Here a personal friend of the band looks at the rise of Nirvana and their effect on American youth culture.

    This story of how a Minneapolis garage band was discovered by Warner Records' legendary Tim Carr and made a name for itself in the grunge rock scene takes a rare peek into the glamorous--and tough--world of rock and roll, as it follows this idealistic band on the road to fame and success.

    She is one of the hardest-working actresses of any era, and her sense of humor and perennial optimism have seen her through half a century of industry changes and delighted millions of fans.Now, during Betty's sixty-first year on screen, a year in which she has enjoyed a huge resurgence of popularity, her 1995 memoir makes a comeback too. Here We Go Again is a behind-the-scenes look at Betty's career from her start on radio to her first show, Hollywood on Television, to several iterations of The Betty White Show and much, much more. Packed with wonderful anecdotes about famous personalities and friendships, stories of Betty's off-screen life, and the comedienne's trademark humor, this deliciously entertaining book will give readers an entrée into Betty's fascinating life, confirming yet again why we can't get enough of this funny lady.

    The Dolls, peddling trans-gender posturing and incendiary rock 'n' roll, were dumped by the record business after making just two albums. But their influence lives on...

    . . It's what Marcus calls 'the old, weird America.'" This odd terrain, this strange yet familiar backdrop to our common cultural history--which Luc Sante (in New York magazine) termed the "playground of God, Satan, tricksters, Puritans, confidence men, illuminati, braggarts, preachers, anonymous poets of all stripes"--is the territory that Marcus has discovered in Dylan's most mysterious music. And his analysis of that territory "reads like a thriller" (Ken Tucker, Entertainment Weekly) and exhibits "a mad, sparkling brilliance" (David Remnick, The New Yorker) throughout. This new edition of The Old, Weird America includes an updated discography.

    He had no idea this little label, first run out of his solar powered cabin in the Northern California mountains, then a cramped room in the backstreets of Berkeley, would rise to international prominence, introducing the world to the likes of Green Day, Operation Ivy, and a host of other artists. How To Ru(i)n A Record Label documents the author’s experiences from Gilman Street to Bialystok, Poland, as he built Lookout from the ground up, only to find himself losing control of the label a mere ten years later, and abruptly walking away from the multi-million dollar company when it was at its peak of success. Throughout that time, however, he was central to the influential scene that gave birth to Gilman Street, Maximum Rocknroll, and a new generation of independent music that has had an everlasting effect on both the underground and mainstream. In the process, he just might even have found himself. Larry Livermore was the co-founder of Lookout Records, the editor and publisher of Lookout magazine, and a longtime columnist for Maximum Rocknroll and Punk Planet. His first memoir, Spy Rock Memories, was published in 2013 by Don Giovanni Records. He lives in Brooklyn.

    Here she tells her story.

    He talks about his songwriting process, offering the back story to many of his hits. He muses on his collaborations with other artists and directors, sharing the details of performances in concert, TV comedy, and film. He also reflects on who he is, examining what makes him tick, speaking candidly about fatherhood, family, close relationships, struggles, and his search to find an inner calm and strength. Living a creative life, observing and finding inspiration in the world, taking risks, and listening to an inner voice—this is Justin Timberlake.

    This is his story, in his own words, about his life, loves, family, friends, music, art and survival against the odds. It's a roller-coaster ride of unbelievable highs and unimaginable lows.

     It was the anthem of the sixties. The psychedelic code by which many lived--and died. And John Phillips, legendary founder and songwriter of the Mamas and the Papas, experienced it all. Now Phillips takes us on a dizzying roller-coaster ride from stardom in L.A. to drug busts in the Big Apple. In an intimate, gritty, all-too-true self-portrait, he offers a startling, reflective look at the turbulent sixties and beyond. From a nightmarish, yet oddly tender childhood through a disastrous military school education in Virginia, John Edmund Andrew Phillips found music the only outlet for his brilliant, restless energy. He developed a personal sound after a rumbling journey through the clubs and honky-tonks of Greenwich Village, the Virgin Islands, Los Angeles, and the segregated South. He began to form the groups that soon brought him into the national spotlight: first the Smoothies, then the Journeyman, and finally the phenomenally successful the Mamas and the Papas. And as the hits rolled in for Papa John-- "Creeque Alley," "Monday, Monday," "California Dreamin'," "Go Where You Wanna Go," "Words of Love" --so did fame and wealth. He paid cash for a fabulous mansion in Los Angeles. He was instrumental in staging the historic Monterrey Pop Festival, where Janis Joplin debuted and Jimi Hendrix memorably lit his guitar on fire. And he immersed himself in a bizarre world of dope, parties, and parasitic hangers-on that rapidly took over his life. Throughout the seventies and into the eighties, Phillips spent over a million dollars on drugs, his imposing six-foot-four-inch frame turning specter like as his weight dropped to 140 pounds. Drifting from his family and dropping out of society, he ended up--busted, broke, and burned out--in a New York City slammer. But though the songs no longer came easy for Papa John Phillips, the music was far from over. And with a supporting cast of superstars that includes Princess Margaret, Mick Jagger, Warren Beatty, Roman Polanski, Elvis Presley, Mia Farrow, and the Beatles, PAPA JOHN tells a fascinating saga of one remarkable and troubled man who, after everything else is a survivor.

    His biography of Beethoven, one of the most admired composers in the history of music, is above all a study of genius in action, of one of the few giants of Western culture. Beethoven is another engaging entry in the HarperCollins’ “Eminent Lives” series of biographies by distinguished authors on canonical figures.

    Randy Taraborrelli comes the definitive biography of the most enduring icon in popular American culture. When Marilyn Monroe became famous in the 1950s, the world was told that her mother was either dead or simply not a part of her life. However, that was not true. In fact, her mentally ill mother was very much present in Marilyn's world and the complex family dynamic that unfolded behind the scenes is a story that has never before been told...until now. In this groundbreaking book, Taraborrelli draws complex and sympathetic portraits of the women so influential in the actress' life, including her mother, her foster mother, and her legal guardian. He also reveals, for the first time, the shocking scope of Marilyn's own mental illness, the identity of Marilyn's father and the half-brother she never knew, and new information about her relationship with the Kennedy's-Bobby, Jack, and Pat Kennedy Lawford. Explosive, revelatory, and surprisingly moving, this is the final word on the life of one of the most fascinating and elusive icons of the 20th Century.

    Now, in her memoir, Cash writes compellingly about her upbringing in Southern California as the child of country legend Johnny Cash, and of her relationships with her mother and her famous stepmother, June Carter Cash. In her account of her development as an artist she shares memories of a hilarious stint as a twenty-year-old working for Columbia Records in London, recording her own first album on a German label, working her way to success, her marriage to Rodney Crowell, a union that made them Nashville's premier couple, her relationship with the country music establishment, taking a new direction in her music and leaving Nashville to move to New York. As well as motherhood, dealing with the deaths of her parents, in part through music, the process of songwriting, and the fulfillment she has found with her current husband and musical collaborator, John Leventhal. Cash has written an unconventional and compelling memoir that, in the tradition of M. F. K. Fisher's The Gastronomical Me and Frank Conroy's Stop-Time, is a series of linked pieces that combine to form a luminous and brilliant whole.

    The band's tour manager for more than a decade, Cole was there when they burst onto the music scene, achieved cult status, cut platinum records, and transformed popular music. Second only to the Beatles in sales for years, Led Zeppelin was rock's premier group. But unlike the boys from Liverpool, the excitement of this band"s music was matched by the fever pitch of their antics on and off the stage....In hotel rooms and stadiums, in a customized private Boeing 707 jet and country estates, Richard Cole saw it all -- and here he tells it all in this close-up, down-and-dirty, no-holds-barred account that records the highs, the lows, and the occasional in-betweens. This revised edition brings fans up to date on the band members' lives and careers, which may be a little quieter now, but their songs remain the same.

    Edie Sedgwick exploded into the public eye like a comet. She seemed to have it all: she was aristocratic and glamorous, vivacious and young, Andy Warhol’s superstar. But within a few years she flared out as quickly as she had appeared, and before she turned twenty-nine she was dead from a drug overdose.In a dazzling tapestry of voices—family, friends, lovers, rivals—the entire meteoric trajectory of Edie Sedgwick’s life is brilliantly captured. And so is the Pop Art world of the ‘60s: the sex, drugs, fashion, music—the mad rush for pleasure and fame. All glitter and flash on the outside, it was hollow and desperate within—like Edie herself, and like her mentor, Andy Warhol. Alternately mesmerizing, tragic, and horrifying, this book shattered many myths about the ‘60s experience in America.