The Sweetness of Forgetting is the book that made Kristin Harmel an international bestseller.At thirty-six, Hope McKenna-Smith is no stranger to bad news. She lost her mother to cancer, her husband left her for a twenty-two year old, and her bank account is nearly depleted. Her own dreams of becoming a lawyer long gone, she's running a failing family bakery on Cape Cod and raising a troubled preteen.Now, Hope's beloved French-born grandmother Mamie, who wowed the Cape with her fabulous pastries for more than fifty years, is drifting away into a haze of Alzheimer's. But in a rare moment of clarity, Mamie realizes that unless she tells Hope about the past, the secrets she has held on to for so many years will soon be lost forever. Tantalizingly, she reveals mysterious snippets of a tragic history in Paris. And then, arming her with a scrawled list of names, she sends Hope to France to uncover a seventy-year-old mystery.Hope's emotional journey takes her through the bakeries of Paris and three religious traditions, all guided by Mamie's fairy tales and the sweet tastes of home. As Hope pieces together her family's history, she finds horrific Holocaust stories mixed with powerful testimonies of her family's will to survive in a world gone mad. And to reunite two lovers torn apart by terror, all she'll need is a dash of courage, and the belief that God exists everywhere, even in cake...

    From the outside, it looks like she has everything, but on the inside, she fears she has nothing that matters. In Madeleine’s memories, her grandmother Margie is the kind of woman she should have been—elegant, reserved, perfect. But when Madeleine finds a diary detailing Margie’s bold, romantic trip to Jazz Age Paris, she meets the grandmother she never knew: a dreamer who defied her strict, staid family and spent an exhilarating summer writing in cafés, living on her own, and falling for a charismatic artist. Despite her unhappiness, when Madeleine’s marriage is threatened, she panics, escaping to her hometown and staying with her critical, disapproving mother. In that unlikely place, shaken by the revelation of a long-hidden family secret and inspired by her grandmother’s bravery, Madeleine creates her own Parisian summer—reconnecting to her love of painting, cultivating a vibrant circle of creative friends, and finding a kindred spirit in a down-to-earth chef who reminds her to feed both her body and her heart. Margie and Madeleine’s stories intertwine to explore the joys and risks of living life on our own terms, of defying the rules that hold us back from our dreams, and of becoming the people we are meant to be.

    Young Englishwoman Vivian Rose Spencer is running up a mountainside in an ancient land, surrounded by figs and cypresses. Soon she will discover the Temple of Zeus, the call of adventure, and the ecstasy of love. Thousands of miles away a twenty-year old Pathan, Qayyum Gul, is learning about brotherhood and loyalty in the British Indian army.July, 1915. Qayyum Gul is returning home after losing an eye at Ypres, his allegiances in tatters. Viv is following the mysterious trail of her beloved. They meet on a train to Peshawar, unaware that a connection is about to be forged between their lives – one that will reveal itself fifteen years later, on the Street of Storytellers, when a brutal fight for freedom, an ancient artefact and a mysterious green-eyed woman will bring them together again.A powerful story of friendship, injustice, love and betrayal, A God In Every Stone carries you across the globe, into the heart of empires fallen and conquered, reminding us that we all have our place in the chaos of history and that so much of what is lost will not be forgotten.

    Despite being in a loving and sexually satisfying relationship, they are relentlessly hounded by the taunts and insinuations of the people around them. Ultimately, all their hopes and apprehensions come to converge on the chariot festival in the temple of the half-female god Ardhanareeswara and the revelry surrounding it. Everything hinges on the one night when rules are relaxed and consensual union between any man and woman is sanctioned. This night could end the couple’s suffering and humiliation. But it will also put their marriage to the ultimate test. Acutely observed, One Part Woman lays bare with unsparing clarity a relationship caught between the dictates of social convention and the tug of personal anxieties, vividly conjuring an intimate and unsettling portrait of marriage, love and sex.

    . . an American missionary . . . twins separated at birth . . . a dwarf chauffeur . . . a serial killer . . . all are on a collision course. In the tradition of A Prayer for Owen Meany, Irving's characters transcend nationality. They are misfits--coming from everywhere, belonging nowhere. Set almost entirely in India, this is John Irving's most ambitious novel and a major publishing event.

    The story takes place between 1961 and 1994, backdropped by a fast-globalising Singapore where stigmatisation of persons afflicted with mental illness nevertheless remains deep-seated. Unflinchingly raw and honest in its portrayal of living with schizophrenia, The Sound of Sch is a moving account of human resiliency and sacrifice in the face of brokenness.

    Chiara is working on a film about an incident in Balangiga, Samar, in 1901, when Filipino revolutionaries attacked an American garrison, and in retaliation American soldiers created “a howling wilderness” of the surrounding countryside. Magsalin reads Chiara’s film script and writes her own version. Insurrecto contains within its dramatic action two rival scripts from the filmmaker and the translator—one about a white photographer, the other about a Filipino schoolteacher.Within the spiraling voices and narrative layers of Insurrecto are stories of women—artists, lovers, revolutionaries, daughters—finding their way to their own truths and histories. Using interlocking voices and a kaleidoscopic structure, the novel is startlingly innovative, meditative, and playful. Insurrecto masterfully questions and twists narrative in the manner of Italo Calvino’s If on a Winter’s Night a Traveler, Julio Cortázar’s Hopscotch, and Nabokov’s Pale Fire. Apostol pushes up against the limits of fiction in order to recover the atrocity in Balangiga, and in so doing, she shows us the dark heart of an untold and forgotten war that would shape the next century of Philippine and American history.

    In the state of Kerala, on the southernmost tip of India, a skyblue Plymouth with chrome tailfins is stranded on the highway amid a Marxist workers' demonstration. Inside the car sit two-egg twins Rahel and Esthappen, and so begins their tale. . . .Armed only with the invincible innocence of children, they fashion a childhood for themselves in the shade of the wreck that is their family—their lonely, lovely mother, Ammu (who loves by night the man her children love by day), their blind grandmother, Mammachi (who plays Handel on her violin), their beloved uncle Chacko (Rhodes scholar, pickle baron, radical Marxist, bottom-pincher), their enemy, Baby Kochamma (ex-nun and incumbent grandaunt), and the ghost of an imperial entomologist's moth (with unusually dense dorsal tufts).When their English cousin, Sophie Mol, and her mother, Margaret Kochamma, arrive on a Christmas visit, Esthappen and Rahel learn that Things Can Change in a Day. That lives can twist into new, ugly shapes, even cease forever, beside their river "graygreen." With fish in it. With the sky and trees in it. And at night, the broken yellow moon in it.The brilliantly plotted story uncoils with an agonizing sense of foreboding and inevitability. Yet nothing prepares you for what lies at the heart of it.The God of Small Things takes on the Big Themes—Love. Madness. Hope. Infinite Joy. Here is a writer who dares to break the rules. To dislocate received rhythms and create the language she requires, a language that is at once classical and unprecedented. Arundhati Roy has given us a book that is anchored to anguish, but fueled by wit and magic.

    She abandoned her loveless marriage to join an ashram, endured a brief stint as a beggar (mostly to spite her affluent parents), and spent years chasing after a dishevelled, homeless 'artist' - all with her young child in tow. Now she is forgetting things, mixing up her maid's wages and leaving the gas on all night, and her grown-up daughter is faced with the task of caring for a woman who never cared for her.This is a love story and a story about betrayal. But not between lovers - between mother and daughter. Sharp as a blade and laced with caustic wit, Burnt Sugar unpicks the slippery, choking cord of memory and myth that binds two women together, making and unmaking them endlessly.

    From dealing with her husband's demanding family to the casual racism of her patients, everything Nandini has endured has been for her children's sake. It isn't until an old colleague makes her a life-changing offer that Nandini realizes she's spent so much time focusing on being the Perfect Indian Woman, she's let herself slip away.Mimi Kadakia failed her daughter, Nandini, in ways she'll never be able to fix---or forget. But with her granddaughter, she has the chance to be supportive and offer help when it's needed. As life begins to pull Nandini and Simran apart, Mimi is determined to be the bridge that keeps them connected, even as she carries her own secret burden.

    But the most profound moment of her life is still to come...Meet Doris, a 96-year-old woman living alone in her Stockholm apartment. She has few visitors, but her weekly Skype calls with Jenny—her American grandniece, and her only relative—give her great joy and remind her of her own youth.When Doris was a girl, she was given an address book by her father, and ever since she has carefully documented everyone she met and loved throughout the years. Looking through the little book now, Doris sees the many crossed-out names of people long gone and is struck by the urge to put pen to paper. In writing down the stories of her colorful past—working as a maid in Sweden, modeling in Paris during the 30s, fleeing to Manhattan at the dawn of the Second World War—can she help Jenny, haunted by a difficult childhood, unlock the secrets of their family and finally look to the future? And whatever became of Allan, the love of Doris’s life?

      Anand is a Bangalore success story: successful, well married, rich. At least, that’s how he appears. But if his little factory is to grow, he needs land and money, and, in the New India, neither of these is easy to find.   Kamala, Anand’s family’s maid, lives perilously close to the edge of disaster. She and her clever teenage son have almost nothing, and their small hopes for self-betterment depend on the contentment of Anand’s wife: a woman to whom whims come easily.   But Kamala’s son keeps bad company, and Anand’s marriage is in trouble. The murky world where crime and land and politics meet is a dangerous place for a good man, particularly one on whom the well-being of so many depends.   Rich with irony and compassion, Lavanya Sankaran’s The Hope Factory affirms her gifts as a born storyteller with remarkable prowess, originality, and wisdom.  Praise for Lavanya Sankaran’s The Red Carpet  “By the end of [the] very first story, people half a world away have been transformed into complete human beings, full of frailties and fragile self-regard, achingly sympathetic. That’s why The Red Carpet reads like a revelation. . . . I recommend this book so highly!”—Carolyn See, The Washington Post   “Throughout these fine, articulate stories, Lavanya Sankaran brings to life the new and old social worlds of Bangalore. More important, she uses the quiet dignity of her characters to reveal what’s universal in the wide rift between generations. It’s an unusually elegant and nuanced portrait.”—John Dalton, author of The Inverted Forest   “It’s a pity there aren’t more stories to be told in Carpet. They’re so much fun.”—The Dallas Morning News  “[An] animated debut . . . [These stories] are memorable for their subtle wit and convincing evocation of a dynamic world.”—Publishers Weekly

    Tantalized by the man’s unfinished tale, Alok will do anything to hear its completion. So Alok agrees, at the stranger’s behest, to transcribe a collection of battered notebooks, weathered parchments, and once-living skins. From these documents spills the chronicle of a race of people at once more than human yet kin to beasts, ruled by instincts and desires blood-deep and ages-old. The tale features a rough wanderer in seventeenth-century Mughal India who finds himself irrevocably drawn to a defiant woman—and destined to be torn asunder by two clashing worlds. With every passing chapter of beauty and brutality, Alok’s interest in the stranger grows and evolves into something darker and more urgent.

    A fascinating portrait of an ancient nation mired in superstition, magic, and mythology as it emerges into the modern era.

    Once there, she makes a courageous yet foolish choice that alters the fabric of her life: Instead of becoming a wife and mother, youthful passion drives Kokila to remain at the ashram.Through the years, Kokila revisits her decision as she struggles to make her mark in a country where untethered souls like hers merely slip through the cracks. But standing by her conviction, she makes a home in Tella Meda alongside other strong yet deeply flawed women. Sometimes they are her friends, sometimes they are her enemies, but always they are her family.Like Isabel Allende, Amulya Malladi crafts complex characters in deeply atmospheric settings that transport readers through different eras, locales, and sensibilities. Careening from the 1940s to the present day, Song of the Cuckoo Bird chronicles India's tumultuous history as generations of a makeshift family seek comfort and joy in unlikely places--and from unlikely hearts.