The young and dashing Sultan Kowaishi has just returned from London to Bombay after passing his barrister exam. Among the first persons he meets is Mohammed Ali Jinnah, already an advocate of note, and is quickly drawn to him. It is also the time when Jinnah decides to join the Indian National Congress, soon to become its brightest star. The stir against the British rule holds no interest for Sultan but it attracts his wife Rehana, and, inexorably, weaves its way into their lives.In this brilliant saga of love and betrayal, pain and redemption, set amidst the long struggle for freedom and its terrible twin, the call for Pakistan, we confront questions that are as relevant today as they were a hundred years ago. Questions of identity, of purpose, of the shackles of a thousand memories . . .

    12 HOURS is a perfect blend of Love, Pain and Laughter" - Sanjay Chauhan (Script Writer of Paan Singh Tomar)Every hour of our life scripts a new story. And, every story is colored with a different feeling - Love, Pain, Joy, Sorrow, Trust, Deceit, Excitement, Repentance, Respect, Humiliation, Loneliness and AngerWe all have been a part of these intense emotions, which our heart experiences. We grow among them, feeling them, living them every minute, every hour, and our life is incomplete without them. 12 HOURS is a collection of twelve engrossing and beautifully written stories, which express different emotions and pour out the essence of different relationships. Some stories will make you laugh, while some will shed your tears. Some stories will spread a lesson, while some will electrify your spine. Some stories will make you fall in love, while some will motivate you to succeed. Each story will try to touch one or the other emotion that is nested inside us.In a nutshell, every hour of 12 HOURS will take you on a completely different journey by putting you amid the intriguing lives of the various characters, the characters that look very much real like all of us, the characters that belong to one or the other hour of our life.

    The story of Husain and Zammarrud fallen in the grip of the Assassins take us back to the last days of Hasan Bin Sabah's merciless followers, at the end of which the sect's stronghold, the famous fort of Alamoot, was destroyed by the even more merciless Mongol hordes. Sharar writes famously in the style of a Walter Scott novel, the novel itself being a new literary form in his day. But there are shades of an earlier indigenous genre - the Dastaan - in his work. Yet although he tells a gripping tale, part Scott and part Dastaan, he is not unaware of character. Husain may be credulous, and smitten silly by his love for Zammarrud, but he can still ask Shaikh Vujoodi intelligent questions which the Shaikh can only parry by the display of great wrath and superhuman knowledge. Husain's credulity in accepting his answers immediately has a lot to do with his fear that he would not be allowed to visit his beloved in 'Paradise.' There is a definite modern streak in Sharar's work. His treatment of Zamarrud is different from the usual portrayal of female characters in his day. Zamarrud has a mind of her own. She is observant and intelligent and capable of rebuffing her lover when he sounds credulous and foolish. No old fashioned perceptions of female 'duty' or the superior status of men holds her back from realizing that she is more clear-headed than Husain. She is moreover not mild of manner or adulatory of her man, as the prototypes of female perfection tend to be in Urdu literature of the day. Yet non of this detracts from her femininity, as she runs around 'like a delicate, fleet-footed doe' but fully determined to have her way. Much has been written about the Assassins in English and other languages. Sharar's novel has its own charm, and given a chance it should become a very popular book. Translated into Tajik, Sharar's works have quite a lot of readers in Tajikistan, where they are also the subject of a Ph.D. dissertation by Vladimir Lanikin.

    But when Kriya vanishes without a trace, Shakti is unwittingly swept into a cataclysmic vortex of greed, lust and betrayal. Shakti meets Shiva, a struggling Silicon Valley entrepreneur, and discovers that love is an enigmatic cosmic force. Shakti and Shiva are thrust on a frantic race against time through the dark Mumbai underbelly, forbidden Thailand islands, and treacherous cliffs in the Andaman Sea, where danger lurks in every shadow. As they get closer to the truth, they realize that millions of innocent lives are at stake. Quest for Kriya is an epic saga of love, friendship and sacrifice. The journey is incredible. The emotions are real. The transformation is eternal.

    Salil loves a shadow which transforms into many characters to reveal the secrets of life. Aalya, his neighbor, is doing research in English literature. Her guide Seema is a childless lesbian. Paul, husband of Seema, is a drama director. I am the protagonist, who coins philosophies for day to day events and my wife Sulekha is the second protagonist who makes coincidences happen with her artful manipulations. Read on to learn what happens when....

     ‘Bad boy’ Akbar and ‘firebrand’ Khayyam were rivals and enemies back in college, while studying architecture. While he laughed at her feminist sentiments and views on preservation, she denounced him as a commercial sellout with no originality or talent. Humiliated in front of his admiring hangers-on, Akbar will not pass up the chance to get his revenge when fate presents Khayyam as his unlikely fiancée. Read this delightful story to discover what happens to these wildly different personalities when they reluctantly exchange rings.

    First, there is the child Mallika, brimming with romantic fantasies and bemoaning the lack of passion in the lives of her mother, Padma, and her mother's contemporaries - women whom she nevertheless loves fiercely. Mallika renders her fantasies through a highly wrought imagination, re-creating for the reader the events that came to devastate her childhood. Then, we revisit the events Mallika has described as they are retold from the points of view of Padma and Padma's sister, mother and friends. The story that slowly emerges is not the same as the one Mallika told. For the world of these women is one where secrets grow like fungus, where guilt roots and ripens, where anger burns and smolders. Every one of them carries the burden of secrets that may or may not be known by the others - some secrets obvious, others subtler and more insidious - and that have for them become a way of life. And so they tell their stories, stories by no means as prosaic as the child Mallika believes. Layer after layer of concealing silence is relentlessly peeled off, till, at last, the truth behind the greatest secret of all is laid bare - the story of Padma's love.

    Idris, a Somalian trader, is in Kerala to attend the Mamangam festivities. By a strange twist of fate, he meets his nine-year-old son whose existence he had been unaware of. In an attempt to keep his son close to him, he embarks with him on a voyage that ends in the diamond mines of Golconda. Packed with passion, adventure and fascinating aspects of life in the seventeenth century in southern India, Idris is a page-turner that will intrigue and excite readers everywhere.ABOUT THE AUTHORAnita Nair is the best-selling author of five novels, The Better Man, Ladies Coupé, Mistress, Lessons in Forgetting and Cut Like Wound. Mistress was longlisted for the 2008 Orange Prize in the UK. Her books have been translated into thirty languages around the world. Anita lives in Bangalore with her husband and son. Visit her at www.anitanair.net.

    A vivid depiction of the widespread disillusionment and seismic upheavals of the Partition era that lead to the creation of Pakistan and Bangladesh, there has never been a more opportune time to discover one of the most important writings about the post-colonial trauma in the region. Peter Owen editor and rights manager Simon Smith describes the book as ‘One of the best books, if not the best, we have ever published’.Beginning with the struggle of the people of India against the British Raj, this story of love and marriage between two people of totally different social backgrounds which crumbles almost as soon as as it takes place mirrors the uneasy ‘marriage’ between the British and their Indian Empire – both unions ultimately ending in a parting of the ways. Naim, son of a peasant, marries Azra, the daughter of a rich landowner. Fighting for the British during the First World War he loses an arm. Invalided home, he becomes angered at the subjugation of his countrymen under the Raj and aligns himself with the opposition. His ideals are swept away after Independence in 1947 when he realises that, as Muslims, his family is no longer safe in their Indian home and that they must migrate to the newly created Pakistan.

    Aniruddh and Apu."My Ducati and my 6' 1" height was enough to impress or intimidate most people. I didn't want to bring my IQ in on top of that." - Aniruddh.Not a word more. I am Aparajita... remember? The unbeatable." - Apu"If you were to stay forever in the way you died, how would you want to die?""Kissing you."Aniruddh. a Ducati riding, economics loving dude studying in St. Stephen's. And Apu - a girl from Goa who loves thelawala food and super large ear rings. Opposites in a lot of ways, they fell for each other the Instant they met.But then on a pleasant November night, when India was going to sleep, Aniruddh's love for his saanwli memsaab met a terrifying enemy...Will it survive the horror they bring?

    In The Ascetic of Desire, called a literary achievement of the highest order, by The Times (India), acclaimed author Sudhir Kakar tells the story of the man who is believed to be the author of the Kama Sutra, Vatsyayana, and the time in which he lived-the fourth century A.D., considered the golden age of Indian history. In The Ascetic of Desire, the elusive sage Vatsyayana recounts his youth to a young pupil. The young man, planning to write Vatsyayana's biography, listens dutifully as Vatsyayana shares stories of a childhood spent largely in the brothel where his favorite aunt worked. As Vatsyayana's story unfolds, the pupil finds, to his consternation, that his own life has begun to reflect and parallel the ascetic's narrative. At the point where their stories intersect, the unexpected happens. Like Arthur Golden's Memoirs of a Geisha, Sudhir Kakar's novel is a startling combination of psychological insight and historical detail. With rights sold in eleven countries, this is a story of universal appeal imbued with a distant world's charm and exotic allure. The best novel on sex and sensuality I have ever read. (Khushwant Singh, author of Train to Pakistan)

    They are the Avatari.An Ancient Artefact: When Henry Ashton, a retired British Army officer settled in the Yorkshire dales, receives a letter from a monk entreating him to prevent a hidden treasure stolen from a Laotian monastery from being misused, he finds himself honour-bound to respond. Assisted by a retired Gurkha Sergeant, a high-strung mathematician from Oxford with a Shambhala fixation of her own and an American mercenary on the CIAs hit list, Ashtons mission leads to an ancient map that dates back to the time of the great Mongol, Kublai Khan.A Secret that Must Not be Revealed: The group follows the trail, risking the perils of the inhospitable deserts of Ladakh, turmoil in Pakistan and the rugged mountains of Northern Afghanistan, where the Afghan War is at its height. But they are up against a deadly adversary with seemingly unlimited resources, who will stop at nothing to get possession of the anicent secret a secret that, if revealed, could threaten the very fabric of human civilization.

    But the rain can’t stop me. No one can…I’ll go out and play tonight. I will kill only four. No more, no less. Just four.' In the midst of one of the worst monsoons in Mumbai, a man is found brutally murdered, his body posed like a kite on the tallest cell tower in the city. As one corpse after another turns up in the unlikeliest of places, each gruesomely killed and carefully arranged in a grotesque manner, the Mumbai Police realize they have more on their hands than they can deal with. Enter Chandrakant Rathod, a maverick investigator the police turn to in times of need, who plays by his own rules and lives for the thrill of the chase. Pitting his sharp instincts against the machinations of the sadistic, ruthless killer, the detective succeeds in nabbing the psychopath and putting him behind bars. Then, three months later, the killings begin again. A deadly game is afoot – a game that will challenge Rathod to the utmost, for it is a game that he cannot hope to win...

    The powerful district committee of Mityala routinely dismisses the suicide and refuses compensation to his widow. Gangiri, his brother, makes it his life’s mission to bring justice to the dead by influencing the committee to validate similar farmer suicides.Keyur Kashinath of the Democratic Party - first-time member of Parliament from Mityala, and son of Vaishnav Kashinath, the party’s general secretary - is the heir to his father’s power in Delhi politics. He faces his first crisis every suicide in his constituency certified by the committee as debt-related is a blot on the party’s image, and his competence.The brilliant farmer battles his inheritance of despair, the arrogant politician fights for the power he has received as legacy. Their two worlds collide in a conflict that pushes both to the limits of morality from where there is no turning back. At stake is the truth about ‘inherited’ democratic power. And at the end, there can only be one winner. Passionate and startlingly insightful, Shoes of the Dead is a chilling parable of modern-day India.A book that will make you stroll through India’s corridors of power and politics with a perfect portrayal of how its consequences creep into the lives of the farmers forcing them to commit suicide. Get ready to read a gripping tale by Kota Neelima.

    . . .The yellow glowed beautifully in the morning light. There was something different about this particular yellow. This one entered through his eyes, dissolved in his blood, and went straight to his heart.” Uday Prakash’s novel of contemporary India is a tender love story—university student Rahul is swept away by a “sweet fever” of love for Anjali, the enchanting girl with the golden parasol. But Prakash’s tale is set in a world where the 3,000-year-old Hindu caste system still holds sway and social realities doom the chances of a non-Brahmin boy who loves a Brahmin girl. The Girl with the Golden Parasol is the first English translation of Prakash’s work to be published in the United States. His audacious novel captures the profound contradictions of India today, where the forces aligned against change outweigh even the power of love.