry, frequent tedium, and enthralling, wondrous love.

    His fleeting fame as the drummer for a one-hit wonder rock band is nearly a decade behind him. His ex-wife is about to marry a terrific guy. And his Princeton-bound teenage daughter Casey has just confided in him that she’s pregnant—because Silver is the one she cares least about letting down.So when Silver learns that he requires emergency life-saving heart surgery, he makes the radical decision to refuse the operation, choosing instead to spend what time he has left to repair his relationship with Casey, become a better man, and live in the moment—even if that moment isn’t going to last very long. As his exasperated family looks on, Silver grapples with the ultimate question of whether or not his own life is worth saving.

    When a grandfather she never knew bequeaths her a house and 60 acres of land in Sweetwater, Tenn., a restless young artist leaves New York to recover her past and rethink her future. Cassie Simon's mother Ellen died when Cassie was only three; raised in Boston by her grieving father, she never knew her maternal relatives. Unprepared for the thick veil of mystery that surrounds them, Cassie is especially bewildered by her brusque grandmother, whom rumor credits with hiding a terrible secret about Ellen's death. In alternating sections told from their respective points of view, Cassie and her grandmother fight their separate battles to cope with the truth about the tragedy. Kline perfectly renders each woman's voice: Cassie's, probing and often uncertain, propels the narrative and creates an appropriate level of psychological suspense; the grandmother's quavers with the weight of memory as Cassie's search forces her beyond family myth to a painful and perhaps dangerous truth. The result is a powerful, immensely readable tale of loyalty and betrayal, family and memory, made fresh by Kline's often beautiful and always lucid prose.

    Afterwards, hisdaughter Eleanor discovers a will, in which he has left his entireestate to a woman she has never heard of before. Hiding it fromher siblings, she sets out to solve this mystery, and to unearth theconfronting truth about her reclusive father’s past.But Henry isn’t the only Hoffman with secrets. In the months thatfollow, his children learn things about each other they could neverpreviously have imagined.The Last Will and Testament of Henry Hoffman is a gripping andmany-layered story of love and loss, conflict and survival. Itexplores subjects that affect us all: guilt and redemption, theinescapability of the past, and how trauma resonates acrossgenerations.

    To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This particular book is a collaboration focused on Thursday Next series.

    Love, laughter, and occasional tears - no need to turn on the Hallmark Channel this winter. Snuggle up with this feel-good anthology instead!Warning: reading this anthology may cause cravings for cider sugar donuts, French toast, pimento cheese, cherry cola, and maple syrup ice-cream, as well as happy ever afters

    But this summer, something's changed, and if there's anything Nantucket likes better than cocktails on the beach at sunset, it's a good rumor.And rumor has it......that Madeline, a novelist, is battling writer's block, with a deadline looming, bills piling up, and blank pages driving her to desperation--and a desperately bad decision;...that Grace, hard at work to transform her backyard into a garden paradise, has been collaborating a bit more closely than necessary with her ruggedly handsome landscape architect;...that Grace's husband, successful island real estate developer "Fast Eddie" Pancik, has embarked on quite an unusual side project;...that the storybook romance between Madeline's son, Brick, and Grace's daughter Allegra is on the rocks, heading for disaster.As the gossip escalates, and they face the possible loss of the happy lives they've worked so hard to create, Grace and Madeline try mightily to set the record straight--but the truth might be even worse than rumor has it.

    In Vancouver's red-hot real estate market, he doesn't have a chance--until he and his best friends take the last-ditch measure of staging a drive-by shooting on the property to push down the asking price. But when Scott's pretend gangland stunt attracts the attention of real criminals, his make-believe crew soon finds itself in the middle of a deadly rivalry.With wicked humour and a brilliant cast of desperate characters, Property Values explodes the crime novel genre while exploring the absurd lengths to which a man will go to in order to hold onto his home in today's market.

    Twenty-seven-year-old A&R man Stelfox is slashing and burning his way through the music industry, a world where 'no one knows anything' and where careers are made and broken by chance and the fickle tastes of the general public - 'Yeah, those animals'.Fuelled by greed and inhuman quantities of cocaine Stelfox blithely criss-crosses the globe ('New York, Cologne, Texas, Miami, Cannes: you shout at waiters and sign credit card slips and all that really changes is the quality of the porn') searching for the next hit record amid a relentless orgy of self-gratification.But as the hits dry up and the industry begins to change, Stelfox must take the notion of cutthroat business practices to murderous new levels in a desperate attempt to salvage his career.Kill Your Friends is a dark, satirical and hysterically funny evisceration of the record business, a place populated by frauds, charlatans and bluffers, where ambition is a higher currency than talent, and where it seems anything can be achieved - as long as you want it badly enough.

     Heading north for the holidays, things certainly hadn’t gone as she had planned. A snowstorm, an apple pie, and an old friend, all conspire to bring her to a crossroads. Will a Christmas Eve detour send her back to her snug village home, or will she forge ahead and let a turn in the road lead her to a newfound happiness? In this, the first entry in her new Rose and Briar Inn series, From Women’s Pens author Andrea Twombly weaves a warm story of the Christmas season, rich in challenges overcome and courage discovered along a twisting road to love. You won’t want to miss this one!

    No journalist, reporter or talk show host had been granted the privilege to interview the 86-year-old recluse throughout her 21-book career. Julia's intrigue as to why she's the chosen one sends her packing and on a plane headed South in a hurry. Nestled among a canopy of banyan trees and palms, beneath the roof of Mrs. Van Buren's gingerbread island cottage, Julia finds one last unpublished manuscript. As the fragile old woman reads aloud to Julia from delicate pages that take us back to 1930s Macon, Georgia, and on up the road to Atlanta during days of the "Gone with the Wind" premier, secrets that have been held captive for over half a century surface that connect these women in more ways than either of them ever imagined.

    Devoted to her husband, a pediatric oncologist at a major cancer hospital, their young son Henry, and the patients she sees in her therapy practice, her days are full of familiar things: she lives in the very New York apartment in which she was raised, and sends Henry to the school she herself once attended. Dismayed by the ways in which women delude themselves, Grace is also the author of a book You Should Have Known, in which she cautions women to really hear what men are trying to tell them. But weeks before the book is published a chasm opens in her own life: a violent death, a missing husband, and, in the place of a man Grace thought she knew, only an ongoing chain of terrible revelations. Left behind in the wake of a spreading and very public disaster, and horrified by the ways in which she has failed to heed her own advice, Grace must dismantle one life and create another for her child and herself. For readers of the best women's fiction. This is a free preview, not the full book.

    She now leads a solitary life teaching piano, and she has a star student: Graciela, the daughter of her mother’s Mexican housekeeper. Camille has been grooming the young Graciela for the career that she herself lost out on, and now Graciela, newly turned eighteen, has just won the grand prize in a piano competition, which means she gets to perform with the LA Philharmonic. Camille is ecstatic; if she can’t play herself, at least as Graciela’s teacher, she will finally get the recognition she deserves.But there are only two weeks left before the concert, and Graciela has disappeared—gone back to her family’s village in the mountains of Oaxaca, Mexico. Desperate to bring Graciela back in time for the concert, Camille goes after her, but on the way there, a bus accident leaves her without any of her possessions. Alone and unable to speak the language, Camille is befriended by Alejandro, a Zapotec man who lives in LA but is from the same village as Graciela. Despite a contentious first meeting, Alejandro helps Camille navigate the rugged terrain and unfamiliar culture of Oaxaca, allowing her the opportunity to view the world in a different light—and perhaps find love in the process.

    /ka?/A piece of meat; born to breed; past its sell-by-date; one of the herd.Women don’t have to fall into a stereotype.The Cows is a powerful novel about three women. In all the noise of modern life, each needs to find their own voice.It’s about friendship and being female.It’s bold and brilliant.It’s searingly perceptive.It's about never following the herd.And everyone is going to be talking about it.

    Set in and around Palo Alto, amid the culture clash of new money and old (antiestablishment) values, and with the specter of our current wars looming across its pages, The Portable Veblen is an unforgettable look at the way we live now. A young couple on the brink of marriage—the charming Veblen and her fiancé Paul, a brilliant neurologist—find their engagement in danger of collapse. Along the way they weather everything from each other’s dysfunctional families, to the attentions of a seductive pharmaceutical heiress, to an intimate tête-à-tête with a very charismatic squirrel. Veblen (named after the iconoclastic economist Thorstein Veblen, who coined the term “conspicuous consumption”) is one of the most refreshing heroines in recent fiction. Not quite liberated from the burdens of her hypochondriac, narcissistic mother and her institutionalized father, Veblen is an amateur translator and “freelance self”; in other words, she’s adrift. Meanwhile, Paul—the product of good hippies who were bad parents—finds his ambition soaring. His medical research has led to the development of a device to help minimize battlefield brain trauma—an invention that gets him swept up in a high-stakes deal with the Department of Defense, a Bizarro World that McKenzie satirizes with granular specificity. As Paul is swept up by the promise of fame and fortune, Veblen heroically keeps the peace between all the damaged parties involved in their upcoming wedding, until she finds herself falling for someone—or something—else. Throughout, Elizabeth McKenzie asks: Where do our families end and we begin? How do we stay true to our ideals? And what is that squirrel really thinking? Replete with deadpan photos and sly appendices, The Portable Veblen is at once an honest inquiry into what we look for in love and an electrifying reading experience.