The chafing restrictions of a typical upbringing in upper-class, small town Alabama simply did not apply to Zelda, who was described as an unusual child and permitted to roam the streets with little supervision. Zelda refused to blossom into a typical 'Southern belle' on anyone's terms but her own and while still in high school enjoyed the status of a local celebrity for her shocking behavior. Everybody in town knew the name Zelda Sayre. Queen of the Montgomery social scene, Zelda had a different beau ready and willing to show her a good time for every day of the week. Before meeting F. Scott Fitzgerald, Zelda's life was a constant pursuit of pleasure. With little thought for the future and no responsibilities to speak of, Zelda committed herself fully to the mantra that accompanied her photo in her high school graduation book: "Why should all life be work, when we all can borrow. Let's think only of today, and not worry about tomorrow." But for now Zelda was still in rehearsal for her real life to begin, a life she was sure would be absolutely extraordinary. Zelda Sayre married F. Scott Fitzgerald on the 3rd of April 1920 and left sleepy Montgomery behind in order to dive headfirst into the shimmering, glamourous life of a New York socialite. With the publication of Scott's first novel, This Side of Paradise, Zelda found herself thrust into the limelight as the very epitome of the Flapper lifestyle. Concerned chiefly with fashion, wild parties and flouting social expectations, Zelda and Scott became icons of the Jazz Age, the personification of beauty and success. What Zelda and Scott shared was a romantic sense of self-importance that assured them that their life of carefree leisure and excess was the only life really worth living. Deeply in love, the Fitzgeralds were like to sides of the same coin, each reflecting the very best and worst of each other. While the world fell in love with the image of the Fitzgeralds they saw on the cover of magazines, behind the scenes the Fitzgerald's marriage could not withstand the tension of their creative arrangement. Zelda was Scott's muse and he mercilessly mined the events of their life for material for his books. Scott claimed Zelda's memories, things she said, experiences she had and even passages from her diary as his possessions and used them to form the basis of his fictional works. Zelda had a child but the domestic sphere offered no comfort or purpose for her. The Flapper lifestyle was not simply a phase she lived through, it formed the very basis of her character and once the parties grew dull, the Fitzgeralds' drinking became destructive and Zelda's beauty began to fade, the world held little allure for her. Zelda sought reprieve in work and tried to build a career as a ballet dancer. When that didn't work out she turned to writing but was forbidden by Scott from using her own life as material. Convinced that she would never leave her mark on the world as deeply or expressively as Scott had, Zelda retreated into herself and withdrew from the people she knew in happier times. The later years of Zelda's life were marred by her detachment from reality as, diagnosed with schizophrenia, Zelda spent the last eighteen years of her life living in and out of psychiatric hospitals. As Scott's life unraveled due to alcohol abuse, Zelda looked back on the years they had spent together, young and wild and beautiful, as the best of her life. She may have been right but she was wrong about one thing, Zelda did leave her mark on the world and it was a deep and expressive mark that no one could have left but her. Zelda Fitzgerald: The Biography

    Not many have lived as many lives as Archie Roach – stolen child, seeker, teenage alcoholic, lover, father, musical and lyrical genius, and leader – but it took him almost a lifetime to find out who he really was. Roach was only two years old when he was forcibly removed from his family. Brought up by a series of foster parents until his early teens, his world imploded when he received a letter that spoke of a life he had no memory of. In this intimate, moving and often shocking memoir, Archie’s story is an extraordinary odyssey through love and heartbreak, family and community, survival and renewal – and the healing power of music. Overcoming enormous odds to find his story and his people, Archie voices the joy, pain and hope he found on his path through song to become the legendary singer-songwriter and storyteller that he is today – beloved by fans worldwide. Tell Me Why is a stunning account of resilience and the strength of spirit – and of a great love story.Shortlisted for the Victorian Premier’s Literary Awards, Non-FictionShortlisted for the 2020 Indie Book Awards, Non-FictionArchie Roach is the 2020 VIC Australian of the Year  ‘Just like his early songs, Tell Me Why was written with empathy as its impetus and that intent shines through on every page. This is a phenomenal work by one of the most articulate and recognisable members of the Stolen Generations. It will be read, studied and discussed for many years to come.’ The Australian ‘Beautiful, gut-wrenching and compelling memoir’ Sydney Morning Herald ‘Archie’s deeply resonant voice sings out – of a broken country and a life renewed. The voice of Australia.’ Daniel Browning, ABC journalist and producer ‘Roach is honest and humble in his oft-heartbreaking retelling of his search for identity, belonging and purpose’ Courier Mail ‘Best book of 2019: Tell Me Why by Archie Roach, a beautifully written autobiography that captures one of the most remarkable lives in Australian music’ Weekend Australian

    I made my way to the remotest islands, the hottest deserts and the coldest of climates. I was robbed, suffered injuries, got sick and depressed. I covered around 320,000 kilometres by plane, train, boat, bus and car and ran just over 2300 race kilometres. It proved to me that you can do whatever you want to – just find the starting line, believe in yourself, and Run Like Crazy!When Tristan Miller lost his job as a result of the global economic crisis, he set himself a huge personal challenge. He would spend a year seeing the world, each week running an official marathon in a different country. This is the story of an ordinary man who chased his dream, 42.2 kilometres at a time.

    Ned Kelly emerges as a man who hated conflict yet never escaped it. A thorough account of a most remarkable life. Author Biography: As an historical writer, IAN JONES has written for television and film, his work including THE SULLIVANS, AGAINST THE WIND, THE LAST OUTLAW and THE LIGHTHORSEMEN.

    By daybreak, her world has shifted. Max Carlisle, a troubled AFL star, can't stop what comes next. And Ruby, a single woman from the apartment block, is left with questions when she sees Jordi leave.In this remarkable novel, Rachel Matthews captures the characters of Jordi and her family, the players, and the often loveable inhabitants of a big city with a deceptive lightness of touch that seduces the reader. Siren reveals the often unnoticed life of a city while simultaneously drawing us deep into a dark and troubling world. What happens has an unexpected effect on all those who are both directly and indirectly involved.The result is a powerful and haunting novel about cultural stereotypes and expectations, love, loneliness, family and our struggle to connect. In so many ways, Matthews subtly sounds the siren on sexual violence and its prevalence in our culture.

    Rural communities have always been a melting pot and many are happy to accept a diverse bunch … as long as they don’t overstep. Set in a town he knows very well, in this novel Tom Keneally tells a compelling story of the interactions and relationships between black and white Australians in early twentieth-century Australia.

    But this year the ominous storm clouds only serve to remind them of trouble brewing - an Aborgine guerilla fighter in the district with some of his men is causing havoc indiscriminately and placing both Zack Hamilton and William Oatley in great danger. As the days drag on, the Aborigines' struggle for survival involves them all in a vicious waiting game until men with revenge in their hearts have to face the truth about themselves.

    Equipped with a historian’s inquiring mind, he embarks on a journey through time, seeking to understand the extraordinary deep history of the Australian continent.Deep Time Dreaming is the passionate product of that journey. In this original, important book, Griffiths investigates a twin revolution: the reassertion of Aboriginal identity in the second half of the twentieth century, and the simultaneous uncovering of the traces of ancient Australia by pioneering archaeologists.Deep Time Dreaming is about a slow shift in national consciousness. It explores what it means to live in a place of great antiquity, with its complex questions of ownership and identity. It brings to life the deep time dreaming that has changed the way many Australians relate to their continent and its enduring, dynamic human history.When John Mulvaney began his fieldwork in January 1956, it was widely believed that the first Australians had arrived on this continent only a few thousand years earlier. In the decades since, Australian history has been pushed back into the dizzying expanse of deep time. The human presence here has been revealed to be more ancient than that of Europe, and the Australian landscape, far from being terra nullius, is now recognised to be cultural as much as natural, imprinted with stories and law and shaped by the hands and firesticks of thousands of generations of Indigenous men and women. The New World has become the Old …

    This collection is set in the vast Australian continent from the mysterious, glittering Valley of Lagoons to bohemian Balmain and the Centre at Uluru.

    First published in 1970, the book seeks to explain the causes for the 13 May 1969 riots in Kuala Lumpur.Dr Mahathir sets out his view as to why the Malays are economically backward and why they feel they must insist upon immigrants becoming real Malaysians speaking in due course nothing but Malay, as do immigrants to America or Australia speak nothing but the language of what the author calls “the definitive people”. He argues that the Malays are the rightful owners of Malaya. He also argues that immigrants are guests until properly absorbed, and that they are not properly absorbed until they have abandoned the language and culture of their past.

    He's part of two Richmond Premiership sides, he was an All-Australian in 2019, and with over 200 games to his names he remains a key part of a champion team.Picked at number 42 in the 2006 National Draft by Essendon, Houli played 26 games for the Bombers before moving in 2011 to Tigerland, where rookie coach Damien Hardwick was assenting the team that six years later would achieve the seemingly impossible and claim Richmond's 11th Premiership. Another flag followed two years later, with Houli close to best on ground in both deciders.Yet, it's as the AFL's most prominent Muslim player that Houli is best known - and his strong Muslim values are at the heart of the man he is. Writing for the first time, Houli explores the experiences and beliefs that sparked his trailblazing success as a Muslim footballer, and that established him as a teaching voice within the AFL community for inclusion, understanding, and tolerance.Co-authored with acclaimed broadcaster and writer Waleed Aly, 'Bachar Houli: Faith, Football, and Family' tells the unique story of one of football's most fascinating men.©2020 Bachar Houli, Waleed Aly (P)2020 Penguin Random House Australia

    The story of the most controversial Test series in cricket's history.

     Last King of the Cross lays bare Australia's most notorious underworld figure.In the mongrel tongue of the streets, John writes of fleeing war-torn Tripoli with his family and growing up in Sydney's rough and tumble west - before establishing himself as a tough guy and teen delinquent, then a bouncer, enforcer and nightclub king on the Golden Mile.Bullets fly, blades flash and bodies fall. In a city of shadows, John builds his army and empire - partying like a playboy prince of darkness while staying one step ahead of the cops, the outlaw gangs and hungry triggermen, plotting to take him and his family down.Crazier than Goodfellas, more compelling than The Godfather, Last King of the Cross is a colourful crime saga like no other and powerful proof that truth is always stranger than fiction.

    At eight, still too small to mount her horse unaided, she was galloping miles, alone, across Coorain, her parents' thirty thousand windswept, drought-haunted acres in the Australian outback, doing a "man's job" of helping herd the sheep because World War II had taken away the able-bodied men. She loved (and makes us see and feel) the vast unpeopled landscape, beautiful and hostile, whose uncertain weathers tormented the sheep ranchers with conflicting promises of riches and inescapable disaster. She adored (and makes us know) her large-visioned father and her strong, radiant mother, who had gone willingly with him into a pioneering life of loneliness and bone-breaking toil, who seemed miraculously to succeed in creating a warmly sheltering home in the harsh outback, and who, upon her husband's sudden death when Jill was ten, began to slide—bereft of the partnership of work and love that had so utterly fulfilled her—into depression and dependency.We see Jill, staggered by the loss of her father, catapulted to what seemed another planet—the suburban Sydney of the 1950s and its crowded, noisy, cliquish school life. Then the heady excitement of the University, but with it a yet more demanding course of lessons—Jill embracing new ideas, new possibilities, while at the same time trying to be mother to her mother and resenting it, escaping into drink, pulling herself back, striking a balance. We see her slowly gaining strength, coming into her own emotionally and intellectually and beginning the joyous love affair that gave wings to her newfound self.Worlds away from Coorain, in America, Jill Conway became a historian and the first woman president of Smith College. Her story of Coorain and the road from Coorain startles by its passion and evocative power, by its understanding of the ways in which a total, deep-rooted commitment to place—or to a dream—can at once liberate and imprison. It is a story of childhood as both Eden and anguish, and of growing up as a journey toward the difficult life of the free.

    Brilliantly reviewed, astonishingly original, this "eloquent and illuminating portrait of an extraordinary woman" (New York Times Book Review) tells a fascinating, true story in the tradition of Isak Dinesen and Barry Lopez.