For that is what it is: the story of a young English girl's growth towards maturity in the 1930s. We see Mary at school in Kensington and on holiday in Somerset; her attempt at drama school; her year in Paris learning dressmaking and getting engaged to the wrong man; her time as a secretary and companion; and her romance with Sam. We chose this book because we wanted to publish a novel like Dusty Answer, I Capture the Castle or The Pursuit of Love, about a girl encountering life and love, which is also funny, readable and perceptive; it is a 'hot-water bottle' novel, one to curl up with on the sofa on a wet Sunday afternoon. But it is more than this. As Harriet Lane remarks in her Preface: 'It is Mariana's artlessness, its enthusiasm, its attention to tiny, telling domestic detail that makes it so appealing to modern readers.' And John Sandoe Books in Sloane Square (an early champion of Persephone Books) commented: 'The contemporary detail is superb - Monica Dickens's descriptions of food and clothes are particularly good - and the characters are observed with vitality and humour. Mariana is written with such verve and exuberance that we would defy any but academics and professional cynics not to enjoy it.'

    Feared but not loved, Manderson has no one to mourn him when the gardener at his British country estate finds him facedown in the dirt, a bullet buried in his brain. There are bruises on his wrist and blood on his clothes, but no clue that will lead the police to the murderer. It will take an amateur to—inadvertently—show them the way. Cheerful, charming, and always eager for a mystery, portrait artist and gentleman sleuth Philip Trent leaps into the Manderson affair with all the passion of the autodidact. Simply by reading the newspapers, he discovers overlooked details of the crime. Not all of his reasoning is sound, and his romantic interests are suspect, to say the least, but Trent’s dedication to the art of detection soon uncovers what no one expected him to find: the truth. Delightfully irreverent yet ingeniously plotted, Trent’s Last Case is widely regarded as a masterwork of the mystery genre.

    In this bestselling classic novel which became a famous film, Jane Graham, alone and pregnant, retreats to a dingy attic bedsit in Fulham where she finds unexpected companionship, happiness and love.Set in the late 1950s, the 27 year-old unmarried Jane Graham arrives alone at a run-down boarding house in London after being turned out of her comfortable middle class home by her shocked father who has learned she is pregnant.Jane narrates the story as we follow her through her pregnancy and her encounters with the other misfits and outsiders who reside at the boarding house.

    As children, they are cared for by Paddy Button, a portly sailor who drinks himself to death after only two and a half years in paradise. Frightened and confused by the man's gruesome corpse, the children flee to another part of Palm Tree Island. Over a period of five years, they grow up and eventually fall in love. Sex and birth are as mysterious to them as death, but they manage to copulate instinctively and conceive a child. The birth is especially remarkable: fifteen-year-old Emmeline, alone in the jungle, loses consciousness and awakes to find a baby boy on the ground near her. Naming the boy Hannah (an example of Stacpoole's penchant for gender reversals), the Lestranges live in familial bliss until they are unexpectedly expelled from their tropical Eden.

    After living wild in the forests for years, carrying a terrible secret, all Silvana knows is that she and Aurek are survivors. Everything else is lost. Waiting in Ipswich is Silvana's husband Janusz, who has not seen his wife and son for six years. He has found his family a house and works hard planting a proper English garden to welcome them. But the six years apart have changed them all. To make a real home, Silvana and Janusz will have to come to terms with what happened during the war, accept that each is different, and allow their beloved but wild son Aurek to be who he truly is.

    A time of shadows, secret societies, and dens filled with opium addicts. Into this world comes the most fantastic emissary of evil society has ever known… Dr. Fu-Manchu. Denis Nayland Smith pursues his quarry across continents and through the back alleys of London. As victim after victim disappears at the hands of the Devil Doctor, Smith must unravel his murderous plot before it is too late.  Includes a special feature by Leslie S. Kilnger

    Charlton from a undernourished and timid tax clerk to ‘Charlie’, a fully-converted member of the Larkin way of life: an easygoing celebration of nature, food, drink, and family. In the process, the reader is introduced to the Brigadier, Miss Pilchester, and Angela Snow. Setting the style for the series, the book ends with a grand celebration, and the announcement of the wedding of Charlie and Mariette. The novel was filmed with the title ‘The Mating Game’, and between 1991 and 1993, Yorkshire Television produced a highly-successful television series called ‘The Darling Buds of May’. This first book in the Larkin series was very successful, appearing first in the United States and then in Britain, where it sold 40,000 in the first two months. Many critics felt that Bates deserved better than to be remembered mostly for the Larkin novels, but they were very profitable. The immensely popular Larkin series of comic novels consisted of ‘The Darling Buds of May’, ‘A Breath of French Air’ (1959), ‘When the Green Woods Laugh’ (1960), ‘Oh! To Be in England’ (1963), and ‘A Little of What You Fancy’ (1970). Bates, speaking of how he was inspired to create the Larkins, recalled the real junkyard that he often passed near his home in Kent; and he remembered seeing a family -- a father, mother and many children, sucking at ice-creams and eating crisps in a "ramshackle lorry that had been recently painted a violent electric blue". He tried writing a brief tale based on the family, but soon decided that he couldn’t waste such a rich gallery of characters to a short story." Pop is a wonderful character who hates pomp, pretension and humbug; loves his family, but doesn’t hesitate to break a few rules... and his and the Larkins' secret is “that they live as many of us would like to live if only we had the guts and nerve to flout the conventions." See also the Pop Larkin Chronicles, which contains all five Larkin books.

    Rikard von Holz is on the staff of the German Foreign Office--and secretly a member of the anti-Hitler resistance. The two men were friends at Oxford in the 1920s, but have not been in contact since. Now, when Guy flies with Chamberlain from London to Munich, and Rikard travels on Hitler's train overnight from Berlin, their paths are set on a disastrous collision course. And once again, Robert Harris gives us actual events of historical importance--here are Hitler, Chamberlain, Mussolini, Daladier--at the heart of an electrifying, un-put-downable novel.

    In these eight stories, the master burglar indulges his passion for cricket and crime: stealing jewels from a country house, outwitting the law, pilfering from the nouveau riche, and, of course, bowling like a demon-all with the assistance of his plucky sidekick, Bunny. Encouraged by his brother-in-law, Arthur Conan Doyle, to write a series about a public school villain, and influenced by his own experiences at Uppingham, E. W. Hornung created a unique form of crime story, where, in stealing as in sport, it is playing the game that counts, and there is always honor among thieves.

    He keeps a list, in fact. But Laura isn't on it - even though she's just become his latest ex. He's got his life back, you see. He can just do what he wants when he wants: like listen to whatever music he likes, look up the girls that are on his list, and generally behaves as if Laura never mattered. But Rob finds he can't move on. He's stuck in a really deep groove - and it's called Laura. Soon, Rob's asking himself some big questions: about love, about life - and about why we choose to share ours with the people we do.

    Vine is the recipient of three Edgars and four Gold Dagger Awards.

    Expected to redeem himself in this magical land of opportunity, young Karl is swept up instead in a whirlwind of dizzying reversals, strange escapades, and picaresque adventures.Although Kafka never visited America, images of its vast landscape, dangers, and opportunities inspired this saga of the "golden land." Here is a startlingly modern, fantastic and visionary tale of America "as a place no one has yet seen, in a historical period that can't be identified," writes E. L. Doctorow in his new foreword. "Kafka made his novel from his own mind's mythic elements," Doctorow explains, "and the research data that caught his eye were bent like rays in a field of gravity."

    She summons back to life the only friend she ever knew, Clarissa, the dream companion of her childhood. At first Clarissa comes by night, and then by day, gathering substance in the warmth of Agatha's obsessive love until it seems that others too can see her. See, but not touch, for Agatha has made her love child for herself alone. No man may approach her elfin creation of perfect beauty. If he does, the love which summoned her can spirit her away...

    As puppet master, Julius artfully plays on the human tendency to embrace drama and intrigue and to prefer the distraction of confrontations to the difficult effort of communicating openly and honestly.

    Contending with the perils and the varied cast of characters of the marriage market, Belinda strides resolutely toward independence. Admired by her contemporary, Jane Austen, and later by Thackeray and Turgenev, Edgeworth tackles issues of gender and race in a manner at once comic and thought-provoking. The 1802 text used in this edition also confronts the difficult and fascinating issues of racism and mixed marriage, which Edgeworth toned down in later editions.