Creating art about people and their odd ways, recalling many issues from childhood and adult life experience, McPherson creates images that are thought provoking and seductive. Tara's array of work includes numerous gig posters for rock bands, including Green Day, Modest Mouse, and Death Cab for Cutie, and advertising and editorial illustrations for a diverse group of clients. Her prints and paintings have been exhibited in galleries all over the world. Lonely Heart is the first printed collection of McPherson's work.• Foreword by Frank Kozik!• This collection features full-color illustrations throughout.

    Now noted cartoonist Gahan Wison tackles this subject with uncanny expertise and insight. Inside are freaks of the past, such as the cyclops; well known freaks of recent eras, such as the Elephant Man; and potential future freaks created through genetic manipulation. Graphic novel format. Mature readers.

    When customers noticed and began telling her the drawings brightened their days, Mari realized she could use that hobby to connect with people. She hit a professional rough patch in her late 20s and began to chronicle her work on Instagram. Nearly overnight, she became a sensation. Now when Mari Andrew posts something new, the Internet rejoices. This book is organized by universal themes of becoming an adult--for example, loss, adventure, ambition. Within each chapter, Mari shares her personal experiences in never-before-seen essays, accompanied by spreads of her signature illustrations, 90 percent of which are brand new. Readers are bound to see some of themselves in this book, whether seeking advice on how to handle growing up, or just looking for a friend who can commiserate.

    He is faced with his parents' impending divorce, moves to a new city, goes to a new school, and needs to make new friends. To help him adapt to his new surroundings his mother urges him to join the "Snow Geese," a youth group led by a nonconformist priest who challenges Philippe to rethink his values. But as Philippe becomes more acquainted with the group and its charismatic leader, masks begin to slip, and he finds himself plunged into the centre of an unexpected drama. With his life turned upside-down, he seeks comfort in reading, and manages to find his bearings again when he discovers the old-fashioned adventure series of Jack Bowmore. Killing Velazquez is an autobiographical tale that gives us a glimpse into the complexities of manipulation and reminds us that sometimes an old book can actually save a life.

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    From earthquakes and crowded trains, to hilarious cultural faux pas, this comic explores the joys of living and working abroad, intercultural marriages, and trying to make a decent pot roast on Thanksgiving.

    1 in 1938, introduced the world to something both unprecedented and timeless: Superman, a caped god for the modern age. In a matter of years, the skies of the imaginary world were filled with strange mutants, aliens, and vigilantes: Batman, Wonder Woman, the Fantastic Four, Iron Man, and the X-Men—the list of names as familiar as our own. In less than a century, they’ve gone from not existing at all to being everywhere we look: on our movie and television screens, in our videogames and dreams. But what are they trying to tell us?For Grant Morrison, arguably the greatest of contemporary chroniclers of the “superworld,” these heroes are powerful archetypes whose ongoing, decades-spanning story arcs reflect and predict the course of human existence: Through them we tell the story of ourselves, our troubled history, and our starry aspirations. In this exhilarating work of a lifetime, Morrison draws on art, science, mythology, and his own astonishing journeys through this shadow universe to provide the first true history of the superhero—why they matter, why they will always be with us, and what they tell us about who we are . . . and what we may yet become.

    These artists, including Harry Grant Dart, Milt Gross, Charles M. Payne, Harry Hershfield and Charles Forbell, foreshadowed and influenced the comics medium of today.

    Along the way, he transforms into the man he always wanted to be. PUBLICATION IN 1 VOLUME -- COMPLETED WORK. Sebastien, a quiet and shy teacher, gets lost in the memories of his boyhood, when he was a strong and successful runner. On a whim, he decides to challenge his aging body and crumbling spirit and run the New York Marathon! From the streets of France to the streets of Brooklyn, Sebastien pushes himself past limits he didn't even know he had. A humorous and poignant autobiographical tale. A love letter to the landscapes and panoramas of New York. And a testament to the triumph of the human spirit.

    WILLOW WILSON, and more! SHE CHANGED COMICS also examines the plights of women imprisoned and threatened for making comics and explores the work of women whose work is being banned here in the United States. A must for readers of all ages, students, and educators.

    Plastic Man is more than just a putty face--with his bad-boy past, he literally embodies the comic book form: the exuberant energy, flexibility, boyishness, and subtle hints of sexuality. And as cartoonists "become" each character they create, it can be said that Jack Cole himself resembles Plastic Man. Cole revealed the true magnitude and intensity of his imagination and inner thoughts as Plastic Man slithered from panel to panel--shifting forms and dashing from male to female, or freely morphing from a stiff upright figure to a being as soft as a Dali clock. With a compelling history, a V-necked red rubber leotard, a black-and-yellow striped belt, and very cool tinted goggles, Plastic Man is truly a cult classic, and this art-packed book will delight any fan.

    Hervé Bourhis, creator of The Little Book of Rock, turns his unique graphic talents to the legend of The Beatles, told from the very beginning. Bourhis’ visual imagination illuminates the individual lives of each band member from their pre-Beatles youth to what would become a rock band of phenomenal worldwide fame. All of the epic details of their story are vividly evoked: the triumphs, the quarrels, the supreme musical creativity and of course the inevitable break-up. The story then goes on to follow the personal destinies of John, Paul, George and Ringo, four Liverpool lads who were by turns ambitious, clever, facetious, arrogant, down-to-earth and supremely talented. Theirs was the ultimate rock band story and Hervé Bourhis has done it —and them — full justice in this superb and exuberant graphic biography.

    But, you might not know that reading most of the comics histories out there. Trina Robbins has spent the last thirty years recording the accomplishments of a century of women cartoonists, and Pretty in Ink is her ultimate book, a revised, updated and rewritten history of women cartoonists, with more color illustrations than ever before, and with some startling new discoveries (such as a Native American woman cartoonist from the 1940s who was also a Corporal in the women's army, and the revelation that a cartoonist included in all of Robbins's previous histories was a man!) In the pages of Pretty in Ink you'll find new photos and correspondence from cartoonists Ethel Hays and Edwina Dumm, and the true story of Golden Age comic book star Lily Renee, as intriguing as the comics she drew. Although the comics profession was dominated by men, there were far more women working in the profession throughout the 20th century than other histories indicate, and they have flourished in the 21st. Robbins not only documents the increasing relevance of women throughout the 20th century, with mainstream creators such as Ramona Fradon and Dale Messick and alternative cartoonists such as Lynda Barry, Carol Tyler, and Phoebe Gloeckner, but the latest generation of women cartoonists--Megan Kelso, Cathy Malkasian, Linda Medley, and Lilli Carre, among many others. Robbins is the preeminent historian of women comic artists; forget her previous histories: Pretty in Ink is her most comprehensive volume to date.

    With no shortage of sprawling high-concept, spine-chilling thrills, and inspired art, the Clive Barker Omnibus is a great launching point into his dark universe.

    . . right at the beginning of their careers. This gorgeous, high-energy graphic novel is an intimate peek into the early years of the world's greatest rock band.The heart of Baby's In Black is a love story. The "fifth Beatle," Stuart Sutcliffe, falls in love with the beautiful Astrid Kirchherr when she recruits the Beatles for a sensational (and famous) photography session during their time in Hamburg. When the band returns to the UK, Sutcliffe quits, becomes engaged to Kirchherr, and stays in Hamburg. A year later, his meteoric career as a modern artist is cut short when he dies unexpectedly.The book ends as it begins, with Astrid, alone and adrift; but with a note of hope: her life is incomparably richer and more directed thanks to her friendship with the Beatles and her love affair with Sutcliffe. This tender story is rendered in lush, romantic black-and-white artwork.Baby's In Black is based on a true story.