But an ill-fated decision to fight in Vietnam changes his life forever: cut off from his Native American community, he fathers a child with another woman. When he returns home a hero, he finds his tribe in conflict over the decision to hunt a whale, both a symbol of spirituality and rebirth and a means of survival. In the end, he reconciles his two existences, only to see tragedy befall the son he left behind.Linda Hogan, called our most provocative Native American writer, with "her unparalleled gifts for truth and magic" (Barbara Kingsolver), has written a compassionate novel about the beauty of the natural world and the painful moral choices humans make in it. With a keen sense of the environment, spirituality, and the trauma of war, People of the Whale is a powerful novel for our times.

    His Plainsmen series brims with colorful characters, fierce battles and compelling historical lore.The Civil War was over, and a great westward march began. Settlers and soldiers poured out of the East along the Bozeman Trail, cutting deep into sacred Sioux hunting grounds. For Red Cloud and his warriors, there would be no choice but to fight for their ancestral rights.Seen through the eyes of gruff Sergeant Seamus Donegan, here is the historically accurate tale of a tragic opening to the war between two great civilization: the Fetterman Massacre of 1866.

    She is kind, but everyone fears her—her eyes being of two different colors—and she grows up concealing a rebellious heart. In the middle of a harrowing chase through the forest, Kate first meets Fire Hawk, who dispatches the pack of ravenous wild dogs that were attacking her. Fire Hawk lives on Kate’s fiancé’s property as an indentured servant and everyone treats him disdainfully as a savage. When Fire Hawk and Kate gaze into each other’s eyes, their souls become one. THE CHOSEN OF THE CHEROKEE Fire Hawk is a Cherokee prince who carries the destiny of being “Chosen of the Cherokee,” the one who must lead and defend his tribe. He has secretly been sent to England by his tribe on a mission to learn the ways of those they must someday fight. Fire Hawk must find a way to journey back to his homeland. But his heart will not let him leave without Kate, for their savage passion burns like forbidden fire. REVIEWS OF FIRE HAWK’S BRIDE 4.08 average rating, 72 ratings, 8 reviews, added by 206 people, 56 to-reads, 94% of people like it—Goodreads 4.5 out of 5 stars (45 customer reviews)—Amazon “Ms. French’s Indian romances are always wonderful, but FIRE HAWK’S BRIDE is her best yet!”“Usually Indian romances take place in the west and this was so different! This book was historically correct in the Native American research and had such a compelling love story... Having Cherokee blood in our family, I know that they were a beautiful people with an amazing culture. Kate and Fire Hawk fell in love from the first day they met, but had many trials and reasons that they could not be together. Four hundred years ago, Europeans hardly believed that American Indians were human. I loved the way that Kate and Fire Hawk saved each other over and over, and I wanted her to run away with him. Loved this book. The ending was exciting and left me thinking about the story for days. A real keeper!”—Az Val, Kindle Edition, Verified Purchase“A must read!”--Romantic Times“Wonderful…This powerful novel will leave you breathless!”Affaire de Coeur“Great storytelling with well-drawn characters and rich historical detail….”—Regan Walker, Goodreads ABOUT JUDITH E. FRENCH Judith E. French captures the essence of passion and brings her special characters alive in her award-winning and bestselling historical romances. She is the mother of bestselling novelist Colleen French. Judith’s novels have been translated into French, Spanish, German, Italian, Swedish, Norwegian, Bulgarian, and Mandarin. Many of her historical romances are inspired by her Scottish, Irish, Welsh, English and Lenni-Lenape ancestry rooted in the region around the Chesapeake Bay, where the French family has made its home for more than 300 years. Judith E. French’s novels appeal to readers of Christi Caldwell, Mary Balogh, C. J. Petit, Shirleen Davies, Karen Kay, Madeline Baker, Elle Marlow, Ellen O'Connell, Vonna Harper, Kathryn Le Veque, Colleen French, Julie Garwood, Cecelia Mecca, Caroline Fyffe, and Hannah Howell.

    The ritual nature of the killing makes Ella's brother, a medicine man, the prime suspect. Without cooperation from the tribe, the FBI, or the local police, Ella must plumb the depths of the struggle between traditionalist and modernist forces among the Navajo to find her father's murderer.

    Johnny pulled the fur-lined hood of his parka over his head and walked towards his own cabin with the sound of snow crunching beneath his boots."He should be back tomorrow," he thought, as a star raced across the sky just below the North Star. "He should be back tomorrow for sure."Seventeen-year-old Johnny Least-Weasel knows that his grandfather Albert is a stubborn old man and won't stop checking his own traplines even though other men his age stopped doing so years ago. But Albert Least-Weasel has been running traplines in the Alaskan wilderness alone for the past sixty years. Nothing has ever gone wrong on the trail he knows so well.When Albert doesn't come back from checking his traps, with the temperature steadily plummeting, Johnny must decide quickly whether to trust his grandfather or his own instincts.Written in alternating chapters that relate the parallel stories of Johnny and his grandfather, this novel poignantly addresses the hardships of life in the far north, suggesting that the most dangerous traps need not be made of steel.

    Presented in Sacajawea's voice in the form of a diary, the book makes moving and illuminating fiction out of a famed piece of history that has long been masked by myth. Glancy adds breadth and immediacy to the story by juxtaposing excerpts from Lewis and Clark's diaries with her brilliantly imagined journal of Sacajawea. At once a trail uncovered and a life revealed, "Stone Heart draws a lingering portrait of a woman of resilience and courage.

    It's a quirk that makes him a prime target for bullies, and a continual frustration to the adults around him, including his father.When Collin asked to leave yet another school, his dad decides to send him to live in Minnesota with the mother he's never met. She is Ojibwe, and lives on a reservation. Collin arrives in Duluth with his loyal dog, Seven, and quickly finds his mom and his new home to be warm, welcoming, and accepting of his condition.Collin’s quirk is matched by that of his neighbor, Orenda, girl who lives mostly in her treehouse and believes she is turning into a butterfly. With Orenda’s help, Collin works hard to overcome his challenges. His real test comes when he must step up for his new friend and trust his new family.

    Editors Elissa Washuta and Theresa Warburton ground this anthology of essays by Native writers in the formal art of basket weaving. Using weaving techniques such as coiling and plaiting as organizing themes, the editors have curated an exciting collection of imaginative, world-making lyric essays by twenty-seven contemporary Native writers from tribal nations across Turtle Island into a well-crafted basket.Shapes of Native Nonfiction features a dynamic combination of established and emerging Native writers, including Stephen Graham Jones, Deborah Miranda, Terese Marie Mailhot, Billy-Ray Belcourt, Eden Robinson, and Kim TallBear. Their ambitious, creative, and visionary work with genre and form demonstrate the slippery, shape-changing possibilities of Native stories. Considered together, they offer responses to broader questions of materiality, orality, spatiality, and temporality that continue to animate the study and practice of distinct Native literary traditions in North America.

    From luminaries of the past, like nineteenth-century sculptor Edmonia Lewis--the first Black and Native American female artist to achieve international fame--to contemporary figures like linguist jessie little doe baird, who revived the Wampanoag language, Notable Native People highlights the vital impact Indigenous dreamers and leaders have made on the world.This collection also offers primers on important Indigenous issues, from the legacy of colonialism and cultural appropriation to food sovereignty, land and water rights, and more.

    By the author of The Last Days of the Sioux. 35,000 first printing. $35,000 ad/promo. History Bk Club Main. BOMC. QPB.

    She hates the burnout, futureless kids surrounding her and dreams that she and her unreliable new boyfriend can move far beyond the bright lights of Denver that float on the horizon before the daily suffocation of teen pregnancy eats her alive.

     An homage to Africa's people and wildlife   Sebastião Salgado is one the most respected photojournalists working today, his reputation forged by decades of dedication and powerful black-and-white images of dispossessed and distressed people taken in places where most wouldn’t dare to go. Although he has photographed throughout South America and around the globe, his work most heavily concentrates on Africa, where he has shot more than 40 reportage works over a period of 30 years. From the Dinka tribes in Sudan and the Himba in Namibia to gorillas and volcanoes in the lakes region to displaced peoples throughout the continent, Salgado shows us all facets of African life today. Whether he’s documenting refugees or vast landscapes, Salgado knows exactly how to grab the essence of a moment so that when one sees his images one is involuntarily drawn into them. His images artfully teach us the disastrous effects of war, poverty, disease, and hostile climatic conditions.  This book brings together Salgado’s photos of Africa in three parts. The first concentrates on the southern part of the continent (Mozambique, Malawi, Angola, Zimbabwe, South Africa, Namibia), the second on the Great Lakes region (Congo, Rwanda, Burundi, Uganda, Tanzania, Kenya), and the third on the Sub-Saharan region (Burkina Faso, Mali, Sudan, Somalia, Chad, Mauritania, Senegal, Ethiopia). Texts are provided by renowned Mozambique novelist Mia Couto, who describes how today’s Africa reflects the effects of colonization as well as the consequences of economic, social, and environmental crises.This stunning book is not only a sweeping document of Africa but an homage to the continent’s history, people, and natural phenomena.   *Salgado’s Africa was awarded the M2-El Mundo People’s Choice Award for best exhibition at PhotoEspaña 2007!*

    This collection of three screenplays displays his defiantly unorthodox approach to film form, as well as the unclassifiable imaginative energy that drives all of his work.

    A rock band -- and winning the local Battle of the Bands, with its first prize of a trip to New York City -- is his best shot. But things keep getting in the way. Small matters like the lack of an actual band, or the fact that his brother just got shot confronting the racist owner of a local restaurant. Maggi Bokoni has just moved back to the reservation from the city with her family. She's dying to stop making the same traditional artwork her family sells to tourists (conceptual stuff is cooler), stop feeling out of place in her new (old) home, and stop being treated like a child. She might like to fall in love for the first time too. Carson and Maggi -- along with their friend Lewis -- will navigate loud protests, even louder music, and first love in this novel about coming together in a world defined by difference.

    An enlarged edition, including thirty pages of illustrations (sculpture and drawings) as well as Pound's later pieces on Gaudier, was brought out in 1970, and is now re-issued as an ND Paperbook. The memoir is valuable both for the history of modern art and for what it shows us of Pound himself, his ability to recognize genius in others and then to publicize it effectively. Would there today be a Salle Gaudier-Brzeska in the Musée de L'Art Moderne in Paris if Pound had not championed him? Gaudier's talent was impressive and his Vorticist aesthetic important as theory, but he was killed in World War I at the age of twenty-three, leaving only a small body of work. Pound knew Gaudier in London, where the young artist had come with his companion, the Polish-born Sophie Brzeska. whose name he added to his own. They were living in poverty when Pound bought Gaudier the stone from which the famous "hieratic head" of the poet was made. Pound arranged exhibitions and for the publication of Gaudier's manifestoes in Blast and The Egoist. And he wrote and sent packages to him in the trenches, where Gaudier––a sculptor to the last––carved a madonna and child from the butt of a captured German rifle, just two days before he died.