His best friend just happens to be seventy-year-old Heinrich Rosenthal, who lives at the Beit Hakerem Home for the Aged. Their friendship takes an unexpected turn when Mr. Rosenthal receives a threatening letter from the man he once knew as the bully of Heidelberg University. The letter accuses Mr. Rosenthal of stealing a priceless painting and challenges him to a duel if it is not returned immediately. But Mr. Rosenthal didn't steal the painting. Who did? Determined to find some answers and prevent the duel, David plays detective and ultimately uncovers the story of two beautiful paintings, one of a woman's eyes and the other of her mouth, given by the artist to the two men who are now willing to kill one another over them. With some brilliant sleuthing and a bit of luck, David manages to pull together the strings of a story that began more than thirty years before, preventing a tragedy by bringing a long-dead memory to back to life.

    This work presents all the major categories of environmental pollution, with coverage of current topics such as climate change and ozone depletion, risk assessment, indoor air quality, source-reduction and recycling, and groundwater contamination.

    He was investigated for sedition by the House Committee on Un-American activities, harassed by the FBI and CIA, blacklisted, picketed, and even stoned by conservative groups. How Can I Keep from Singing is an inside history of Pete Seeger, whose life has remained a closely guarded secret until now. In this ASCAP award-winning book, David Dunaway parts the curtain through interviews with Pete, his family, friends, and fellow musicians to present a rich, compelling portrait of one of the most remarkable performers, composers, and activists of this century.

    I am going to give you the straight skinny, because you are the biggest shitbird on the planet. Your job is to stand around and stop the bullet that might hit someone of importance. In Viet Nam nice guys do not finish at all and monsters live forever. We are teenaged Quasimodos for the bells of hell and we are as happy as pigs in shit because killing is our business and business is good. The only virtue of the stupid is that they don't live long. The Lord giveth and the M-79 taketh away. If you're lucky, you'll only get killed. There it is. Welcome to the world of zero slack.""We hump through a defoliated rain forest that is too dead even to smell dead. Ancient trees stand stark and black and stripped of leaves. The black trees are hung with limp windblown flowers that are parachutes from illumination shells. Later we see trees that are as white as bone, sun-bleached skeletons of the great hardwoods, white trees with black leaves. The trunks and branches of the trees are warped by unnatural cancerous growths that look like human faces and human hands and human fingers growing out of decaying wood. In the poisonous fields of the defoliated rain forest we see monsters, freaks, and mutants. We see a water rat with two heads and as big as a dog, birds with extra feet coming out of their backs, Siamese-twin bullfrogs joined at the stomach. The bullfrogs scurry for cover with clumsy and desperately frantic movements horrible to see, finally sinking into oozing slime inhabited by shadows that are alive and best never seen by human eyes. "There are a lot of stories about the Phantom Blooper. Below Phu Bai the Phantom Blooper is a black Marine Lieutenant who inspects defensive positions at bridge security compounds. The next night, they get hit. North of Hue City the Phantom Blooper is a salt and pepper team of snuffy grunts who guide the Marine patrols into L-shaped ambushes set by the Viet Cong. Force Recon claims a probable kill for shooting the Phantom Blooper in the Ashau Valley. The Phantom Blooper was a round-eye, tall and white, with blond hair, wearing black pajamas and a red headband, and armed with a folding-stock AK-47 assault rifle. Recon swears that—and this is no shit—the round-eyed Victor Charlie was the honcho, the leader, of the gook patrol. The Phantom Blooper has many names. The White Cong. Super-Charlie. The American VC. Moon Cusser. The Round-Eyed Victor Charlie. White Charlie. Americong. Yankee Avenger. But whatever name we use, we all know in our hearts the true identity of the Phantom Blooper. He is the dark spirit of our collective bad consciences made real and dangerous. “Go home,” the Phantom Blooper says, every night. And we want to go home, we really do, but we don’t know how. “Go home,” the Phantom Blooper says, without mercy, over and over, again and again, punctuating his sentences with explosions. "If there is a novel that illustrates the extremes to which the American soldier in Vietnam was driven, then Gustav Hasford has written it... (The Phantom Blooper) is a major contribution to our continuing examination of the Vietnam War." --John S. Nelson, professor of English at Saint Mary of the PlainsCollege"Taken individually, each is a brilliant & singular portrayal of the war. Taken together, we have a kind of Vietnam epic... If you can find The Phantom Blooper and The Short-Timers, read them both together." --Brian Siano, The Kubrick Site: Regarding 'Full Metal Jacket' This book was actually completed before Full Metal Jacket was released in 1987, but for some reason not published by Bantam until 1990, at which time Gus put out a press release, wildy attacking his editor. An excerpt of the novel was printed in the January 1990 issue of Playboy. It is a more powerful, more personal story than The Short-Timers, in its description of life among the Viet Cong and how that affects Private Joker. If The Short-Timers details the making of an American solider, this book shows the unmaking. In Hasford's original draft, Joker's conversion was so complete that he became an active VC, going out and killing his fellow Marines. As the inside cover says, "Here is another major novel of the Viet Nam experience from one of its most startlingly able chroniclers... Joker's personal odyssey exposes a searingly honest, tragic, and brutal truth about the war that damned a generation and the betrayal that scarred us all." This was supposed to be the second volume of Gus's Viet Nam trilogy, but the final novel was never finished. The Phantom Blooper is currently out of print, but you can download the entire text right here!

    

    This is the inside story of the race to create a revolutionary chip to power the next generation consoles from Microsoft and Sony.

    For 292 days, the war's final drama was played out over the fate of this once gracious Southern town, the last bulwark of the Confederacy. The book covers the 11-month siege of Petersburg.

    He lived during the Italian Renaissance, a period known for its creative activity. Civilization made huge strides in science and invention, in literature, and in politics. In art, the age's great achievement, Michelangelo led all others.A short, wide-shouldered man with a face made homely by a broken nose, Michelangelo had a remarkable ability to concentrate his thoughts and energy on the task in hand. Often while working he would eat only a little bread, would sleep on the floor or on a cot beside his unfinished painting or statue, and would continue to wear the same clothes until his work was finished.

    Subsequent essays include critical work on Gerard Manley Hopkins, William Wordsworth, John Keats, Robert Lowell, William Butler Yeats, John Montague, Patrick Kavanagh, Ted Hughes, Geoffrey Hill, and Philip Larkin.

    But everyone-including the baffled novelist-is trying to figure out exactly who San Vicente really is. There is some record of San Vicente in FBI records during the Wilson era, and some mention of him in anarchist records and rumors, but the rest has to be filled in. And who better to do this than Taibo? Meanwhile-with Taibo busy in the background trying to resolve the mystery of his hero's identity-San Vicente goes about his heroic avocation of organizing strikes against the capitalists, dodging thugs and hiding out from the Mexican Army."As an activist in Mexico in the '60s, Paco Ignacio Taibo II began a search for figures in leftist history that his generation could look up to. Today an internationally famous detective novelist (An Easy Thing, etc), the writer has validated his quest with a novel-documentary, in which he reimagines a historical figure-a mysterious Spanish anarchist named Sebastián San Vicente. Casting himself in a tale set 29 years before he was born, Taibo chronicles his present-day research and depicts a range of first person characters (some of them real figures) who engage with the elusive anarchist. Incorporating historical documents or documents based on fact-letters, telegrams, police files, etc.-the author further blurs the boundary between fact and fiction. Taibo's affectionate account of working-class culture in a phase of heroic struggle is a perfect little jeu d'esprit."-Publisher's Weekly"…a hilariously funny novel that satirizes every possible aspect of the politics and social fabric of 20th-century Mexico. Taibo is one of Mexico's most popular writers, known for his detective fiction and more mainstream novels like Leonardo's Bicycle. Then again, mainstream may be the wrong word-in the latter two titles, as in this, Taibo plays with the definitions of novel, history, politics and time. Very highly recommended."-Library Journal (starred review)"I am

    This beginning aviator's guide is intended for pilots wishing to improve their flying proficiency and aeronautical knowledge, and flyers preparing for additional certificates or ratings, and others.

    Highlights of the book include realistic problems and examples from a wide range of application areas. New to this edition are: much sharper pedagogy; an increase in the number of examples; more thorough development of the concepts; a greater range of homework problems; a greater number and variety of worked out examples; expanded coverage of dynamics modelling and Laplace transform topics; and integration of MATLAB, including many examples that are formatted in MATLAB.

    The book also provides a balanced presentation of time-varying and static fields, preparingstudents for employment in today's industrial and manufacturing sectors. Streamlined to facilitate student understanding, this edition features worked examples in every chapter that explain how to use the theory presented in the text to solve different kinds of problems. Numerical methods, including MATLAB and vector analysis, are also included to help students analyzesituations that they are likely to encounter in industry practice. Elements of Electromagnetics, Fifth Edition, is designed for introductory undergraduate courses in electromagnetics.

    In response, Constantine Balanis has updated his classic text, Antenna Theory, offering the most recent look at all the necessary topics. New material includes smart antennas and fractal antennas, along with the latest applications in wireless communications. Multimedia material on an accompanying CD presents PowerPoint viewgraphs of lecture notes, interactive review questions, Java animations and applets, and MATLAB features. Like the previous editions, Antenna Theory, Third Edition meets the needs of electrical engineering and physics students at the senior undergraduate and beginning graduate levels, and those of practicing engineers as well. It is a benchmark text for mastering the latest theory in the subject, and for better understanding the technological applications. An Instructor's Manual presenting detailed solutions to all the problems in the book is available from the Wiley editorial department.

    These early works, characterized by a relentless pulse and static harmony, focused single-mindedly on the process of gradual rhythmic change. Throughout his career, Reich has continued to reinvigorate the music world, drawing from a wide array of classical, popular, sacred, and non-western idioms. His works reflect the steady evolution of an original musical mind.Writings on Music documents the creative journey of this thoughtful, groundbreaking composer. These 64 short pieces include Reich's 1968 essay Music as a Gradual Process, widely considered one of the most influential pieces of music theory in the second half of the 20th century. Subsequent essays, articles, and interviews treat Reich's early work with tape and phase shifting, showing its development into more recent work with speech melody and instrumental music. Other essays recount his exposure to non-western music -- African drumming, Balinese gamelan, Hebrew cantillation -- and the influence of these musics as structures and not as sounds. The writings include Reich's reactions to and appreciations of the works of his contemporaries (John Cage, Luciano Berio, Morton Feldman, Gyorgy Ligeti) and older influences (Kurt Weill, Schoenberg). Each major work of the composer's career is also explored through notes written for performances and recordings.Paul Hillier, himself a respected figure in the early music and new music worlds, has revisited these texts, working with the author to clarify their central narrative: the aesthetic and intellectual development of an influential composer. For long-time listeners and young musicians recently introduced to his work, this book provides an opportunity to get to know Reich's music in greater depth and perspective.