First there is Graciela: a young girl rebelling against the strictures of her poor, rural life in the Dominican Republic in the early 1900s, she searches for her true destiny even as it lures her away from her husband and baby daughter. . . . Then there is Mercedes, passionately devoted to the Church, who rears herself after the death of her beloved stepfather, eventually marrying and moving with her husband to New York City, where she will bring up her granddaughter. . . . Coming of age in the freewheeling 1990s--and bringing the story full circle--Leila has without a doubt inherited the restless genes of great-grandmother Graciela. . . . The intimate details of life in New York and the Dominican Republic, the broad strokes of history, the subtleties of familial connection amid changing notions of home and obligation--all are rendered with grace and gritty realism in this remarkably accomplished novel.

    In this dislocating urban environment Iliana reluctantly confronts the anger and desperation that seem to seep through every crack of her family's small house, and experiences all the contradictions, superstitions, joys, and pains that come from a life caught between two cultures. In this magnificent debut novel, filled with graceful prose and searing detail, Loida Maritza Pérez offers a penetrating portrait of the American immigrant experience as she explores the true meanings of identity, family--and home.

    A collection of stories by Sandra Cisneros, the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature.The lovingly drawn characters of these stories give voice to the vibrant and varied life on both sides of the Mexican border with tales of pure discovery, filled with moments of infinite and intimate wisdom.

    Now Megan Mayhew Bergman, author of Birds of a Lesser Paradise, resurrects these women, lets them live in the reader's imagination, so we can explore their difficult choices. Nearly every story in this dazzling collection is based on a woman who attained some celebrity—she raced speed boats or was a conjoined twin in show business; a reclusive painter of renown; a member of the first all-female, integrated swing band. We see Lord Byron's illegitimate daughter, Allegra; Oscar Wilde's troubled niece, Dolly; West With the Night author Beryl Markham; Edna St. Vincent Millay's sister, Norma. These extraordinary stories travel the world, explore the past (and delve into the future), and portray fiercely independent women defined by their acts of bravery, creative impulses, and sometimes reckless decisions.The world hasn't always been kind to unusual women, but through Megan Mayhew Bergman's alluring depictions they finally receive the attention they deserve. Almost Famous Women is a gorgeous collection from an "accomplished writer of short fiction" (Booklist).

    Matriarchs like Mercy Amado—despite her drunken, philandering (now ex-) husband—could raise three daughters and become a teacher. Now she watches helplessly as her daughters drift apart as adults. The Latino bonds of familia don't seem to hold. Celeste, the oldest daughter who won't speak to the youngest, is fiercely intelligent and proud. She has fled the uncertainty of her growing up in Los Angeles, California, to seek financial independence in San Jose. Her sisters did the same thing but very differently. Sylvia married a rich but abusive Anglo, and, to hide away, she immersed herself in the suburbia of her two young daughters. And Nataly, the baby, went very hip into the free-spirited Latino art world, working on her textile creations during the day and waiting on tables in an upscale restaurant by night. Everything they know comes crashing down in a random tragic moment and Mercy must somehow make what was broken whole again.Désirée Zamorano says that she was taken aback by the negative reaction toSonia Sotomayor's self-description as a "wise Latina." And she is appalled by stereotypical rendering of Latinas in mainstream literature, saying that true-to-life middle-class Latinas are invisible in the fabric of American culture. Zamorano is a playwright, Pushcart Prize nominee for fiction, and the director of the Community Literacy Center at Occidental College. She also collaborates with InsideOut Writers, a program that works with formerly incarcerated youth. She lives in Pasadena, California.

    Pregnant and married at the age of 11 to cover-up this horrible tragedy she shares how she overcame it all to be a successful business woman, mother and friend. This is a must read for anyone who suffer with forgiven people who have abused you as well as stopping the cycle of abuse in your life.

    She was given an explanation. Nevertheless, she persisted.Three short lines, fired over social media in response to questions of why Senator Elizabeth Warren was silenced on the floor of the United States Senate, for daring to read aloud the words of Coretta Scott King. As this message was transmitted across the globe, it has become a galvanizing cry for people of all genders in recognition of the struggles that women have faced throughout history.Three short lines, which read as if they are the opening passage to an epic and ageless tale.We have assembled this flash fiction collection featuring several of the best writers in SF/F today, including Seanan McGuire, Charlie Jane Anders, Maria Dahvana Headley, Jo Walton, Amal El-Mohtar, Catherynne M. Valente, Brooke Bolander, Alyssa Wong, Kameron Hurley, Nisi Shawl and Carrie Vaughn. Together these authors share unique visions of women inventing, playing, loving, surviving, and – of course – dreaming of themselves beyond their circumstances.At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    Written with a commanding sureness of tone and linguistic precision, The White Album is a central text of American reportage and a classic of American autobiography.

    Award-winning novelist Madeleine Thien calls Petra a masterpiece--a fierce, humane and powerful novel for our times. January, 1980. At the height of the Cold War, Petra Kelly inspires hundreds of thousands to take to the streets to protest the placement of nuclear missiles on West German soil--including a NATO general named Emil Gerhardt, who shocks the establishment by converting to the cause. Petra and her general not only vault to fame as the stars of the Green Party, but they also fall in love. Then Manfred Schwartz, an ex-lover, urges Petra to draw back the curtain on Emil's war record, and they enter a world both complicated and threatening.Told by Manfred Schwartz, from his place in a present world even more beset by existential threats, Petra is an exploration of love, jealousy, and the power of social change. A woman capable of founding a new and world-changing politics and taking on two superpowers, Petra still must grapple with her own complex nature and a singular and fatal love.

    It also covers a socioeconomic history by establishing links between socioeconomic conditions and political developments.

    A teacher struggles to bond with jaded students as bodies drop from the sky; a man meets his illegitimate son for an awkward pumpkin picking excursion; a professor develops a sexual obsession with the student destined to surpass him; and a female cyberotica writer looks for conventionality in the form of a suitor who may be in love with her dog. Whether writing about a small town murder, homeschooling, experiments on lab mice, or the disintegration of a long marriage over the course of a golf game, Amend's characters are more than whip-smart and laugh-out-loud funny, they are chillingly real, memorable people looking for love--or what passes for it.

    An FBI agent falls in love with a robot built for a suicide mission. A young woman unintentionally cheats on her husband when she is transformed, nightly, into a deer. Two strangers become lovers and find themselves somehow responsible for the resurrection of a dog. A woman tries to start her life anew after the loss of a child but cannot help riddling that new life with lies. Thirteen pregnant teenagers develop a strange relationship with the Founding Fathers of American history. A lonely woman’s fertility treatments become the stuff of science fiction.Magic intrudes. Technology betrays and disappoints. Infidelities lead us beyond the usual conflict. Our bodies change, reproduce, decay, and surprise. With her characteristic unguarded gaze and offbeat humor, Hunt has conjured stories that urge an understanding of youth and mortality, magnification and loss, and hold out the hope that we can know one another more deeply or at least stand side by side to observe the mystery of the world.

    Inspired by her own reflections on more than fifty years of life as a young girl, a woman, a wife, and a mother, She Walks in Beauty draws on poetry's eloquent wisdom to ponder the many joys and challenges of being a woman. Kennedy has divided the collection into sections that signify to her the most notable milestones, passages, and universal experiences in a woman's life, and she begins each of these sections with an introduction in which she explores and celebrates the most important elements of life's journey.The collection includes works by Elizabeth Bishop, Sharon Olds, Edna St. Vincent Millay, Mary Oliver, Pablo Neruda, W. H. Auden, Adrienne Rich, Sandra Cisneros, Anne Sexton, W. S. Merwin, Dorothy Parker, Queen Elizabeth I, Lucille Clifton, Naomi Shahib Nye, and W.B. Yeats. Whether it's falling in love, breaking up, friendship, marriage, motherhood, or growing old, She Walks in Beauty is a priceless resource for anyone, male or female, who wants a deeper understanding and appreciation of what it means to be a woman.She walks in beautyGeorge Gordon, Lord ByronI She walks in beauty, like the nightOf cloudless climes and starry skies; And all that's best of dark and brightMeet in her aspect and her eyes:Thus mellow'd to that tender lightWhich heaven to gaudy day denies.II One shade the more, one ray the less,Had half impair'd the nameless graceWhich waves in every raven tress,Or softly lightens o'er her face;Where thoughts serenely sweet expressHow pure, how dear their dwelling-place.III And on that cheek, and o'er that brow,So soft, so calm, yet eloquent,The smiles that win, the tints that glow,But tell of days in goodness spent,A mind at peace with all below,A heart whose love is innocent!

    Filled with the sharp humor, emotional acuity, and joyful language Moore has become famous for, these nine glittering tales marked the introduction of an extravagantly gifted writer.

    The wonderful writings in Thalia Field's long-awaited new book Point and Line deny categorization, they are "nicheless." Perhaps describable as "epic poetries," these riveting pieces represent a confluence of genres in which Thalia Field has been involved over the course of her career: fiction, theater, and poetry. Written from a constructivist, post-genre sensibility, they elude classification, and present the author's concern with clarity in a world that resists it. For instance, in "Hours" and "Setting, the Table," Field uses indeterminate performance techniques to emphasize the categorical/conceptual nature of thought. Other pieces use generative schemes, portraits of mental shapes, which create meaning out of noise. Visually, each chapter is captivating, showing the author's need for shapes and colors in her work, her fascination with the contours of speech.