Its sequel, Dear Enemy (1915), also told in letters, follows the progress of Judy's former orphanage now run by her friend Sallie McBride, who struggles to give her young charges hope and a new life. Full of irrepressible female characters that both recall Alcott's Jo March and anticipate the popular heroines of contemporary literature, Webster's novels are witty, heartfelt, and delightfully modern.

    He wakes up in Bellezza (Venice) during carnival time and meets Arianna, a girl his own age who is disguised as a boy in the hope of being selected as one of the Duchessa's mandoliers. Arianna gives Lucien her boy's clothing and he is selected as a mandolier himself, becoming a friend of fellow-stravagante Rodolfo, the Duchessa's lover, and saving the Duchessa's life when she is threatened by an assassin hired by the powerful di Chimici family. For state occasions the Duchessa uses her maid Giuliana as a body-double but Guiliana commits the fatal mistake of revealing the secret to her fiance Enrico and a sequence of devastating consequences unravels. Meanwhile Lucien has met the original stravagante, the Elizabethan alchemist William Dethridge, and he begins to understand that he may be called to follow in his footsteps.

    In his first book for young adults, Mosley deftly weaves historical and speculative fiction into a powerful narrative about the nature of freedom. 47 is a young slave boy living under the watchful eye of a brutal slave master. His life seems doomed until he meets a mysterious run-away slave, Tall John. Then 47 finds himself swept up in a struggle for his own liberation.

    To be a young woman in a time when few other females held positions of power was to lead in a remarkable age—and because Queen Victoria kept personal journals, this historical novel from award-winning author Carolyn Meyer shares authentic emotional insight along with accurate information, weaving a true story of intrigue and romance.

    In the late seventeenth century, famed teenage pirate Emer Morrisey was on the cusp of escaping the pirate life with her one true love and unfathomable riches when she was slain and cursed with "the dust of one hundred dogs," dooming her to one hundred lives as a dog before returning to a human body-with her memories intact.Now she's a contemporary American teenager and all she needs is a shovel and a ride to Jamaica.

    Abandoned at birth, she serves the Tribequeen of her township. Ailia is not permitted to marry, excluded from tribal ceremonies and, most devastatingly, forbidden to learn. But the Mothers, the tribal ancestors, have chosen her for another path.Lured by the beautiful and enigmatic Taliesin, Ailia embarks on an unsanctioned journey to attain the knowledge that will protect her people from the most terrifying invaders they have ever faced.Set in Iron-Age Britain on the cusp of Roman invasion, Skin is a thrilling, full-blooded, mesmerising novel about the collision of two worlds, and a young woman torn between two men.

    In the brooding moors above a humble Yorkshire village stood Fairley Hall. There, Emma Harte, its oppressed but resourceful servant girl, acquired a shrewd determination. There, she honed her skills, discovered the meaning of treachery, learned to survive, to become a woman, and vowed to make her mark on the world.In the wake of tragedy she rose from poverty to magnificent wealth as the iron-willed force behind a thriving international enterprise. As one of the richest women in the world Emma Harte has almost everything she fought so hard to achieve--save for the dream of love, and for the passion of the one man she could never have. Through two marriages, two devastating wars, and generations of secrets, Emma's unparalleled success has come with a price. As greed, envy, and revenge consume those closest to her, the brilliant matriarch now finds herself poised to outwit her enemies, and to face the betrayals of the past with the same ingenious resolve that forged her empire.

    Down on his luck and kicked in the pants one too many times, sixteen-year-old Pagan Kidrouk arrives on the doorstep of the Templar Knights in medieval Jerusalem, looking for work as a squire. He's expecting only some protection from the seedier aspects of life on the street and a few square meals. Instead, Pagan finds himself hard at work for Lord Roland de Bram - an exciting life of polishing Lord Roland's armor, laundering his garments, and even training to fight by his side. But as the Infidel Saladin leads his army to Jerusalem, it becomes more and more difficult for Pagan and Lord Roland to discern what action to take or whom to trust. Neither Saladin's army nor the Christian Crusaders offer easy answers. Is a bloody battle for control of the Holy City inevitable?

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    Civil unrest is at its peak and the legitimacy of the royal family is suspect. Meanwhile, deep in the forests of western England, a baby is born. Powerful forces plot to kill both mother and child, but somehow the newborn girl survives. Her name is Anne. Fifteen years later, England emerges into a fragile but hopeful new age, with the charismatic young King Edward IV on the throne. Anne, now a young peasant girl, joins the household of a wealthy London merchant. Her unusual beauty provokes jealousy, lust, and intrigue, but Anne has a special quality that saves her: a vast knowledge of healing herbs. News of her extraordinary gift spreads, and she is called upon to save the ailing queen. Soon after, Anne is moved into the palace, where she finds her destiny with the man who will become the greatest love of her life -- the king himself.

    I was born part precious metal, part pirate."), an orphaned girl who is taken in by blind Mr. Pew, the mysterious and miraculously old keeper of a lighthouse on the Scottish coast. Pew tells Silver stories of Babel Dark, a nineteenth-century clergyman. Dark lived two lives: a public one mired in darkness and deceit and a private one bathed in the light of passionate love. For Silver, Dark's life becomes a map through her own darkness, into her own story, and, finally, into love.One of the most original and extraordinary writers of her generation, Jeanette Winterson has created a modern fable about the transformative power of storytelling.

    Or at least that was the plan, until the ship runs into trouble and David is rescued by Alan Breck Stewart, fugitive Jacobite and, by his own admission, a ‘bonny fighter’. Balfour, a canny lowlander, finds an echo of some wilder and more romantic self in the wilful and courageous Highland spirit of Alan Breck. A strange and difficult friendship is born, as their adventures begin.Kidnapped has become a classic of historical romance the world over and is justly famous as a novel of travel and adventure in the Scottish landscape. Stevenson’s vivid descriptive powers were never better than in his account of remote places and dangerous action in the Highlands in the years after Culloden.‘A cracking tale of low skulduggery and high adventure, Robert Louis Stevenson’s Kidnapped has enthralled generations of readers since its first publication in 1886. A book for thrill-seekers of all ages, this romp through Jacobite Scotland is a true classic.’ Sunday Herald‘A delicately balanced book, expertly controlled, sharply focused, and written with an affectionate irony. It is perhaps the finest of Stevenson’s novels.’ Jenni Calder

    They belong to a boy, a boy who has not seemed remarkable until now. And Helen--terrified, but intrigued--is drawn to him. The fact that he is in a body and she is not presents this unlikely couple with their first challenge. But as the lovers struggle to find a way to be together, they begin to discover the secrets of their former lives and of the young people they come to possess.

    When seventeen-year-old Andrew Taylor is transplanted from his American high school to a British boarding school—a high-profile academy for the sons of England’s finest—his father hopes that the boy’s dark past will not follow him from across the Atlantic. But blood, suspense, and intrigue quickly surround Andrew once again as he finds himself struggling with a deadly mystery left unsolved by a student from Harrow School’s past—the enigmatic poet Lord Byron.

    Christina discovers a passion for horses and riding but finds herself part of a strange household, divided by emotional undercurrents and cruelty.