and her heart which she gives completely and forever to Major Brad Fullerton. But not even Brad's ring—or his child—can protect her from the calculating wrath of the powerful Fullerton dynasty, and the woman who will become Serena's bitter enemy. Sweeping from the war-torn palazzos of Rome to the glittering avenues of Manhattan and the glamorous world of high fashion. Here is the vibrant story of one woman's triumphant yet bittersweet journey of the heart.

    And yet, none of it can hide the growing turbulence in her marriage, which suddenly has Tanya doubting what she once cherished.Then Curtis goes too far, and Tanya's confronted with the worst betrayal a woman can face. Plunged into a bittersweet journey of discovery, she suddenly finds herself learning painful new lessons about love, loyalty, and sensual temptation. . ..and discovering the wisdom to celebrate the victories that are hers alone.Casting The First Stone listens in on the heart of a woman torn between loving who her husband was and hating who he has become. Roby weaves a fast-paced story about faith's challenges in a world made up of material desires and other physical temptations. Taken right from the headlines, Roby's cautionary tale looks at the other side of church politics and the emotional toll it takes.

    P. Morgan's personal librarian—who became one of the most powerful women in New York despite the dangerous secret she kept in order to make her dreams come true, from New York Times bestselling author Marie Benedict and acclaimed author Victoria Christopher Murray. In her twenties, Belle da Costa Greene is hired by J. P. Morgan to curate a collection of rare manuscripts, books, and artwork for his newly built Pierpont Morgan Library. Belle becomes a fixture on the New York society scene and one of the most powerful people in the art and book world, known for her impeccable taste and shrewd negotiating for critical works as she helps build a world-class collection.But Belle has a secret, one she must protect at all costs. She was born not Belle da Costa Greene but Belle Marion Greener. She is the daughter of Richard Greener, the first Black graduate of Harvard and a well-known advocate for equality. Belle's complexion isn't dark because of her alleged Portuguese heritage that lets her pass as white—her complexion is dark because she is African American.The Personal Librarian tells the story of an extraordinary woman, famous for her intellect, style, and wit, and shares the lengths to which she must go—for the protection of her family and her legacy—to preserve her carefully crafted white identity in the racist world in which she lives.

    Alas, she is more of the Jack Daniels kind. Self-medicating with ice cream for breakfast, breaking down at the supermarket, and showing up to work in her bathrobe and bunny slippers-soon she's not only lost her husband, but her job, house...and waistline. With humor and chutzpah Sophie leaves town, determined to reinvent her life. But starting over has its hurdles; soon she's involved with a thirteen-year-old who has a fascination with fire, and a handsome actor who inspires a range of feelings she can't cope with-yet.

    

    Original. 20,000 first printing.

    After all, outside there are 8-inch-high curbs and there's always the horrible chance he might see a gas station attendant wearing a blue hat. So, except for the occasional trip to the Rite Aid to admire the California girl Zandy and to buy earplugs because they're on sale, he stays home a lot. And a good thing too, or he would have never been falsely implicated in a murder, never almost seduced Philipa, never done the impossible task of jogging around the block with Brian, never ironed his pillows, and he might never have won the Most Average American essay contest. The Pleasure of My Company is the chronicle of a modern-day neurotic yearning to break free.

    Brown.From its inception in California in 1974 to its Broadway revival in 2022, the Obie Award–winning for colored girls who have considered suicide/when the rainbow is enuf has excited, inspired, and transformed audiences all over the country for nearly fifty years. Passionate and fearless, Shange’s words reveal what it meant to be a woman of color in the 20th century. First published in 1975, when it was praised by The New Yorker for “encompassing…every feeling and experience a woman has ever had,” for colored girls who have considered suicide/when the rainbow is enuf will be read and performed for generations to come. Now with new introductions by Jesmyn Ward and Broadway director Camille A. Brown, and one poem not included in the original, here is the complete text of a groundbreaking dramatic prose poem that resonates with unusual beauty in its fierce message to the world.

    Belly Anderson now in the autumn of her life, reminisces about the last summer of her childhood. A strong-willed and free-spirited eleven-year-old, she reluctantly leaves her home in rural Pharaoh and goes to Jamison to help her mean Aunt Rachel recover from surgery. Belly has two reasons for deciding to go to Jamison: She's left alone when her only friend becomes pregnant and is sent away, and she hopes that she'll be allowed to take piano lessons from her mother's childhood friend. While taking lessons from Miss Ophelia, she learns a terrible secret about her beloved teacher--a secret that forces Belly to grow up and learn what it really means to be an adult.

    In that instant, the calm existence of this middle-aged New York City man becomes something unrecognizable: he wants revenge, but also something more. Killing Johnny Fry is the story of Cordell's dark, funny, soulful, and outrageously explicit sexual odyssey in search of a new way of life. His guide is a mysterious woman named Sisypha, who leads him deep into the erotic heart of the city.

    Now she turns her eye to matters of the heart, with an endearing main character who can’t seem to keep bad men out of her life. Bernita Brown is a quick-thinking, tireless social worker who is good at practically everything—except love. Her first marriage ends in divorce, a painful experience Bernita refuses to think about. Instead, she dives into a series of sad relationships and overwhelming commitments to community and church. But not even church can keep her from being courted by dogs; Bernita’s married pastor begins making passes at her, then blames her for his backsliding. Along the way, the ghost of Bernita’s aunt Babe weighs in with plenty of advice (after all, Aunt Babe says, “You don’t need to be alive to tell folks how to live”). When a marvelous man finally enters Bernita’s life, only time can tell whether she will be able to trust him. Written with Berry’s signature warmth and reliance on African-American ancestors who deliver homespun healing, When Love Calls, You Better Answer addresses a host of powerful topics, from abusive relationships to corrupt church leaders. Ultimately, Bernita’s story will inspire readers to find the love they need, especially the love that can only come from within.

    Will she find Mr Right and start a family? But Patty is in love - with a man who is not only attractive and financially sound, but sensitive and warmhearted. There's just one small problem: He is also gay. Against her better judgment, and pleas from family and friends, Patty refuses to give up on Ethan. Every man she dates ultimately leaves her aching for the gentle comfort and intimacy she shares with him. But even as she throws eligible bachelors to the wayside to spend yet another platonic night with Ethan, Patty longs more and more for the consolation of loving and being loved. In the meantime she must content herself with waiting - until the real thing comes along . . .

    I Don't Care About Your Band posits that lately the worst guys to date are the ones who seem sensitive. It's the jerks in nice guy clothing, not the players in Ed Hardy, who break the hearts of modern girls who grew up in the shadow of feminism, thinking they could have everything, but end up compromising constantly. The cowards, the kidults, the critics, and the contenders: these are the stars of Klausner's memoir about how hard it is to find a man--good or otherwise--when you're a cynical grown-up exiled in the dregs of Guyville. Off the popularity of her New York Times "Modern Love" piece about getting the brush-off from an indie rock musician, I Don't care About Your Band is marbled with the wry strains of Julie Klausner's precocious curmudgeonry and brimming with truths that anyone who's ever been on a date will relate to. Klausner is an expert at landing herself waist-deep in crazy, time and time again, in part because her experience as a comedy writer (Best Week Ever, TV Funhouse on SNL) and sketch comedian from NYC's Upright Citizens Brigade fuels her philosophy of how any scene should unfold, which is, "What? That sounds crazy? Okay, I'll do it." I Don't Care About Your Band charts a distinctly human journey of a strong-willed but vulnerable protagonist who loves men like it's her job, but who's done with guys who know more about love songs than love. Klausner's is a new outlook on dating in a time of pop culture obsession, and she spent her 20's doing personal field research to back up her philosophies. This is the girl's version of High Fidelity. By turns explicit, funny and moving, Klausner's debut shows the evolution of a young woman who endured myriad encounters with the wrong guys, to emerge with real- world wisdom on matters of the heart. I Don't Care About Your Band is Julie Klausner's manifesto, and every one of us can relate.

    Right has always meant Mr. Rich. A twenty seven-year-old publicist, she's barely able to afford her fashionable and fabulous lifestyle and often has to foot the bill for dates with Struggling Writer Nick, a sexy but perpetually strapped-for-cash guy she's dating (no commitments – really). So when Ed, Britain's wealthiest but stodgiest bachelor, enters the picture, her idea of the fairy tale romance is turned on it's head. Mr. Maybe is the tale of her heartfelt but hilarious deliberation, irresistibly chronicled by bestselling author Jane Green. On one hand, Nick makes up for his low bank-account balance by his performance in the sack, or in the bathtub, as the case may be. But life with him means little more than nightly trips to the bar, a dark and grungy apartment, and plenty of dull political tirades to boot. But those blue eyes, and that tender heart...On the other hand, there's Ed, whose luxurious house and gargantuan bank account are quite tempting to the starving Libby. But his unsavory mustache and bumbling ways make Libby wonder if the platinum AMEX and unlimited "retail therapy" are worth it. He may have fallen in love with her at first sight, but nothing seems to solve his lackluster performance in the sack – even speed reading The Joy of Sex. When the diamond shopping commences, Libby is forced to realize that the time for "maybe" is up. Taking romantic comedy to a hip, sparkling new level, Mr. Maybe is a classic tale of what happens to one girl when her heart and her head aren't looking for the same thing. With a laugh and minute and a heroine whose struggles in the dating jungle will remind you of your own, Mr. Maybe is a story that all will leave you smitten.

    That was the way it was since the beginning, and the way it was to be until the end. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. But when an older man—a fellow slave—seeks to gain favor by preaching the master’s gospel on the plantation, the enslaved begin to turn on their own. Isaiah and Samuel’s love, which was once so simple, is seen as sinful and a clear danger to the plantation’s harmony.With a lyricism reminiscent of Toni Morrison, Robert Jones, Jr. fiercely summons the voices of slaver and the enslaved alike to tell the story of these two men; from Amos the preacher to the calculating slave-master himself to the long line of women that surround them, women who have carried the soul of the plantation on their shoulders. As tensions build and the weight of centuries—of ancestors and future generations to come—culminate in a climactic reckoning, The Prophets masterfully reveals the pain and suffering of inheritance, but is also shot through with hope, beauty, and truth, portraying the enormous, heroic power of love.