+ New literature from South Korea: poetry by Hwang Byeong-seung and Moon Tae-jun, and fiction by Park Min-gyu and Kim Aeran, with an introduction by Jenny Wang Medina.+ Book Reviews: on Francesco Pacifico’s The Story of My Purity, Anne Carson’s Red Doc>, A. G. Porta’s The No World Concerto, Ray Amorisi’s Lazarus, Charles Bernstein’s Recalculating, and Nicolas Hundley’s The Revolver in the Hive.

    In 1963, 13-year-old Sam Callahan and his tart-tongued, divorced, misbehavingmother, Lydia, must cope as best they can after they are banished to the hicktown of GroVont, Wyoming, by Lydia's Southern gentleman father.

    But they also constitute a complex literary work of art in which the whole of Kipling's philosophy of life is expressed in miniature. They are best known for the 'Mowgli' stories; the tale of a baby abandoned and brought up by wolves, educated in the ways and secrets of the jungle by Kaa the python, Baloo the bear, and Bagheera the black panther. The stories, a mixture of fantasy, myth, and magic, are underpinned by Kipling's abiding preoccupation with the theme of self-discovery, and the nature of the 'Law'.

    She can take his cruel words, his tender words . . . until the night they go too far.To escape, Joy sacrifices her suburban life to find the one who offered his help, a homeless boy called Creed. He introduces her to a world of fierce loyalty, to its rules of survival, and to love—a world she won’t easily let go.Set against the backdrop of the streets of Seattle, Holly Cupala’s power­ful new novel explores the subtleties of abuse, the secrets we keep, and the ways to redemption. But above all, it is an unflinching story about the extraordinary lengths one girl will go to discover her own strength.

    At once a self-styled social scientist, a spy in the baffling adult world surrounding him, and a budding, hormone-driven emotional explorer, Oliver is stealthily (and perhaps a bit more nervously than he’d ever admit) nosing his way forward through the murky and uniquely perilous waters of adolescence. His objectives? Uncovering the secrets behind his parents’ teetering marriage, unraveling the mystery that is his alluring and equally quirky classmate Jordana Bevan, and understanding where he fits in among the pansexuals, Zoroastrians, and other mystifying, fascinating beings in his orbit.“It’s in my interests to know about my parents’ mental problems,” he reasons. Thus, when he discovers that his affable dad is quietly struggling with depression, Oliver marshals all the daytime-TV pop-psychology wisdom at his command–not to mention his formidable, uninhibited powers of imagination–in order to put things right again. But a covert expedition into the mysterious territory of middle-aged malaise is bound to be tricky business for a teenager with more to learn about the agonies and ecstasies of life than a pocket thesaurus and his “worldly” school chum Chips can teach him. Ready or not, however, Oliver is about to get a crash course. His awkwardly torrid and tender relationship with Jordana is hurtling at the speed of teenage passion toward the inevitable magic moment . . . and whatever lies beyond. And his boy-detective exploits have set him on a collision course with the New Age old flame who’s resurfaced in his mother’s life to lead her into temptation with lessons in surfing, self-defense . . . and maybe seduction. Struggling to buoy his parents’ wedded bliss, deep-six his own virginity, and sound the depths of heartache, happiness, and the business of being human, what’s a lad to do? Poised precariously on the cusp of innocence and experience, yesterday’s daydreams and tomorrow’s decisions, Oliver Tate aims to damn the torpedoes and take the plunge.

    There they inhabit an elaborate cave shelter, bathe in a nearby creek, store perishables at the water’s edge, use a makeshift septic system, tend a garden, even keep a library of sorts. Once a week, they go to the city to buy groceries and otherwise merge with the civilized world. But one small mistake allows a backcountry jogger to discover them, which derails their entire existence, ultimately provoking a deeper flight.Inspired by a true story and told through the startlingly sincere voice of a young narrator, Caroline, Peter Rock's My Abandonment is a riveting journey into life at the margins and a mesmerizing tale of survival and hope.

    They talk like it is, but really and truly it's black against white, young against old, authorities against the rest. It's countless of things. There's bare reasons for feeling vexed right now. Growing up on a south London estate and excluded from every school that would take her, Alesha is the poster girl for the nation's 'feral youth'. When a young teacher makes an unexpected reappearance in the 15-year-old's life, opening the door to a world of salaries, pianos and middle-class housemates, Alesha's instinct is to pull up her hood and return to the streets. But fuelled by a need to survive, she falls into a cycle of crime, violence and drug-dealing, her one true ally deserting her when she needs him most. While everyone around her is rallying against the authorities in a war of haves and have-nots, Alesha finds herself caught in the crossfire, inextricably linked to the people she is trying to fight against. Can she see a way out? And as riots sweep the nation, whose side will she take? Born in South London and a resident of Ealing, an area affected by the London riots, Polly wrote Feral Youth 'to give a voice to the thousands of frustrated youths who, like Alesha, feel marginalised and ignored by the rest of society'. She believes that the real causes of the riots have not gone away and that further unrest will happen in a matter of time. Feral Youth is a work of contemporary adult fiction that covers various topical themes, including the riots, youth culture, gangs and knife and gun crime. It is aimed primarily at the adult reader and provides an alternative perspective on a world we think we know.

    He has only one friend, Earl, and together they spend their time making movies, their own incomprehensible versions of Coppola and Herzog cult classics.Until Greg’s mother forces him to rekindle his childhood friendship with Rachel.Rachel has been diagnosed with leukemia—-cue extreme adolescent awkwardness—-but a parental mandate has been issued and must be obeyed. When Rachel stops treatment, Greg and Earl decide the thing to do is to make a film for her, which turns into the Worst Film Ever Made and becomes a turning point in each of their lives.And all at once Greg must abandon invisibility and stand in the spotlight.

    People who are perhaps ourselves, searching, often in the wrong places, for something meaningful, or real, or at least, for a moment, right. Here are couples like Vincent and Laurie, who after beginning an ill-timed relationship, escape for a weekend at the beach, where they confront their inevitable separation. There is also Olive, a recovering drug addict, sent on a mission to help her nephew, who finds herself in an illicit relationship with both him and his problems. And a young boy nicknamed Flipper, sequestered for a summer at a “fat” camp, who finds unexpected comfort in the company and forbidden gifts of a pregnant teenager. In these stories, Canty demonstrates both deep understanding and a powerful grasp of language and continues to set himself apart as a master of the short story.

    Isolated at home and an outlander at school, Madeline is drawn to the enigmatic, attractive Lily and new history teacher Mr. Grierson. When Mr. Grierson is charged with possessing child pornography, the implications of his arrest deeply affect Madeline as she wrestles with her own fledgling desires and craving to belong. And then the young Gardner family moves in across the lake and Madeline finds herself welcomed into their home as a babysitter for their little boy, Paul. It seems that her life finally has purpose but with this new sense of belonging she is also drawn into secrets she doesn’t understand. Over the course of a few days, Madeline makes a set of choices that reverberate throughout her life. As she struggles to find a way out of the sequestered world into which she was born, Madeline confronts the life-and-death consequences of the things people do—and fail to do—for the people they love

     That's Margaret Rose Kane's response to every activity she's asked to participate in at the summer camp to which she's been exiled while her parents are in Peru. So Margaret Rose is delighted when her beloved uncles rescue her from Camp Talequa, with its uptight camp director and cruel cabinmates, and bring her to stay with them at their wonderful house at 19 Schuyler Place. But Margaret Rose soon discovers that something is terribly wrong at 19 Schuyler Place. People in their newly gentrified neighborhood want to get rid of the three magnificent towers the uncles have spent forty-five years lovingly constructing of scrap metal and shards of glass and porcelain. Margaret Rose is outraged, and determined to strike a blow for art, for history, and for individuality...and no one is more surprised than Margaret Rose at the allies she finds for her mission.

    Here she meets a roommate with a secret (and a plastic baby), a doctor who focuses way too much on her weight, and a cute, shy boy who just might like her.But wait! Being trapped in a loony bin isn’t supposed to be about making friends, losing weight, and having a crush, is it? In her fiction debut, Julie Halpern finds humor in the unlikeliest of places, and presents a character whose voice—and heart—will resonate with all of us who have ever felt just a little bit crazy.

    The novella is a romantic comedy—if romantic comedies were dark and screwed up and no one got exactly what they wanted.

    Short, sardonic, and dark, these six brief fiction stories and one non-fiction piece are consummate Vonnegut with piercing satire and an eye for life’s obscene inanity. Also available for the first time is an unfinished science-fiction short story, included in the appendix. These stories trace trivial human lives and mundane desires, which is precisely where Vonnegut’s inimitable perspective as a humanist shines, illuminating his alternating hopeful and dismal outlook, although undoubtedly focusing on the latter. Here as in his greatest novels, Vonnegut’s writing takes us to the darkest corners of the human soul and with wit and humor, manages to remind us of our potential to be something greater.

    Nine stories: Profession; The Feeling of Power; The Dying Night; I'm in Marsport without Hilda; The Gentle Vultures; All the Troubles of the World; Spell my Name with an S; The Last Question (one of Asimov's most often requested stories); and The Ugly Little Boy (Asimov's own personal favorite).