A Softer World started in 2003, ended in 2015, and will live forever in this book, and on asofterworld.com.

    This volume also includes stories from Gotham Knights #23 and #33, and Solo #1 and #5. Older teens.

    Long may he reign."Everyday MUTTS marks the 11th book of the award-winning MUTTS strip. It is the follow-up to Patrick McDonnell's successful collection Who Let the Cat Out? as well as his first storybook, The Gift of Nothing, which reached the New York Times Best-Seller List for Children's Picture Books in January 2006. McDonnell's classic cartooning style not only delivers consistent laughs but often a message that reminds us to take care of our furry friends. With its expressive art and clever, often philosophical pet banter, MUTTS has built a large and loyal fan base among readers and cartoonists alike. McDonnell is a past winner of the National Cartoonists Society's Reuben Award, and MUTTS won the coveted Comic Strip of the Year Award in 1996. This unique collection includes 16 pages of full-color bonus material, including watercolors, other artwork, and items personally selected from the creator's sketchbook to accompany the black-and-white dailies and McDonnell's Sunday pages with his signature title panels. As always, the tales-and tails-of this especially close dog-kitty friendship can be counted on for charming adventures and gentle laughs, reminding us that there is more than it seems to the Everyday MUTTS we meet on the street.

    The Belcher Family proudly celebrates this year's Free Comic Book Day event with three wild and zany adventures featuring those lovable scamps Tina, Gene, and Louise, plus guest stars Bob, Linda, and all your favorites from Bob's Burgers! It's the official Bob's Burgers comic book based on the fan-favorite (and Emmy Award-winning) Fox animated sitcom, jam-packed with the mouth-watering flavor that longtime fans and curious newcomers can enjoy!

    Here is Richard McGuire's unique graphic novel based on the legendary 1989 comic strip of the same name.Richard McGuire's groundbreaking comic strip Here was published under Art Spiegelman's editorship at RAW in 1989.Built in six pages of interlocking panels, dated by year, it collapsed time and space to tell the story of the corner of a room - and its inhabitants - between the years 500,957,406,073 BC and 2313 AD.The strip remains one of the most influential and widely discussed contributions to the medium, and it has now been developed, expanded and reimagined by the artist into this full-length, full-colour graphic novel - a must for any fan of the genre.

    While it's practically required reading in the geek community, xkcd fans are as varied as the comic's subject matter. This book creates laughs from science jokes on one page to relationship humor on another.xkcd: volume 0 is the first book from the immensely popular webcomic with a passionate readership (just Google "xkcd meetup").The artist selected personal and fan favorites from his first 600 comics. It was lovingly assembled from high-resolution original scans of the comics (the mouseover text is discreetly included), and features a lot of doodles, notes, and puzzles in the margins.The book is published by Breadpig, which donates all of the publisher profits from this book to Room to Read for promoting literacy in the developing world.

    There are more than 130 illustrators represented and 190 literary works over three volumes—many newly commissioned, some hard to find—reinterpreted here for readers and collectors of all ages.Volume 1 takes us on a visual tour from the earliest literature through the end of the 1700s. Along the way, we're treated to eye-popping renditions of the human race's greatest epics: Gilgamesh, The Iliad, The Odyssey (in watercolors by Gareth Hinds), The Aeneid, Beowulf, and The Arabian Nights, plus later epics The Divine Comedy and The Canterbury Tales (both by legendary illustrator and graphic designer Seymour Chwast), Paradise Lost, and Le Morte D'Arthur. Two of ancient Greece's greatest plays are adapted—the tragedy Medea by Euripides and Tania Schrag’s uninhibited rendering of the very bawdy comedy Lysistrata by Aristophanes (the text of which is still censored in many textbooks). Also included is Robert Crumb’s rarely-seen adaptation of James Boswell’s London Journal, filled with philosophical debate and lowbrow debauchery.Religious literature is well-covered and well-illustrated, with the Books of Daniel and Esther from the Old Testament, Rick Geary’s awe-inspiring new rendition of the Book of Revelation from the New Testament, the Tao te Ching, Rumi’s Sufi poetry, Hinduism’s Mahabharata, and the Mayan holy book Popol Vuh, illustrated by Roberta Gregory. The Eastern canon gets its due, with The Tale of Genji (the world’s first novel, done in full-page illustrations reminiscent of Aubrey Beardsley), three poems from China’s golden age of literature lovingly drawn by pioneering underground comics artist Sharon Rudahl, the Tibetan Book of the Dead, a Japanese Noh play, and other works from Asia.Two of Shakespeare’s greatest plays (King Lear and A Midsummer Night’s Dream) and two of his sonnets are here, as are Plato’s Symposium, Gulliver’s Travels, Candide, A Vindication of the Rights of Woman, Renaissance poetry of love and desire, and Don Quixote visualized by the legendary Will Eisner.Some unexpected twists in this volume include a Native American folktale, an Incan play, Sappho’s poetic fragments, bawdy essays by Benjamin Franklin, the love letters of Abelard and Heloise, and the decadent French classic Dangerous Liaisons, as illustrated by MollyCrabapple.   Edited by Russ Kick, The Graphic Canon is an extraordinary collection that will continue with Volume 2: "Kubla Khan" to the Bronte Sisters to The Picture of Dorian Gray in Summer 2012, and Volume 3: From Heart of Darkness to Hemingway to Infinite Jest in Fall 2012. A boxed set of all three volumes will also be published in Fall 2012.

    Cebulski, Nikki Cook, Hope Larson, John Ney Reiber, Ryan Kelly, and many, many others, Comic Book Tattoo encapsulates the breadth, depth, and beauty of modern comics in this coffee table format book.

    An ancient, evil dragon awakens from his subterranean slumber once again to menace a world that's forgotten that such monsters of flame and guile ever existed. But the new world of today has its own Round Table of protectors in the form of the JLA.When Wonder Woman goes to the infallible Amazon oracle and learns that the JLA is destined to die in battle against the dragon, she must make the most difficult decision of her life; embarking on a terrible, unwinnable quest to thwart fate, putting her at odds with those she loves most. In JLA: A League of One, Superman, Batman and the rest of the League learn that while some heroes maybe Wonder Woman's match, none surpass her. JLA: A League of One is a sumptuous visual feast, a rich tapestry of storytelling that is poetic in its soaring beauty.

    The characters here appear to be well-adjusted on the surface, but Tomine takes us deeper into their lives, subtly examining their struggle to connect with friends and lovers.

    A tale of security and discovery, of playfulness and tragedy, of a fall from grace and the origins of faith.

    Now a soldier, an addict, a murderer, and a child find themselves forced to protect each other while in search of a cure to survive. Their only clue is a bot known as The Axial, supposed to be the creator of the Lock and keeper of its secrets.

    Based on the wildly popular eponymous Tumblr, Deep Dark Fears explores our odd, creepy, and hilariously singular fears. Animator, illustrator, and cartoonist Fran Krause brings these fears to life in vividly illustrated comics based on real fears submitted by readers (plus a few of his own). These "deep dark fears" run the gamut from unlikely but plausible to completely ridiculous, highlighting both our deeply human similarities and our peculiar uniquenesses.

    Her world vision is intricately rendered in a full spectrum of color, unapologetically gorgeous and intensely bizarre.  With movie reviews, tips for her readers, laugh-out-loud lists and short pieces such as “Rumors I’ve Heard About Anna Wintour,” and “The Secret Lives of Chefs,”  Hanawalt’s comedy shines, making the quotidian silly and surreal, flatulent and facetious.

    Tezuka evidences his profound grasp of the subject by contextualizing the Buddha’s ideas; the emphasis is on movement, action, emotion, and conflict as the prince Siddhartha runs away from home, travels across India, and questions Hindu practices such as ascetic self-mutilation and caste oppression. Rather than recommend resignation and impassivity, Tezuka’s Buddha predicates enlightenment upon recognizing the interconnectedness of life, having compassion for the suffering, and ordering one’s life sensibly. Philosophical segments are threaded into interpersonal situations with ground-breaking visual dynamism by an artist who makes sure never to lose his readers’ attention.Tezuka himself was a humanist rather than a Buddhist, and his magnum opus is not an attempt at propaganda. Hermann Hesse’s novel or Bertolucci’s film is comparable in this regard; in fact, Tezuka’s approach is slightly irreverent in that it incorporates something that Western commentators often eschew, namely, humor.