Routledge is an imprint of Taylor & Francis, an informa company.

    

    The main body of the work consists of an alphabetical glossary of all words and phrases used in a sexual or scatological sense, with full explanations and cross-references.

    Gokhale provides the most intimate and sweeping account yet of Team Narendra Modi's approach to national security and foreign policy initiatives. Drawing on internal memos, as yet classified information, meeting notes and hundreds of hours of interviews with key players in the national security team, Gokhale brings alive inside stories of decision-making at the highest levels in the government. Painstakingly researched, the book details hitherto unknown aspects of the planning and execution of the surgical strikes, revamping of New Delhi's policy towards China and Pakistan, India's renewed global policy focus on Middle East, Prime Minister Modi's attempt to leverage the Indian diaspora worldwide and his attention to smallest of details besides focusing on some small but far-reaching steps taken to secure India in every possible way -on land, space, cyber and maritime domains.

    Pater was shocked at the reaction his book inspired: 'I wish they would not call me a hedonist, it gives such a wrong impression to those who do not know Greek.'.The book had begun as a series of idiosyncratic, impressionistic critical essays on those artists that embodied for him the spirit of the Renaissance; by collecting them and adding his infamous Conclusion, Pater gained a reputation as a daring modern philosopher. But The Renaissance survives as one of the most innovative pieces of cultural criticism to emerge from the nineteenth century.

    . . Superb."--Los Angeles TimesThe World of Christopher Marlowe is the story of the troubled genius, raised in the stench and poverty of Canterbury's abbatoirs, who revolutionized English drama and poetry, challenging and scandalizing English society before he was murdered in his prime. David Riggs, a prizewinning Elizabethan scholar, evokes the atmosphere and texture of Marlowe's life from his birth to his ties to the London underworld and his triumphs onstage. It was a time when nothing was sacred, and no one was secure. Espousing sexual freedom and atheism, Marlowe proved too great a threat to the religious and political leaders of the time, who were struggling to maintain their tenuous grip on power. In the wake of his untimely death, Marlowe would leave behind a shadowed legacy of undeniable genius. This magisterial work of reconstruction illuminates his enigmatic, contradictory, and glorious life with immense richness."The book engrossingly narrates the circumstantial details of Marlowe's life against a richly detailed backdrop. Riggs writes with scholarly yet conversational elegance . . . Enjoyably provides fresh insights into the life and work of this important poet and playwright." --San Francisco Chronicle"A worthy book . . . if you want an exhaustive account of the life and times, Riggs is your man."--The New York Times Book Review

    It has the distinction of being the first English "novel," far surpassing in narrative sophistication such immediate predecessors as Elyot's Image of Governance or Borde's Scoggin's Jests. This edition, besides providing a modernized text of the novel, also identifies the pseudonymous author of Beware the Cat as William Baldwin, better known as editor and principal author of the enormously popular Mirror for Magistrates (1559). The development of early English prose fiction is thoroughly documented in two informative and wide-ranging appendices. William Baldwin's place in this tradition, as well as his innovative narrative art, is discussed in the introduction, which also provides biographical information on the author, historical background to his novel, and insight into the political and religious turmoil of the middle years of the sixteenth century.

    True religion consists in practice of simple piety, independent of philosophical speculation.

    For most of the 19th century, a wide variety of expressive forms--Shakespearean drama, opera, orchestral music, painting & sculpture, as well as the writings of such authors as Dickens & Longfellow--enjoyed both high cultural status & mass popularity. In the 19th century Americans (in addition to whatever specific ethnic, class & regional cultures they were part of) shared a public culture less hierarchically organized, less fragmented into relatively rigid adjectival groupings than their descendants were to experience. By the 20th century this cultural eclecticism & openness became increasingly rare. Cultural space was more sharply defined, less flexible than it had been. The theater, once a microcosm of America--housing both the entire spectrum of the population & the complete range of entertainment from tragedy to farce, juggling to ballet, opera to minstrelsy--now fragmented into discrete spaces catering to distinct audiences & separate genres of expressive culture. The same transition occurred in concert halls, opera houses & museums. A growing chasm between 'serious' & 'popular', 'high' & 'low' culture came to dominate the expressive arts."If there is a tragedy in this development," Levine notes, "it is not only that millions of Americans were now separated from exposure to such creators as Shakespeare, Beethoven & Verdi, whom they had enjoyed in various formats for much of the 19th century, but also that the rigid cultural categories, once they were in place, made it so difficult for so long for so many to understand the value & importance of the popular art forms that were all around them. "Too many of those who considered themselves educated & cultured lost for a significant period--& many have still not regained--their ability to discriminate independently, to sort things out for themselves & understand that simply because a form of expressive culture was widely accessible & highly popular it was not therefore necessarily devoid of any redeeming value or artistic merit."Note: first presented as The William E. Massey Sr. Lectures in the History of American Civilization in 1986,

    However, Burke's analysis of the relationship between emotion, beauty, and art form is now recognized as not only an important and influential work of aesthetic theory, but also one of the first major works in European literature on the Sublime, a subject that has fascinated thinkers from Kant and Coleridge to the philosophers and critics of today.

    Her book of poems is dedicated entirely to women patrons. It offers a long poem on Christ's passion, told entirely from a woman's point of view, as well as the first country house poem published in England. Almost completely neglected until very recently, her work changes our perspective on Jacobean poetry and contradicts the common assumption that women wrote nothing of serious interest until much later. Mistress and friend of influential Elizabethan courtiers, Lanyer gives us a glimpse of the ideas and aspirations of a talented middle class Renaissance woman.

    Hundert's Introduction places Mandeville in a number of eighteenth-century debates--particularly that of the nature and morality of commercial modernity--and underscores the degree to which his work stood as a central problem, not only for his immediate English contemporaries, but for such philosophers as Hume, Rousseau, and Kant. The selections are substantive enough to faithfully represent Mandeville the social theorist, and compact enough to be used in courses that can afford to spend no more than a week on his work.

    A weary atheist, Edgar challenges people to put their money where their mouths are about their faith. If someone really believes that the 16th reincarnation of the Dalai Lama is the one true incarnation, or that God is love, or that his grandfather's spirit lives in a tree, Edgar reasons he should be willing to bet money on it. Edgar is right. The metaphysical betting shops become incredibly popular as people of all faiths rush to outdo each other. After placing a bet, the bettor is given a receipt verifying the bet and amount, and a button with a question mark, stamped "Who knows?" It's no wonder that Edgar goes on to become the richest man in the world.As the competitive rage spreads, the betting shops indirectly cause a dangerous faith war, resulting in multiple popes, a beautiful messianic woman who claims to be God's messenger, and a technological meltdown with artificially intelligent home appliances. Meanwhile, there's an optimistic supermarket trolley climbing Mt. Everest, looking for God...

    Proceeding from the assumption that human beings desire pleasure (and avoid pain), Bentham's unique perspective, known as utilitarianism, is used to construct a fascinating calculus for determining which action to perform when confronted with situations requiring moral decision-makingthe goal of which is to arrive at the "greatest happiness of the greatest number." Toward this end, he endeavors to delineate the sources and kinds of pleasure and pain and how they can be measured when assessing one's moral options. Bentham supports his arguments with discussions of intentionality, consciousness, motives, and dispositions.Bentham concludes this groundbreaking work with an analysis of punishment: its purpose and the proper role that law and jurisprudence should play in its determination and implementation. Here we find Bentham as social reformer seeking to resolve the tension that inevitably exists when the concerns of the many conflict with individual freedom.The Principles of Morals and Legislation offers readers the rare opportunity to experience one of the great works of moral philosophy, a volume that has influenced the course of ethical theory for over a century.

    A compelling account of political and religious developments from the advent of the Tudors in the 1460s to the death of Elizabeth I in 1603, his authoritative study discusses the far-reaching changes in government and the Reformation of the Church under Henry VII, Edward VI, Mary, and Elizabeth, and is enriched with illuminating character studies of the monarchs and politicians of the era. Taking into account new debates on the progress of the English Reformation and the strengths and weaknesses of Tudor Government at a local and national level, the book includes contextual analyses of the Tudor English economy, society, and political culture.