A sort of fairyland transformation takes place. Beyond the once solid wall strange figures move on -- a new mise en scene, with the old blotted out in darkness. The lady, whom we left knitting by the fire, becomes a fairy -- Sara Lee became a fairy, of a sort -- and meets the prince. Adventure, too; and love, of course. And then the lights go out, and it is the same old back drop again, and the lady is back by the fire -- but with a memory. This is the story of Sara Lee Kennedy's memory -- and of something more. . . .

    Her French-born mother, the Queen Regent, knew immediately that the infant queen would be a vulnerable pawn in the power struggle between Scotland’s clans and nobles. So Mary was sent away from the land of her birth and raised in the sophisticated and glittering court of France. Unusually tall and slim, a writer of music and poetry, Mary was celebrated throughout Europe for her beauty and intellect. Married in her teens to the Dauphin François, she would become not only Queen of Scotland but Queen of France as well. But Mary’s happiness was short-lived. Her husband, always sickly, died after only two years on the throne, and there was no place for Mary in the court of the new king. At the age of twenty, she returned to Scotland, a place she barely knew. Once home, the Queen of Scots discovered she was a stranger in her own country. She spoke only French and was a devout Catholic in a land of stern Presbyterians. Her nation was controlled by a quarrelsome group of lords, including her illegitimate half brother, the Earl of Moray, and by John Knox, a fire-and-brimstone Calvinist preacher, who denounced the young queen as a Papist and a whore. Mary eventually remarried, hoping to find a loving ally in the Scottish Lord Darnley. But Darnley proved violent and untrustworthy. When he died mysteriously, suspicion fell on Mary. In haste, she married Lord Bothwell, the prime suspect in her husband’s murder, a move that outraged all of Scotland. When her nobles rose against her, the disgraced Queen of Scots fled to England, hoping to be taken in by her cousin Elizabeth I. But Mary’s flight from Scotland led not to safety, but to Fotheringhay Castle...“Plaidy excels at blending history with romance and drama.” —New York Times

    He governs his realm with an iron hand, but he cannot rule his own family: his sons are weak and their wives adulterous; while his red-blooded daughter Isabella is unhappily married to an English king who prefers the company of men.A web of scandal, murder and intrigue is weaving itself around the Iron King; but his downfall will come from an unexpected quarter. Bent on the persecution of the rich and powerful Knights Templar, Philip sentences Grand Master Jacques Molay to be burned at the stake, thus drawing down upon upon himself a curse that will destroy his entire dynasty ...

    Jerome's Three Men in a Boat includes an introduction and notes by Jeremy Lewis in Penguin Classics.Martyrs to hypochondria and general seediness, J. and his friends George and Harris decide that a jaunt up the Thames would suit them to a 'T'. But when they set off, they can hardly predict the troubles that lie ahead with tow-ropes, unreliable weather forecasts and tins of pineapple chunks - not to mention the devastation left in the wake of J.'s small fox-terrier Montmorency. Three Men in a Boat was an instant success when it appeared in 1889, and, with its benign escapism, authorial discursions and wonderful evocation of the late-Victorian 'clerking classes', it hilariously captured the spirit of its age.In his introduction, Jeremy Lewis examines Jerome K. Jerome's life and times, and the changing world of Victorian England he depicts - from the rise of a new mass-culture of tabloids and bestselling novels to crazes for daytripping and bicycling.