includes such stories as - "Alice's Adventures in Wonderland", "Through the Looking-Glass", "Sylvie and Bruno", "Sylvie and Bruno Concluded", "The Hunting of the Snark" and the poetry, essays and phantasmagoria along with a collection of the author's miscellaneous writings.

    But Hildy isn't one for self-pity and instead meets the world with a wry smile, a dark wit and a glass or two of Pinot Noir. When her two earnest grown-up children stage 'an intervention' and pack Hildy off to an addiction centre, she thinks all this fuss is ridiculous. After all, why shouldn't Hildy enjoy a drink now and then?But as the story progresses, we start to see another side to Hildy Good, and to her life's greatest passion - the lies and self deceptions needed to support her drinking, and the damage she causes to those she loves. When a cluster of secrets become dangerously entwined, the reckless behaviour of one threatens to expose the other, with devastating consequences.

    As he lies in his hospital bed, voices from his past and present—real and imagined—come to him in the dark, each taking on the rhythm of his favorite Brazilian fight-dance, the capoeira. Seated next to him, Milo’s partner, bumptious director Paul Schwartz, coaxes Milo through his life story; from the abuse he suffered as a foster child, to his lost heritage, his beloved grandfather’s priceless library. As Milo narrates, his story becomes the pair’s final screenplay, the movie that will be their masterpiece.With Milo’s imagination in full flight, several generations of Noirlac ancestors —voices in French and English, German and Dutch, Cree and Gaelic—come to life. There’s Neil Kerrigan his Irish grandfather, classmate of “Jimmy” Joyce, would-be poet and aspiring activist in the fight against British occupation, crushed by his exile in Quebec; Awinita, Milo’s biological mother, an Indian teen prostitute; Eugénio, a Brazilian street child whom Milo finds and fosters; and Marie-Thérèse, Milo’s tough-as-nails aunt. As each voice cascades through Milo’s memory, a fragment of family, and world, history falls into place.Already a critically-acclaimed bestseller in France, Nancy Huston’s Black Dance is a rich portrait of one man’s life and death; a swirling, sensual dance of a novel, from an exceptional and rare literary voice.“As musical as a Bach prelude.”—Elle (France)“A magnificently structured novel, one that captivates us with its grace and power …memorable.” —Madame Figaro

    She lives in London, works as a journalist, and parties hard. Her lunchtimes consist of several glasses of wine at the bar downstairs in the office, her evenings much the same, swigging the free booze and eating the free food at a different launch or party every night. When she discovers the identity of the father she never knew she had, it sends her into a spiral. She makes mistakes that cost her the budding friendship of the only women who have ever welcomed her. And nothing is ever the same after that.June, 2014: Cat has finally come to the end of herself. She no longer drinks. She wants to make amends to those she has hurt. Her quest takes her to Nantucket, to the gorgeous summer community where the women she once called family still live. Despite her sins, will they welcome her again? What Cat doesn’t realize is that these women, her real father’s daughters, have secrets of their own. As the past collides with the present, Cat must confront the darkest things in her own life and uncover the depths of someone’s need for revenge.

    He can’t have been much of a husband to Trudy, either, judging by her sudden departure. It’s only when she returns, pregnant to someone else, that he discovers his surprising talent as a father. So when Trudy finds Jesus and takes little Peter away with her to join the holy rollers, Tom’s heart breaks all over again.Enter Hannah Babel, quixotic smalltown bookseller: the second Jew—and the most vivid person—Tom has ever met. He dares to believe they could make each other happy. But it is 1968: twenty-four years since Hannah and her own little boy arrived at Auschwitz. Tom Hope is taking on a batttle with heartbreak he can barely even begin to imagine.

    Some money from each copy of Speaking with the Angel sold will benefit autism education charities around the world, including The Treehouse School in London, where Nick’s son Danny is a student, and the New York Child Learning Institute here in the States. This project is truly a labor of love for Hornby and the other writers involved, many of whom are Nick’s friends.These original first-person narratives come from the most exciting voices in fiction. Melissa Bank gives readers a glimpse into the mind of a modern New Yorker whose still-new relationship is a constant source of surprise in “The Wonder Spot.” In Zadie Smith’s “I’m the Only One,” a young man recalls his strained relationship with his diva-esque sister. Dave Egger’s “After I Was Thrown in the River and Before I Drowned,” is told from the viewpoint of an unfortunate pit bull. Helen Fielding offers up a new twist on I’ve fallen and I can’t get up in “Luckybitch.” And in Nick Hornby’s “NippleJesus,” a bruiser finds out that guarding modern art is far more hazardous than controlling the velvet ropes at a nightclub. Speaking with the Angel also includes stories from Roddy Doyle, Irvine Welsh, Colin Firth, John O’Farrell, Robert Harris, Patrick Marber, and Giles Smith.Twelve completely new stories, written by twelve undeniably imaginative voices. Speaking with the Angel is at turns clever, outrageous, witty, edgy, tender, and wicked. This is what they meant by original.

    Ellen Kennedy's debut full-length poetry collection. When I finished reading SOMETIMES MY HEART PUSHES MY RIBS I had to go to lunch with people in a restaurant with enormous beverages and misnamed sandwiches. I kept tapping my hand on the table and I didn't listen to anything anybody said. All I wanted to do was go home to read and write the kind of poetry Ellen Kennedy writes, declarative and nervous and wild and free. This is the sort of thing you want. This is the sort of book you should buy and you should buy it now instead of having lunch with those `friends'--Daniel Handler. Ellen Kennedy was born in 1989 and lives in Boston.

    Journeying between his native Ulster and his adopted London, he balances ideas of home and flight, the need for belonging and the need to remain outside. Formally deft, rhetorically fresh, these poems never shy from difficult choices, exploring cruelty and vengeance wherever they may be found: in love, in work and against political backdrops. But these are brave, resolute writings that resist despair at all times, affirming instead the need to rebuild and to right oneself, to dust down and carry on.

    Needing to pay elder care for his mother, Victor has devised an ingenious scam: he pretends to choke on pieces of food while dining in upscale restaurants. He then allows himself to be “saved” by fellow patrons who, feeling responsible for Victor’s life, go on to send checks to support him. When he’s not pulling this stunt, Victor cruises sexual addiction recovery workshops for action, visits his addled mom, and spends his days working at a colonial theme park. His creator, Chuck Palahniuk, is the visionary we need and the satirist we deserve.

    . . Newly retired Philip returns home to Cologne and is thrown into emotional turmoil upon bumping into his long-lost sweetheart. In the midst of a domestic crisis, Ricarda confides in Philip that she is looking for somewhere to live. And there and then, Philip suggests that she move in with him - he is setting up a flatshare. Will she join him with his mischievous dachshund named Ralf?To his surprise, Ricarda agrees, leaving Philip to scramble together a crew of retires in time for spring, for the most unlikely of social experiments. There's grumpy cigarette-smoking grandfather Harry; quiet and discreet Eckart, curiously carting around his late wife's headstone; Uschi, brimming with life, harbouring a passion for leotards and aerobics, along with sausages and outrageous knitting patterns; and then, ever-practical and warm-hearted Ricarda, towards whom Phillip is developing real feelings. Despite their differences, the flatmates thrive and embark on a series of new adventures. But when Uschi falls unwell, familiar cracks begin to show and this uniquely spirited club of friends must work together in order to survive - and truly blossom.

    Johann Fausten dem wietbeschreyen Zauberer und Schwartzkunstler, or History of Dr John Faust the notorious Magician and Necromancer, as written by his familiar servant and disciple Christopher wagner, now for the first time Englished from the Low German.

    The novel centres upon the hapless members of a love triangle united by their sexual obsessions and by their fascination with Catherine Tekakwitha, the 17th-century Mohawk saint. By turns vulgar, rhapsodic, and viciously witty, Beautiful Losers explores each character’s attainment of a state of self-abandonment, in which the sensualist cannot be distinguished from the saint.

     Once upon a time (right about now) there was a planet (how about this one?) whose inhabitants consumed thirty-six billion gallons of beer each year (it's a fact, you can Google it). Among those affected, each in his or her own way, by all the bubbles, burps, and foam, was a smart, wide-eyed, adventurous kindergartner named Gracie; her distracted mommy; her insensitive dad; her non-conformist uncle; and a magical, butt-kicking intruder from a world within our world. Populated by the aforementioned characters—and as charming as it may be subversive—B Is for Beer involves readers, young and old, in a surprising, far-reaching investigation into the limits of reality, the transformative powers of children, and, of course, the ultimate meaning of a tall, cold brewski.

    Now, in the provocative Safe with Me, Amy Hatvany explores controversial and timely issues with astonishing emotional complexity.The screech of tires brought Hannah Scott’s world as she knew it to a devastating end. Even a year after she signed the papers to donate her daughter’s organs, Hannah is still reeling with grief when she unexpectedly stumbles into the life of the Bell family, whose child, Maddie, survived only because hers had died. Mesmerized by this fragile connection to her own daughter and afraid to reveal who she actually is, Hannah develops a surprising friendship with Maddie’s mother, Olivia.The Bells, however, have problems of their own. Once on the verge of leaving her wealthy but abusive husband, Olivia now finds herself bound to him as never before in the wake of the successful transplant that saved their fifteen-year-old daughter’s life. Meanwhile Maddie, tired of the limits her poor health puts upon her and fearful of her father’s increasing rage, regularly escapes into the one place where she can be anyone she wants: the Internet. But when she is finally healthy enough to return to school, the real world proves to be just as complicated as the isolated bubble she had been so eager to escape.A masterful narrative, shaped by nuanced characters whose fragile bonds are on a collision course with the truth, Safe with Me is a triumph.

    The much-anticipated poetry chapbook by Sam Pink, author of the cult favorites Person and I Am Going to Clone Myself Then Kill the Clone and Eat It, who the Los Angeles Review of Books called, “Simply one of the best, darkest, funniest, wildest, and [most] touching writers we’ve got.”