In 2017, best-selling Israeli author Micah Goodman published a balanced and insightful analysis of the situation that quickly became one of Israel’s most debated books of the year. Now available in English translation with a new preface by the author, Catch-67 deftly sheds light on the ideas that have shaped Israelis’ thinking on both sides of the debate, and among secular and religious Jews about the Israeli-Palestinian conflict.Contrary to opinions that dominate the discussion, he shows that the paradox of Israeli political discourse is that both sides are right in what they affirm—and wrong in what they deny. Although he concludes that the conflict cannot be solved, Goodman is far from a pessimist and explores how instead it can be reduced in scope and danger through limited, practical steps. Through philosophical critique and political analysis, Goodman builds a creative, compelling case for pragmatism in a dispute where a comprehensive solution seems impossible.

    The townspeople were proud of their ancient Christian heritage and lived at peace with their Jewish neighbors. But early in 1947, their idyllic lifestyle was swept away as tens of thousands of Palestinians were killed and nearly one million forced into refugee camps. An exile in his native land, Elias began a years-long struggle with his love for the Jewish people and the world's misunderstanding of his own people, the Palestinians. How was he to respond? He found his answer in the simple, haunting words of the Man of Galilee: "Blessed are the peacemakers." In Blood Brothers, Chacour blends his riveting life story with historical research to reveal a little-known side of the Arab-Israeli conflict and the birth of modern Israel. He touches on controversial questions such as "What behind-the-scenes politics touched off the turmoil in the Middle East?," "What does Bible prophecy really have to say?," and "Can bitter enemies ever be reconciled?" Originally published by Chosen Books in 1984 and now expanded with a new introduction by the author, a new foreword by former Secretary of State James A. Baker III, and a "Since Then" epilogue by writer David Hazard, this compelling book offers readers hope-filled insight into living at peace in the most volatile region of the world.

    As the head of the New Israel Fund, which is dedicated to equality and democracy for all Israelis, not just Jews, Sokatch is supremely well-versed on the Israeli conflict.Can We Talk About Israel? is the story of that conflict, and of why so many people feel so strongly about it without actually understanding it very well at all. It is an attempt to grapple with a century-long struggle between two peoples that both perceive themselves as (and indeed are) victims. And it's an attempt to explain why Israel (and the Israeli-Palestinian conflict) inspires such extreme feelings-why it seems like Israel is the answer to "what is wrong with the world" for half the people in it, and "what is right with the world" for the other half.Complete with engaging illustrations by Christopher Noxon, Can We Talk About Israel? is an easy-to-read yet penetrating and original look at the history and basic contours of one of the most complicated conflicts in the world.

    In Genesis, John B. Judis argues that, while Israelis and Palestinians must shoulder much of the blame, the United States has been the principal power outside the region since the end of World War II and as such must account for its repeated failed diplomacy efforts to resolve this enduring strife.The fatal flaw in American policy, Judis shows, can be traced back to the Truman years. What happened between 1945 and 1949 sealed the fate of the Middle East for the remainder of the century. As a result, understanding that period holds the key to explaining almost everything that follows—right down to George W. Bush's unsuccessful and ill-conceived effort to win peace through holding elections among the Palestinians, and Barack Obama's failed attempt to bring both parties to the negotiating table. A provocative narrative history animated by a strong analytical and moral perspective, and peopled by colorful and outsized personalities and politics, Genesis offers a fresh look at these critical postwar years, arguing that if we can understand how this stalemate originated, we will be better positioned to help end it.

     Golda Meir was a world figure unlike any other. Born in czarist Russia in 1898, she immigrated to America in 1906 and grew up in Milwaukee, where from her earliest years she displayed the political consciousness and organizational skills that would eventually catapult her into the inner circles of Israel's founding generation. Moving to mandatory Palestine in 1921 with her husband, the passionate socialist joined a kibbutz but soon left and was hired at a public works office by the man who would become the great love of her life. A series of public service jobs brought her to the attention of David Ben-Gurion, and her political career took off. Fund-raising in America in 1948, secretly meeting in Amman with King Abdullah right before Israel's declaration of independence, mobbed by thousands of Jews in a Moscow synagogue in 1948 as Israel's first representative to the USSR, serving as minister of labor and foreign minister in the 1950s and 1960s, Golda brought fiery oratory, plainspoken appeals, and shrewd deal-making to the cause to which she had dedicated her life--the welfare and security of the State of Israel and its inhabitants. As prime minister Golda negotiated arms agreements with Richard Nixon and Henry Kissinger, agonized over the mixed signals being sent by newly installed Egyptian president Anwar Sadat, and had dozens of clandestine meetings with Jordan's King Hussein in the unsuccessful pursuit of a land-for-peace agreement with Israel's neighbors. But her time in office ended in tragedy, when Israel was caught off guard by Egypt and Syria's surprise attack on Yom Kippur in 1973. Resigning in the war's aftermath, Golda spent her final years keeping a hand in national affairs and bemusedly enjoying international acclaim. Francine Klagsbrun's superbly researched and masterly recounted story of Israel's founding mother gives us a Golda for the ages.

    This historical magnum opus covers 4,000 years of the extraordinary history of the Jews as a people, a culture, and a nation, showing the impact of Jewish character and imagination upon the world.

    Her experience clashes with her preconceived notions again and again, particularly when she tries to take a non-chaperoned excursion into the West Bank. As she struggles to "understand Israel," Sarah is forced to question first her beliefs, then ultimately her own identity.Sarah Glidden won the prestigious Ignatz Award for "Most Promising New Talent" as well as the Masie Kukoc Award for Comics Inspiration. Her work has appeared in numerous anthologies.

    Extraordinary." —Variety One night in Beirut in September 1982, while Israeli soldiers secured the area, Christian militia members entered the refugee camps of Sabra and Shatila and began to massacre hundreds, if not thousands, of Palestinians. Ari Folman was one of those Israeli soldiers, but for more than twenty years he remembered nothing of that night or of the weeks leading up to it. Then came a friend's disturbing dream, and with it Folman's need to excavate the truth of the war in Lebanon and answer the crucial question: what was he doing during the hours of slaughter? Challenging the collective amnesia of friends and fellow soldiers, Folman painfully, candidly pieces together the war and his place in it. Gradually, the blankness of his mind is filled in by scenes of combat and patrol, misery and carnage, as well as dreams and hallucinations. Soldiers are haunted by inexplicable nightmares and flashbacks - snapping, growling dogs with teeth bared and eyes glowing orange; a recurring image of three young men rising naked out of the sea to drift into the Beirut battlefield. Tanks crush cars and buildings with lethal indifference; snipers pick off men on donkeys, men in cars, men drinking coffee; a soldier waltzes through a storm of bullets; rock songs fill the air, and then yellow flares. The recollections accumulate until Ari Folman arrives at Sabra and Shatila and his investigation reaches its terrible end. The result is a gripping reconstruction, a probing inquiry into the unreliable quality of memory, and, above all, a powerful denunciation of the senselessness of all wars. Profoundly original in form and approach, Waltz with Bashir will take its place as one of the great works of wartime testimony.

    The Munich Olympics. Palestinian members of the Black September group murder eleven Israeli athletes. Nine hundred million people watch the crisis unfold on television, witnessing a tragedy that inaugurates the modern age of terror and remains a scar on the collective conscience of the world.Back in Israel, Prime Minister Golda Meir vows to track down those responsible and, in Menachem Begin’s words, “run these criminals and murderers off the face of the earth.” A secret Mossad unit, code named Caesarea, is mobilized, a list of targets drawn up. Thus begins the Israeli response–a mission that unfolds not over months but over decades. The Mossad has never spoken about this operation. No one has known the real story. Until now.Award-winning journalist Aaron Klein’s incisive and riveting account tells for the first time the full story of Munich and the Israeli counterterrorism operation it spawned. With unprecedented access to Mossad agents and an unparalleled knowledge of Israeli intelligence, Klein peels back the layers of myth and misinformation that have permeated previous books, films, and magazine articles about the “shadow war” against Black September and other terrorist groups.Spycraft, secret diplomacy, and fierce detective work abound in a story with more drama than any fictional thriller. Burning questions are at last answered, including who was killed and who was not, how it was done, which targets were hit and which were missed. Truths are revealed: the degree to which the Mossad targeted nonaffiliated Black September terrorists for assassination, the length and full scope of the operation (far greater than previously suspected), retributive acts against Israel, and much more. Finally, Klein shows that the Israeli response to Munich was not simply about revenge, as is popularly believed. By illuminating the tactical and strategic purposes of the Israeli operation, Striking Back allows us to draw profoundly relevant lessons from one of the most important counterterrorism campaigns in history.

    . . TAUTLY WRITTEN . . . Wilentz knows the world she writes about very well, and her descriptions have a solid specificity that lends authority to her fiction.”–The New York Times Book Review“At a closed Israeli checkpoint, Marina, a Palestinian mother, clutches her ailing boy, desperate for access to Jerusalem and its doctors. When a young Israeli soldier waits too long before deciding to disobey orders, a martyr is born. Thus begins a graceful, painful, illuminating novel of the Middle East. . . . [Wilentz’s] prose tugs at the reader. . . . The characters are magnetic. . . . [This] is a very human tale of regrets, revenge, and the elusive nature of absolution.”–Entertainment Weekly“SO PRECISE, SO STARTLING, SO UNFORGETTABLE. . . . These characters are all pawns of history and politics, but Wilentz makes them live.”–Los Angeles Times“MAGNIFICENT . . . Wilentz writes with a prose style reminiscent of The New Yorker’s highest ambitions: crystalline, pure, faultlessly communicative. . . . Like the best documentaries, Martyrs’ Crossing allows us unprecedented access to a little-understood and often misrepresented part of the world.”–Chicago Tribune“A BRILLIANTLY RESEARCHED MEDIDATION ON THE CRISIS IN THE MIDDLE EAST . . . Martyr’s Crossing matches Damascus Gate in the quality of research and the mass of intriguing characters–and yet it remains a lean thriller.”–The New York Observer

    Collins & Lapierre weave a tapestry of shattered hopes, valor & fierce pride as the Arabs, Jews & British collide in their fight for control of Jerusalem. O Jerusalem! meticulously recreates this historic struggle. It penetrates the battle from the inside, exploring each party's interests, intentions & concessions as the city of their dreams teeters on the brink of destruction. From the Jewish fighters & their heroic commanders to the Arab chieftain whose death in battle doomed his cause along with the Mufti of Jerusalem's support for Hitler and the extermination of the Jews, but inspired a generation of Palestinians, O Jerusalem! tells the 3-dimensional story of this high-stakes, emotional conflict.

    I've never written to someone I didn't know. It feels strange. I don't know if what I'm doing is good or bad, crazy or just eccentric, useful or pointless.When Israeli teenager Tal Levine decides to throw a bottle with a letter into the Gaza Sea, she has little idea what to expect. Against all odds, Tal longs to strike up a correspondence with someone on the other side -- to forge something positive out of the turbulent and troubled times in which Israelis and Palestinians live. But what kind of response might a Palestinian give to an Israeli girl? Tal is not expecting "Gazaman," the boy who retrieves her bottle on a Gaza beach: Gazaman, a thorny, sarcastic young man with a reluctance to reveal anything about his true identity; Gazaman, who at first mocks Tal, only to be gradually drawn in by her. A remarkable e-mail exchange begins, which shakes the beliefs of both to the core and confounds all their expectations.

    Many scholars have documented how the Six Days War unfolded, but little has been done to explain why the conflict happened at all. As we approach its fiftieth anniversary, Guy Laron refutes the widely accepted belief that the war was merely the result of regional friction, revealing the crucial roles played by American and Soviet policies in the face of an encroaching global economic crisis, and restoring Syria’s often overlooked centrality to events leading up to the hostilities. The Six Days War effectively sowed the seeds for the downfall of Arab nationalism, the growth of Islamic extremism, and the animosity between Jews and Palestinians. In this important new work, Laron’s fresh interdisciplinary perspective and extensive archival research offers a significant reassessment of a conflict—and the trigger-happy generals behind it—that continues to shape the modern world

    Narrated by Baruch, a grandson of one of the founding fathers of the village, this lyrical novel transcends time and place by touching on issues of universal relevance, showcasing the skill of a master storyteller who never fails to entertain.

    His father was a Zionist by way of faith. Whether Harvey was going to daily Hebrew classes or attending Zionist picnics, he grew up a staunch supporter of the Jewish state. But soon he found himself questioning the very beliefs and ideals of his parents.In Not the Israel My Parents Promised Me, the final graphic memoir from the man who defined the genre, Pekar explores what it means to be Jewish and what Israel means to the Jews. Over the course of a single day in his hometown of Cleveland, Ohio, Pekar and the illustrator JT Waldman wrestle with the mythologies and realities surrounding the Jewish homeland. Pekar interweaves his increasing disillusionment with the modern state of Israel with a comprehensive history of the Jewish people from biblical times to the present, and the result is a personal and historical odyssey of uncommon power. Plainspoken and empathetic, Pekar had no patience for injustice and prejudice in any form, and though he comes to understand the roots of his parents' unquestioning love for Israel, he arrives at the firm belief that all peoples should be held to the same universal standards of decency, fairness, and democracy.With an epilogue written by Joyce Brabner, Not the Israel My Parents Promised Me is an essential book for fans of Harvey Pekar and anyone interested in the past and future of the Jewish state. It is bound to create important discussions and debates for years to come.