Bone. Visceral. Close to. Stark. The poems in Yrsa Daley-Ward's collection bone are exactly that: reflections on a particular life honed to their essence--so clear and pared-down, they become universal. From navigating the oft competing worlds of religion and desire, to balancing society's expectations with the raw experience of being a woman in the world; from detailing the experiences of growing up as a first generation black British woman, to working through situations of dependence and abuse; from finding solace in the echoing caverns of depression and loss, to exploring the vulnerability and redemption in falling in love, each of the raw and immediate poems in Daley-Ward's bone resonate to the core of what it means to be human. "You will come away bruised. You will come away bruisedbut this will give you poetry."

    Meet Paige Townsen, Rainer Devon, and Jordan Wilder…When Paige Townsen, a young unknown, gets cast in the movie adaptation of a blockbuster book series, her life changes practically overnight. Within a month, Paige has traded the quiet streets of her hometown for a crowded movie set on the shores of Maui, and is spending quality time with her co-star Rainer Devon, one of People’s Sexiest Men Alive. But when troubled star Jordan Wilder lands the role of the other point in the movie’s famous love triangle, Paige’s crazy new life gets even crazier.In this coming-of-age romance inspired by the kind of celeb hookups that get clever nicknames and a million page views, Paige must figure out who she is – and who she wants – while the whole world watches.

    In verse that deals with sexual assault, mental illness, and body acceptance, Ms. Lambert's Shame Is an Ocean I Swim Across emerges as an important new voice in poetry, providing strength and resilience even in the darkest of times.

    I am not who I say I am, and Marla isn't who she thinks she is.I am a girl trying to forget. She is a woman trying to remember. Allison has run away from home, and with nowhere to live, finds herself hiding out in the shed of what she thinks is an abandoned house. But the house isn't empty. An elderly woman named Marla, with dementia, lives there – and she mistakes Allison for an old friend from her past called Toffee.Allison is used to hiding who she really is, and trying to be what other people want her to be. And so, Toffee is who she becomes. After all, it means she has a place to stay. There are worse places she could be.But as their bond grows, and Allison discovers how much Marla needs a real friend, she begins to ask herself - where is home? What is a family? And most importantly, who am I, really?

    Their differences have brought them closer, but as she turns sixteen Caddy begins to wish she could be a bit more like Rosie – confident, funny and interesting. Then Suzanne comes into their lives: beautiful, damaged, exciting and mysterious, and things get a whole lot more complicated. As Suzanne’s past is revealed and her present begins to unravel, Caddy begins to see how much fun a little trouble can be. But the course of both friendship and recovery is rougher than either girl realises, and Caddy is about to learn that downward spirals have a momentum of their own.

    Leon Twomey works nights and needs cash. Their friends think they’re crazy, but it’s the perfect solution: Leon occupies the one-bed flat while Tiffy’s at work in the day, and she has the run of the place the rest of the time. But with obsessive ex-boyfriends, demanding clients at work, wrongly imprisoned brothers and, of course, the fact that they still haven’t met yet, they’re about to discover that if you want the perfect home you need to throw the rulebook out the window…

    She doesn't remember the accident, but a stranger at the scene has been unable to forget. Now, almost thirty years later, she's trying to track Amber down. Amber, meanwhile, is married to Ned and living on the other side of the world in London. When her father has a stroke, she flies straight home to Australia to be with him. Away from her husband, Amber finds comfort in her oldest friends, but her feelings for Ethan, the gorgeous, green-eyed man she once fell for, have never been platonic.

    His friend Maggie sits with him every day; she holds his hand and she listens to the story of his life, to his regrets and to his secrets. And then he tells her about the children he has never met and never will. He talks of them wistfully. His legacy, he calls them. Lydia, Dean and Robyn don't know each other. Yet. And they are all facing difficult changes. Lydia is still wearing the scars from her traumatic childhood and although she is wealthy and successful, her life is lonely and disjointed. Dean is a young man, burdened with unexpected responsibility, whose life is going nowhere. And Robyn wants to be a doctor, just like her father - a man she's never met. But is her whole life built on an illusion? Three people leading three very different lives. All lost. All looking for something. But when they slowly find their way into each other's lives, everything starts to change ...

    Fearless. Dangerous. They're the kind of girls you envy; the kind of girls you want to hate. Strangers in town for the summer, Penn, Lexi and Thea have caught everyone's attention—but it’s Gemma who’s attracted theirs. She’s the one they’ve chosen to be part of their group.Gemma seems to have it all—she’s carefree, pretty, and falling in love with Alex, the boy next door. He’s always been just a friend, but this summer they’ve taken their relationship to the next level, and now there’s no going back. Then one night, Gemma’s ordinary life changes forever. She’s taking a late night swim under the stars when she finds Penn, Lexi and Thea partying on the cove. They invite her to join them, and the next morning she wakes up on the beach feeling groggy and sick, knowing something is different.Suddenly Gemma is stronger, faster, and more beautiful than ever. But her new powers come with a terrifying price. And as she uncovers the truth, she’s is forced to choose between staying with those she loves—or entering a new world brimming with dark hungers and unimaginable secrets.

    With echoes of Gwendolyn Brooks and Sonia Sanchez, Mans writes to call herself—and us—home. Each poem explores what it means to be a daughter of Newark, and America--and the painful, joyous path to adulthood as a young, queer Black woman.Black Girl, Call Home is a love letter to the wandering Black girl and a vital companion to any woman on a journey to find truth, belonging, and healing.

    The miracle in the mundane.One day, while browsing an antique store in Helena, Montana, photographer Tyler Knott Gregson stumbled upon a vintage Remington typewriter for sale. Standing up and using a page from a broken book he was buying for $2, he typed a poem without thinking, without planning, and without the ability to revise anything.He fell in love.Three years and almost one thousand poems later, Tyler is now known as the creator of the Typewriter Series: a striking collection of poems typed onto found scraps of paper or created via blackout method. Chasers of the Light features some of his most insightful and beautifully worded pieces of work—poems that illuminate grand gestures and small glimpses, poems that celebrate the beauty of a life spent chasing the light.

    A daughter tends to aging parents. A woman struggles with infertility—“What if, instead of carrying / a child, I am supposed to carry grief?”—and a body seized by pain and vertigo as well as ecstasy. A nation convulses: “Every song of this country / has an unsung third stanza, something brutal.” And still Limón shows us, as ever, the persistence of hunger, love, and joy, the dizzying fullness of our too-short lives. “Fine then, / I’ll take it,” she writes. “I’ll take it all.”In Bright Dead Things, Limón showed us a heart “giant with power, heavy with blood”—“the huge beating genius machine / that thinks, no, it knows, / it’s going to come in first.” In her follow-up collection, that heart is on full display—even as The Carrying continues further and deeper into the bloodstream, following the hard-won truth of what it means to live in an imperfect world.

    Well, except if she oversleeps or wakes up at her friend Emma’s after too much wine.Daniel really does get the 7.30 train every morning, which is easy because he hasn’t been able to sleep properly since his dad died.One morning, Nadia’s eye catches sight of a post in the daily paper: To the cute girl with the coffee stains on her dress. I’m the guy who’s always standing near the doors… Drink sometime? So begins a not-quite-romance of near-misses, true love, and the power of the written word.

    Laurel chooses Kurt Cobain because her sister, May, loved him. And he died young, just like May did. Soon, Laurel has a notebook full of letters to people like Janis Joplin, Amy Winehouse, Amelia Earhart, Heath Ledger, and more -- though she never gives a single one of them to her teacher. She writes about starting high school, navigating new friendships, falling in love for the first time, learning to live with her splintering family. And, finally, about the abuse she suffered while May was supposed to be looking out for her. Only then, once Laurel has written down the truth about what happened to herself, can she truly begin to accept what happened to May. And only when Laurel has begun to see her sister as the person she was -- lovely and amazing and deeply flawed -- can she begin to discover her own path in this stunning debut from Ava Dellaira, Love Letters to the Dead.

    With a mother who can barely look at her without wincing, classmates who whisper behind her back, and a father whose violent crime rocked her small town, Aysel is ready to turn her potential energy into nothingness.There’s only one problem: she’s not sure she has the courage to do it alone. But once she discovers a website with a section called Suicide Partners, Aysel’s convinced she’s found her solution: a teen boy with the username FrozenRobot (aka Roman) who’s haunted by a family tragedy is looking for a partner. Even though Aysel and Roman have nothing in common, they slowly start to fill in each other’s broken lives. But as their suicide pact becomes more concrete, Aysel begins to question whether she really wants to go through with it. Ultimately, she must choose between wanting to die or trying to convince Roman to live so they can discover the potential of their energy together. Except that Roman may not be so easy to convince.