. . Frances Wynn, the American-born Countess of Harleigh, enjoys more freedom as a widow than she did as a wife. After an obligatory year spent mourning her philandering husband, Reggie, she puts aside her drab black gowns, leaving the countryside and her money-grubbing in-laws behind. With her young daughter in tow, Frances rents a home in Belgravia and prepares to welcome her sister, Lily, arriving from New York—for her first London season. No sooner has Frances begun her new life than the ghosts of her old one make an unwelcome appearance. The Metropolitan police receive an anonymous letter implicating Frances in her husband’s death. Frances assures Inspector Delaney of her innocence, but she’s also keen to keep him from learning the scandalous circumstances of Reggie’s demise. As fate would have it, her dashing new neighbor, George Hazelton, is one of only two other people aware of the full story. While busy with social engagements on Lily’s behalf, and worrying if Reggie really was murdered, Frances learns of mysterious burglaries plaguing London’s elite. The investigation brings death to her doorstep, and Frances rallies her wits, a circle of gossips, and the ever-chivalrous Mr. Hazelton to uncover the truth. A killer is in their midst, perhaps even among her sister’s suitors. And Frances must unmask the villain before Lily’s season—and their lives—come to a most unseemly end . . .

    The embers of attraction between them sizzle when they discover Jude’s kinks match their own.Jude is a Dom on his last summer of freedom before starting the prison sentence that is med school. Q is a bad-ass bi switch who knows what she wants, and for years it’s been her cute, doe-eyed straight friend Sabrina. But the only way into Sabrina’s heart and panties may be with Jude’s fist wrapped in her hair.Domming the bratty Q and mischievous Sabrina isn't going to be easy but Jude relishes the challenge. At the end of the summer, will they find a way to stay together when everything is tearing them apart?

    Little does she know that her first important client, famed photographer Maverick Devonshire, will become far more than just her employer. Unable to resist his commanding manner, she follows him into his Play Room. Once there, she discovers true empowerment and gains the confidence to become not only a successful businesswoman but also a true submissive. Learning quickly from the consequences administered by Mr. Devonshire and his associates, Alicia finds out that her clients are not the only ones who are Tasting Pleasure.Note: This book contains scenes of F/F intimacy, and menage or more sex.

    They intend to invite the lovely straight barmaid from the local gay/bi night club to join them in a protege a trois. Their equally committed gay friends, Philip Weston and Jake Welland have the same intentions.Melanie Drake has been secretly lusting over the seductive, teasing group of friends for six months. She's not delusional, however; she knows her infatuation with the two homosexual couples is completely one-sided and is content to keep her 'love affair' with the four hunks exactly where it belongs -- in her mind.One night of alcohol indulgence leads the four men to proposition Melanie into going home with one lucky couple. She can't choose one couple over the other, because in her fantasies Melanie has all four men in her bed, together.But that's just a fantasy, and fantasies aren't real.Or are they?Note:This title is a re-edited, revised version of the book previously released by a different publisher, and contains explicit sexual content, graphic language, and situations that some readers may find objectionable: Anal play/intercourse, male/male sexual situations, masturbation, menage (m/f/m, m/m/f/m/m).

    But whispers from her past slowly begin to poison her new life and both she and Rebekah are lured into the most sinister of investigations.Hester and Rebekah find themselves crossing every boundary they've ever known in pursuit of truth, redemption and passion. But their trust in each other will be tested as a web of deceit begins to unspool, dragging them into the blackest heart of a city where something more depraved than either of them could ever imagine is lurking . . .

    Told through a variety of shifting perspectives- wives and husbands, friends and lovers, masters and their servants, and a gravedigger's son-Falling Angels follows the fortunes of two families in the emerging years of the twentieth century.

    But that’s the least of the surprises awaiting her new employer when he arrives at the estate of Fairleigh Park following the unexpected death of his brother.To rising political star Stuart Somerset, Verity Durant is just a name and food is just food, until her first dish touches his lips. Only one other time had he felt such pure arousal–a dangerous night of passion with a stranger, who disappeared at dawn. Ten years is a long time to wait for the main course, but when Verity Durant arrives at his table, there’s only one thing that will satisfy Stuart’s appetite for more. But is his hunger for lust, revenge–or that rarest of delicacies, love? For Verity’s past has a secret that could devour them both even as they reach for the most delicious fruit of all.…

    And a very strange, very English obsession. But where did this fixation develop? And what does it tell us about ourselves?In The Art of the English Murder, Lucy Worsley explores this phenomenon in forensic detail, revisiting notorious crimes like the Ratcliff Highway Murders, which caused a nationwide panic in the early nineteenth century, and the case of Frederick and Maria Manning, the suburban couple who were hanged after killing Maria's lover and burying him under their kitchen floor. Our fascination with crimes like these became a form of national entertainment, inspiring novels and plays, prose and paintings, poetry and true-crime journalism. At a point during the birth of modern England, murder entered our national psyche, and it's been a part of us ever since.The Art of the English Murder is a unique exploration of the art of crime and a riveting investigation into the English criminal soul by one of our finest historians.

    Cath Talarico knows a mistake when she makes it, and God knows she’s made her share. So many, in fact, that this Chicago girl knows London is her last, best shot at starting over. But bad habits are hard to break, and soon Cath finds herself back where she has vowed never to go . . . in the bed of a man who is all kinds of wrong: too rich, too classy, too uptight for a free-spirited troublemaker like her. Nev Chamberlain feels trapped and miserable in his family’s banking empire. But beneath his pinstripes is an artist and bohemian struggling to break free and lose control. Mary Catherine—even her name turns him on—with her tattoos, her secrets, and her gamine, sex-starved body, unleashes all kinds of fantasies. When blue blood mixes with bad blood, can a couple that is definitely wrong for each other ever be perfectly right? And with a little luck and a lot of love, can they make last night last a lifetime?Includes a special message from the editor, as well as excerpts from these Loveswept titles: Because of You, Ride with Me, and Midnight Hour.

    By the time the last diary shuts, there have been great changes in the Mortmain household, not the least of which is that Cassandra is deeply, hopelessly, in love.

    Meticulous. Immaculate. No one would expect the proper Duke of Westmead to be a member of London’s most illicit secret club. Least of all: his future wife. Having overcome financial ruin and redeemed his family name to become the most legendary investor in London, the Duke of Westmead needs to secure his holdings by producing an heir. Which means he must find a wife who won’t discover his secret craving to spend his nights on his knees—or make demands on his long scarred-over heart. Poppy Cavendish is not that type of woman. An ambitious self-taught botanist designing the garden ballroom in which Westmead plans to woo a bride, Poppy has struggled against convention all her life to secure her hard-won independence. She wants the capital to expand her exotic nursery business—not a husband. But there is something so compelling about Westmead, with his starchy bearing and impossibly kind eyes—that when an accidental scandal makes marriage to the duke the only means to save her nursery, Poppy worries she wants more than the title he is offering. The arrangement is meant to be just business. A greenhouse for an heir. But Poppy yearns to unravel her husband’s secrets—and to tempt the duke to risk his heart.

    Perfect for any reader of Sarah Waters or Antonia Hodgson. 'With this intricately woven tale of trust, self-trust and deceit, Anna Mazzola brings a gritty realism to Victorian London. Beautifully written and cleverly plotted, this is a stunning debut, ranked amongst the best' MANDA SCOTT After Sarah petitions for mercy, Edmund Fleetwood is appointed to investigate and consider whether justice has been done. Idealistic, but struggling with his own demons, Edmund is determined to seek out the truth. Yet Sarah refuses to help him, neither lying nor adding anything to the evidence gathered in court. Edmund knows she's hiding something, but needs to discover just why she's maintaining her silence. For how can it be that someone would willingly go to their own death?

    Join Clara at the rat pit. Relax with Mr Bodley as he is lulled to sleep by Mrs Tremain and her girls. Find out what became of Sophie.Michel Faber revisits the world of his bestselling novel The Crimson Petal and the White, conjuring tantalising glimpses of its characters, their lives before we first met them and their intriguing futures. You'll be desperate for more by the time you reluctantly re-emerge into the twenty-first century.

    Reminiscent of Alan Bennett’s The Uncommon Reader, this lively, wonderfully inventive romp takes readers into the mind of the grand matriarch of Britain’s Royal Family, bringing us an endearing runaway Queen Elizabeth on the town—and leading us behind the Buckingham Palace walls and into the upstairs/downstairs spaces of England’s monarchy.

    At nineteen, he’s proud of the fact his relationship flies in the face of social convention.As he grows older, the demands placed on Paul by love become far greater than he could possibly have foreseen.Tender and profound, The Only Story is an achingly beautiful novel by one of fiction’s greatest mappers of the human heart.