It’s a place to live. And when you’re here, you’ll never want to leave.Paxton never thought he’d be working for Cloud, the giant tech company that’s eaten much of the American economy. Much less that he’d be moving into one of the company’s sprawling live-work facilities. But compared to what’s left outside, Cloud’s bland chainstore life of gleaming entertainment halls, open-plan offices, and vast warehouses…well, it doesn’t seem so bad. It’s more than anyone else is offering. Zinnia never thought she’d be infiltrating Cloud. But now she’s undercover, inside the walls, risking it all to ferret out the company’s darkest secrets. And Paxton, with his ordinary little hopes and fears? He just might make the perfect pawn. If she can bear to sacrifice him. As the truth about Cloud unfolds, Zinnia must gamble everything on a desperate scheme—one that risks both their lives, even as it forces Paxton to question everything about the world he’s so carefully assembled here. Together, they’ll learn just how far the company will go…to make the world a better place. Set in the confines of a corporate panopticon that’s at once brilliantly imagined and terrifyingly real, The Warehouse is a near-future thriller about what happens when Big Brother meets Big Business--and who will pay the ultimate price.

    Jean McClellan is in denial—this can't happen here. Not in America. Not to her.This is just the beginning.Soon women can no longer hold jobs. Girls are no longer taught to read or write. Females no longer have a voice. Before, the average person spoke sixteen thousand words a day, but now women only have one hundred to make themselves heard.But this is not the end.For herself, her daughter, and every woman silenced, Jean will reclaim her voice.

    Governments have collapsed. Cities have become graveyards filled with unspeakable horror. People have resorted to scavenging from the dead, or taking from the living. The entire industrialized world has become a wasteland of abandoned cars, decaying bodies, and feral animals. To stay alive, U.S. Deputy Marshal Mason Raines must forage for food, water, and gasoline while outgunning those who seek to take advantage of the apocalyptic anarchy. Together with his giant Irish wolfhound, Bowie, he aligns with survivors of the town of Boone in a life and death struggle against a gang of violent criminals. With each deadly encounter, Mason is forced to accept his place as one of the nation's few remaining lawmen. In a world now populated by escaped convicts, paranoid mutants, and government hit squads, his only hope to save the townspeople is to enforce his own brand of frontier justice.

    Working for a monster lurking beneath the surface of the world isn’t glamorous. But is it really worse than working for an oil conglomerate or an insurance company? In this economy? As a temp, she’s just a cog in the machine. But when she finally gets a promising assignment, everything goes very wrong, and an encounter with the so-called “hero” leaves her badly injured.  And, to her horror, compared to the other bodies strewn about, she’s the lucky one.So, of course, then she gets laid off.With no money and no mobility, with only her anger and internet research acumen, she discovers her suffering at the hands of a hero is far from unique. When people start listening to the story that her data tells, she realizes she might not be as powerless as she thinks.Because the key to everything is data: knowing how to collate it, how to manipulate it, and how to weaponize it. By tallying up the human cost these caped forces of nature wreak upon the world, she discovers that the line between good and evil is mostly marketing.  And with social media and viral videos, she can control that appearance.It’s not too long before she’s employed once more, this time by one of the worst villains on earth. As she becomes an increasingly valuable lieutenant, she might just save the world.A sharp, witty, modern debut, Hench explores the individual cost of justice through a fascinating mix of Millennial office politics, heroism measured through data science, body horror, and a profound misunderstanding of quantum mechanics.

    Working under the government’s shroud of secrecy, CIA operative Dew Phillips crisscrosses the country trying in vain to capture a live victim. With only decomposing corpses for clues, CDC epidemiologist Margaret Montoya races to analyze the science behind this deadly contagion. She discovers that these killers all have one thing in common – they’ve been contaminated by a bioengineered parasite, shaped by a complexity far beyond the limits of known science.Meanwhile Perry Dawsey – a hulking former football star now resigned to life as a cubicle-bound desk jockey – awakens one morning to find several mysterious welts growing on his body. Soon Perry finds himself acting and thinking strangely, hearing voices . . . he is infected. The fate of the human race may well depend on the bloody war Perry must wage with his own body, because the parasites want something from him, something that goes beyond mere murder.

    Created to prepare soldiers for the nightmarish reality of urban warfare, it is a virtual world locked in eternal civil war. Its thirty million digital inhabitants are ruled by duplicates of some of history's cruellest tyrants: Reinhard Heydrich, the architect of the Holocaust; Beria, Stalin's arch executioner; Torquemada, the pitiless Inquisitor General; Robespierre, the face of the Reign of Terror. But something has gone badly wrong inside the Demi-Monde, and the US President's daughter has become trapped in this terrible world. It falls to eighteen-year-old Ella Thomas to rescue her, yet once Ella has entered the Demi-Monde she finds that everything is not as it seems, that its cyber-walls are struggling to contain the evil within and that the Real World is in more danger than anyone realises.

    Severian, the central character, is a torturer, exiled from his guild after falling in love with one of his victims, and journeying to the distant city of Thrax, armed with his ancient executioner's sword, Terminus Est. This edition contains the first four volumes of the series.

    Max's son, Dr. Kyle Thorning, is now a high particle physicist at CERN in Switzerland. Meanwhile, after First Contact, powerful aliens with four arms and four legs, named Darsians, are taking control of the planet, with the muted subservience of its human population due to the astounding technological advances that the aliens introduce. Kyle has a powerful weapon—a new Time Travel machine—and must decide to travel to his father's old parallel universe, where he doesn't even exist, or confront the aliens in his home universe.

    But the city survives, and Simone Pierce is one of its best private investigators. Her latest case, running surveillance on a potentially unfaithful husband, was supposed to be easy. Then her target is murdered, and the search for his killer points Simone towards a secret from the past that can’t possibly be real—but that won’t stop the city’s most powerful men and women from trying to acquire it for themselves, with Simone caught in the middle. "Heinlein meets Hammett in this whip-smart whodunnit set amid the billowing fog and rising waters of a future New York in which the truth, like the monuments and skyscrapers of the city's past, seems always to lie just below the surface." —Chuck Greaves, award-winning author of Hush Money, Green-Eyed Lady, and The Last Heir. “I have long admired Lev Rosen’s strange, genre-bending work, and Depth is an exciting display of his many gifts. His vision of post–global warming Manhattan is richly imagined and noir-ishly melancholy, and his riff on the traditional detective story is elegant, surprising, and, yes, deep.” —Dan Chaon, author of Await Your Reply and Stay Awake.

    For welfare rats like Andrew Grayson, there are only two ways out of the crime-ridden and filthy welfare tenements, where you're restricted to two thousand calories of badly flavored soy every day:You can hope to win the lottery and draw a ticket on a colony ship settling off-world, or you can join the service.With the colony lottery a pipe dream, Andrew chooses to enlist in the armed forces for a shot at real food, a retirement bonus, and maybe a ticket off Earth. But as he starts a career of supposed privilege, he soon learns that the good food and decent health care come at a steep price…and that the settled galaxy holds far greater dangers than military bureaucrats or the gangs that rule the slums.

    As a longtime meth addict, he’s no stranger to horrifying, drug-fueled hallucinations.  But as he and his fellow junkies soon discover, the little girl is no illusion. The end of the world really has arrived.  The funny thing is, Chase’s life was over long before the apocalypse got here, his existence already reduced to a stinking basement apartment and a filthy mattress and an endless grind of buying and selling and using. He’s lied and cheated and stolen and broken his parents’ hearts a thousand times. And he threw away his only shot at sobriety a long time ago, when he chose the embrace of the drug over the woman he still loves.  And if your life’s already shattered beyond any normal hopes of redemption…well, maybe the end of the world is an opportunity. Maybe it’s a last chance for Chase to hit restart and become the man he once dreamed of being. Soon he’s fighting to reconnect with his lost love and dreaming of becoming her hero among civilization’s ruins.  But is salvation just another pipe dream?  Propelled by a blistering first-person voice and featuring a powerfully compelling antihero, Fiend is at once a riveting portrait of addiction, a pitch-black love story, and a meditation on hope, redemption, and delusion—not to mention one hell of a zombie novel.

    They built the guns that won the Great War before it even began. They built the airships that tie the world together. And, above all, they built Evesden-a shining metropolis, the best that the world has to offer.But something is rotten at the heart of the city. Deep underground, a trolley car pulls into a station with eleven dead bodies inside. Four minutes before, the victims were seen boarding at the previous station. Eleven men butchered by hand in the blink of an eye. All are dead. And all are union.Now, one man, Cyril Hayes, must fix this. There is a dark secret behind the inventions of McNaughton and with a war brewing between the executives and the workers, the truth must be discovered before the whole city burns. Caught between the union and the company, between the police and the victims, Hayes must uncover the mystery before it kills him.

    Shielded from a merciless sun's scorching radiation, the human race tried to stave off certain extinction by sending robotic probes far into the galaxy to search for a new home among the stars. Generations later, one family is about to be torn apart in a conflict that will usher in the final race to save humanity from a world beyond hope. Dive into an aquatic fantasy like none you've ever seen before, as writer Rick Remender (Fear Agent, Uncanny Avengers) and artist Greg Tocchini (Last Days of American Crime) bring you a tale mankind's final hour in the cold, deathly dark of the sea.Collecting: Low 1-6

    The year is 2025, and a mysterious virus has broken out in Scotland--a lethal illness that seems to affect only men. When Dr. Amanda MacLean reports this phenomenon, she is dismissed as hysterical. By the time her warning is heeded, it is too late. The virus becomes a global pandemic--and a political one. The victims are all men. The world becomes alien--a women's world.What follows is the immersive account of the women who have been left to deal with the virus's consequences, told through first-person narratives. Dr. MacLean; Catherine, a social historian determined to document the human stories behind the male plague; intelligence analyst Dawn, tasked with helping the government forge a new society; and Elizabeth, one of many scientists desperately working to develop a vaccine. Through these women and others, we see the uncountable ways the absence of men has changed society, from the personal--the loss of husbands and sons--to the political--the changes in the workforce, fertility and the meaning of family.In The End of Men, Christina Sweeney-Baird creates an unforgettable tale of loss, resilience and hope.

    He has no other. Friendless and alone he walks across a desolate, war-torn landscape, carrying nothing but a kit-bag, a legendary sword and a baby. His purpose is to reach the Shining City, last bastion of the human race, and deliver the sword, the only weapon that may make a difference in the ongoing war. But the Shining City is far away and the world is a very dangerous place.