Boatwright, Daniel Gargola, and Richard J.A. Talbert explore this question as they guide readers through a comprehensive sweep of Roman history, ranging from the prehistoric settlements to the age of Constantine. Vividly written and accessible, The Romans traces Rome's remarkable evolution from village, to monarchy, to republic, and eventually to one-man rule by an emperor whose power at its peak stretched from Scotland to Iraq and the Nile Valley. Firmly grounded in ancient literary and material sources, the book describes and analyzes major political and military landmarks, from the Punic Wars, to Caesar's conquest of Gaul and his crossing of the Rubicon, to the victory of Octavian over Mark Antony, and to Constantine's adoption of Christianity. It also introduces such captivating individuals as Hannibal, Mithridates, Pompey, Cicero, Cleopatra, Augustus, Livia, Nero, Marcus Aurelius, and Shapur. The authors cover issues that still confront modern states worldwide, including warfare, empire building, consensus forging, and political fragmentation. They also integrate glimpses of many aspects of everyday Roman life and perspective--such as the role of women, literature, entertainment, town-planning, portraiture, and religion--demonstrating how Rome's growth as a state is inseparable from its social and cultural development. Ideal for courses in Roman history and Roman civilization, The Romans is enhanced by almost 100 illustrations, more than 30 maps (most produced by the Ancient World Mapping Center), and 22 textual extracts that provide fascinating cultural observations made by ancient Romans themselves.

    From humble beginnings on the seven hills beside the Tiber, the city of Rome grew to dominate the ancient Mediterranean. Led by her senatorial aristocracy, Republican armies defeated Carthage and the successor kingdoms of Alexander the Great, and brought the surrounding peoples to east and west into the Roman sphere. In this Very Short Introduction, David M. Gwynn provides a fascinating introduction to the history of the Roman Republic, ranging from the origins of Rome and the vivid Roman legends that surround the foundations of the city, to the overthrow of the monarchy in 509 BC, the five hundred years of republican rule, the rise of Julius Caesar and Caesar Augustus, and the establishment of the Principate. Gwynn considers the political structure of the Republic, including its unique constitution, and he highlights literary and material sources, bringing to life the culture and society of Republican Rome. He also reflects on the Roman values and beliefs of the time, in order to shed light on the Republic's dramatic rise and fall. Finally, Gwynn reflects on the remarkable legacy of the Roman Republic, including its modern-day resonance and legacy in literature and in film, where it is often presented as a model, a source of inspiration, but also a warning.

    Classical sources, however, present a far less exalted being. As General Fuller writes, Caesar was "an unscrupulous demagogue whose one aim was power, and a general who could not only win brilliant victories but also commit dismal blunders. . . . It is reasonable to suspect that, at times, Caesar was not responsible for his actions, and toward the end of his life, not altogether sane." There is not doubt that Caesar was an extraordinary man." But Fuller points out that he was extraordinary for his reckless ambition, matchless daring, and ruthless tyranny, rather than for his skills as a military commander. Caesar continually had to extricate himself from results of mistakes of judgement. His unnecessary Alexandrian War, his close call at Thapsus, and his seemingly unpremeditated Gallic conquest are just a few of Fuller's many examples.And in telling Caesar's history, Fuller illuminates a century of Roman history as well. Aided by maps of Caesar's principal battles and diagrams of many of his weapons, Fuller brings to life Caesar's wars, his armies, his equipment, and his methods. Brilliant in design and impressive in scope, Julius Caesar clarifies how the military, political, and economic aspects of the Roman Republic worked together to produce a man whose name has come down to us as a synonym for absolute authority.

    Indeed, Hannibal referred to Pyrrhus as his teacher, although the two never met, since he learnt so much of the art of war from his writings. Pyrrhus was born into the royal house of Epirus, northwest Greece, and was a second-cousin of Alexander the Great. His mother was forced to flee into exile to protect his life when he was a mere infant, yet he prospered in troubled times and went from a refugee to become king. Always an adventurer with an eye for the main chance, he was deeply involved in the cut-and-thrust campaigning, coups and subterfuges of the Successor kingdoms. At various times he was king of Epirus (twice), Macedon (twice) and Sicily, as well as overlord of much of southern Italy. In 281 BC he was invited by the southern Italian states to defend them against the aggressive expansion of the burgeoning Roman republic. His early victories over the Roman armies at Heraclea and Asculum (assisted by his use of elephants) were won at such a high price in casualties that they gave us the expression 'Pyrrhic victory'. These battles were the first clashes between the hitherto-dominant Hellenistic way of warfare (as developed by Alexander) and the Roman legions, and so full of tactical interest. He failed in Italy and Sicily but when on to further military adventures in Greece, eventually being killed in action while storming the city of Argos.

    His existence was invariably short and violent, improved only faintly by the prospect of honor, wealth, and public attention. Yet men gave up their freedom to become gladiators, noblewomen gave up their positions to elope with them, and Emperors risked death to fight them. This thrilling popular history of ancient Rome's gladiators charts the evolution of the games; introduces us to the legendary fighters, trainers, and emperors who participated in the violent sport; and re-creates in gripping detail a day at the bloody games. Alan Baker reveals the techniques of the training school, then sets us ringside to witness the torturous battles between bulls, lions, jaguars, and battle-hardened human beings. With each breathtaking scene, the complex culture of world that created and adored these bloody games between man and beast comes into clear focus. A work of history that reads like fiction, The Gladiator brings to life Spartacus, Commodus, Caligula, and all of the other memorable players of the nearly thousand-year-long gladiatorial era.

    It is also an important source of information on the Byzantine war with the Normans, and the First Crusade, in which Alexius participated. While the Byzantines were allied to the Crusaders, they were none the less critical of their behaviour and Anna's book offers a startlingly different perspective from that of Western historians. Her character sketches are shrewd and forthright - from the Norman invader Robert Guiscard ('nourished by mainfold Evil') and his son Bohemond ('like a streaking thunderbolt') to Pope Gregory VII ('unworthy of a high priest'). The Alexiad is a vivid and dramatic narrative, which reveals as much about the character of its intelligent and dynamic author as it does about the fascinating period through which she lived.E.R.A. Sewter's translation captures all the strength and immediacy of the original and is complemented by an introduction that examines Anna's life and times. This edition also includes maps, appendices, genealogical tables, a bibliography and indexes of events and names.

    Uncover their mesmerizing, realistic stories of combat, courage, and distress in readable and balanced stories told from the front lines.Witness the creation of new technologies of destruction: tanks, planes, and submarines; machine guns and field artillery; poison gas and chemical warfare. It introduced U-boat packs and strategic bombing, unrestricted war on civilians and mistreatment of prisoners.World War I reduced Europe’s mightiest empires to rubble, killed twenty million people, and cracked the foundations of our modern world. In its wake, empires toppled, monarchies fell, and whole populations lost their national identities.If you like gripping, authentic accounts of life and combat during WWI, then you won't want to miss WWI: Tales from the Trenches.

    The stranger is a Sicilian, a victim of the island's corrupt Roman governor, Verres. The senator is Marcus Cicero—an ambitious young lawyer and spellbinding orator, who at the age of twenty-seven is determined to attain imperium—supreme power in the state. Of all the great figures of the Roman world, none was more fascinating or charismatic than Cicero. And Tiro—the inventor of shorthand and author of numerous books, including a celebrated biography of his master (which was lost in the Dark Ages)—was always by his side. Compellingly written in Tiro's voice, Imperium is the re-creation of his vanished masterpiece, recounting in vivid detail the story of Cicero's quest for glory, competing with some of the most powerful and intimidating figures of his—or any other—age: Pompey, Caesar, Crassus, and the many other powerful Romans who changed history. Robert Harris, the world's master of innovative historical fiction, lures us into a violent, treacherous world of Roman politics at once exotically different from and yet startlingly similar to our own—a world of Senate intrigue and electoral corruption, special prosecutors and political adventurism—to describe how one clever, compassionate, devious, vulnerable man fought to reach the top.

    Bravery, loyalty, experience, and success lead to Maximus' appointment as "General of the West" by the Roman emperor, the ambition of a lifetime. But with the title comes a caveat: Maximus needs to muster and command a single legion to defend the perilous Rhine frontier. On the opposite side of the Rhine River, tribal nations are uniting; hundreds of thousands mass in preparation for the conquest of Gaul, and from there, a sweep down into Rome itself. Only a wide river and a wily general keep them in check. With discipline, deception, persuasion, and surprise, Maximus holds the line against an increasingly desperate and innumerable foe. Friends, allies, and even enemies urge Maximus to proclaim himself emperor. He refuses, bound by an oath of duty, honor, and sacrifice to Rome, a city he has never seen. But then circumstance intervenes. Now, Maximus will accept the purple robe of emperor, if his scrappy legion can deliver this last crucial victory against insurmountable odds. The very fate of Rome hangs in the balance. Combining the brilliantly realized battle action of Gates of Fire and the masterful characterization of Mary Renault's The Last of the Wine, Eagle in the Snow is nothing less than the novel of the fall of the Roman empire.

    Was it geopolitics or simply bitter hatred that fueled the ancient bloodbaths known as “The Punic Wars”? Dan highlights the unimaginable things people experienced during this intense face-off between Rome and Carthage.

    In this meticulously researched study, historian Paul Rahe argues that Sparta was responsible for the initial establishment of the Hellenic defensive coalition and was, in fact, the most essential player in its ultimate victory. Drawing from an impressive range of ancient sources, including Herodotus and Plutarch, the author veers from the traditional Atheno-centric view of the Greco-Persian Wars to examine from a Spartan perspective the grand strategy that halted the Persian juggernaut. Rahe provides a fascinating, detailed picture of life in Sparta circa 480 B.C., revealing how the Spartans’ form of government and the regimen to which they subjected themselves instilled within them the pride, confidence, discipline, and discernment necessary to forge an alliance that would stand firm against a great empire, driven by religious fervor, that held sway over two-fifths of the human race.

    Peter Salway's narrative takes into account the latest research including exciting discoveries of recent years.

    Colin Wells's vivid account is now available in an up-to-date second edition.

    From that exhilarating portrait, he takes us back more than two thousand years to the city's foundation, one mired in mythologies and superstitions that would inform Rome's development for centuries.From the beginning, Rome was a hotbed of power, overweening ambition, desire, political genius, and corruption. Hughes details the turbulent years that saw the formation of empire and the establishment of the sociopolitical system, along the way providing colorful portraits of all the major figures, both political (Julius Caesar, Marcus Aurelius, Nero, Caligula) and cultural (Cicero, Martial, Virgil), to name just a few. For almost a thousand years, Rome would remain the most politically important, richest, and largest city in the Western world.From the formation of empire, Hughes moves on to the rise of early Christianity, his own antipathy toward religion providing rich and lively context for the brutality of the early Church, and eventually the Crusades. The brutality had the desired effect—the Church consolidated and outlasted the power of empire, and Rome would be the capital of the Papal States until its annexation into the newly united kingdom of Italy in 1870.As one would expect, Hughes lavishes plenty of critical attention on the Renaissance, providing a full survey of the architecture, painting, and sculpture that blossomed in Rome over the course of the fourteenth through the sixteenth centuries, and shedding new light on old masters in the process. Having established itself as the artistic and spiritual center of the world, Rome in the seventeenth, eighteenth, and nineteenth centuries saw artists (and, eventually, wealthy tourists) from all over Europe converging on the bustling city, even while it was caught up in the nationalistic turmoils of the Italian independence struggle and war against France.Hughes keeps the momentum going right into the twentieth century, when Rome witnessed the rise and fall of Italian Fascism and Mussolini, and took on yet another identity in the postwar years as the fashionable city of "La Dolce Vita." This is the Rome Hughes himself first encountered, and it's one he contends, perhaps controversially, has been lost in the half century since, as the cult of mass tourism has slowly ruined the dazzling city he loved so much. Equal parts idolizing, blasphemous, outraged, and awestruck, Rome is a portrait of the Eternal City as only Robert Hughes could paint it.

    Edward Champlin reinterprets Nero's enormities on their own terms, as the self-conscious performances of an imperial actor with a formidable grasp of Roman history and mythology and a canny sense of his audience. mother's prompting. He then murdered his mother, with whom he may have slept. He killed his pregnant wife in a fit of rage then castrated and married a young freedman because he resembled her. He mounted the public stage to act a hero driven mad or a woman giving birth and raced a ten-horse chariot in the Olympic games. He probably instigated the burning of Rome, for which he then ordered the spectacular punishment of Christians, many of whom were burned as human torches to light up his gardens at night. Without seeking to rehabilitate the historical monster, Champlin renders Nero more vividly intelligible by illuminating the motives behind his theatrical gestures, and revealing the artist who thought of himself as a heroic figure. Tacitus, Suetonius and Cassius Dio.