Riley portrays Lennon's rise from Hamburg's red light district to Britain's Royal Variety Show; from the charmed naivetéf "Love Me Do" to the soaring ambivalence of "Don't Let Me Down"; from his shotgun marriage to Cynthia Powell in 1962 to his epic media romance with Yoko Ono. Written with the critical insight and stylistic mastery readers have come to expect from Riley, this richly textured narrative draws on numerous new and exclusive interviews with Lennon's friends, enemies, confidantes, and associates; lost memoirs written by relatives and friends; as well as previously undiscovered City of Liverpool records. Riley explores Lennon in all of his contradictions: the British art student who universalized an American style, the anarchic rock 'n' roller with the moral spine, the anti-jazz snob who posed naked with his avant-garde lover, and the misogynist who became a househusband. What emerges is the enormous, seductive, and confounding personality that made Lennon a cultural touchstone. In Lennon, Riley casts Lennon as a modernist hero in a sweeping epic, dramatizing rock history anew as Lennon himself might have experienced it.

    He wound up starring as Oscar Wilde in the film Wilde, costarring in A Civil Action, and writing funny, distinguished novels. This irresistible book, the best-written celebrity memoir of 1999, concentrates on Fry's first two tumultuous decades, but beware! A Fry sentence can lead anywhere, from a ringing defense of beating schoolchildren to a thoughtful comparison of male and female naughty parts. Fry's deepest regrets seem to be the elusiveness of a particular boy's love and the fact that, despite his keen ear for music, Fry's singing voice can make listeners "claw out their inner ears, electrocute their genitals, put on a Jim Reeves record, throw themselves cackling hysterically onto the path of moving buses... anything, anything to take away the pain." A chance mention of Fry's time-travel book about thwarting Hitler, Making History (a finalist for the 1998 Sidewise Award for Best Alternative History), leads to the startling real-life revelation that Fry's own Jewish uncle may have loaned a young, shivering Hitler the coat off his back. Fry's life is full of school and jailhouse blues overcome by jaunty wit, à la Wilde. The title, from Psalm 108:9, refers to King David's triumph over the Philistines. Fry triumphs similarly, and with more style. --Tim Appelo

    Universally acclaimed as a musical genius, Miles is one of the most important and influential musicians in the world. The subject of several biographies, now Miles speaks out himself about his extraordinary life.Miles: The Autobiography, like Miles himself, holds nothing back. For the first time Miles talks about his five-year silence. He speaks frankly and openly about his drug problem and how he overcame it. He condemns the racism he has encountered in the music business and in American society generally. And he discusses the women in his life. But above all, Miles talks about music and musicians, including the legends he has played with over the years: Bird, Dizzy, Monk, Trane, Mingus, and many others.The man who has given us some of the most exciting music of the past few decades has now given us a compelling and fascinating autobiography, featuring a concise discography and thirty-two pages of photographs.

    Until one day they all flood back in horrible detail.When television producers approached Alan Cumming to appear on a popular celebrity genealogy show, he hoped to solve the mystery of his maternal grandfather's disappearance that had long cast a shadow over his family. But this was not the only mystery laid before Alan.Alan grew up in the grip of a man who held his family hostage, someone who meted out violence with a frightening ease, who waged a silent war with himself that sometimes spilled over onto everyone around him. That man was Alex Cumming, Alan's father, whom Alan had not seen or spoken to for more than a decade when he reconnected just before filming for Who Do You Think You Are? began. He had a secret he had to share, one that would shock his son to his very core and set into motion a journey that would change Alan's life forever.With ribald humor, wit, and incredible insight, Alan seamlessly moves back and forth in time, integrating stories from his childhood in Scotland and his experiences today as the celebrated actor of film, television, and stage. At times suspenseful, at times deeply moving, but always incredibly brave and honest, Not My Father's Son is a powerful story of embracing the best aspects of the past and triumphantly pushing the darkness aside.

    Two days later he was playing his first show as bass player with AC/DC; within a week he was on Countdown, rocking out next to wildman Bon Scott, who was dressed as a pigtailed, cigarette-smoking schoolgirl - and waving a mallet - and Angus who was - of course - decked out as a schoolboy. And all for the princely wage of $60 a week!Then came nearly being burnt alive on the video shoot for 'Jailbreak', and working with legends Vanda and Young on the massive album TNT, on which Mark's take-no-prisoners basslines anchored such immortal hits as 'TNT' and 'It's a Long Way To the Top'. Within a year, the band had relocated to London and were on the road to rock 'n' roll stardom, living the life of rock gods and making the most of all that had to offer. Until the tragic death of his good friend Bon Scott changed everything.Dirty Deeds is the first book about AC/DC written from the inside, by an insider - which is gold for any AC/DC fan. It is an honest, gripping, sometimes laugh-out-loud account of a band that lived fast, played hard and broke every one of the rules - before they broke all the records. It is also a revealing and frank memoir of a man who's had to contend with everything life has thrown at him - a rough-as-guts upbringing, lucky breaks and soaring highs, as well as terrible personal tragedy and loss. The hard lessons Mark has learned along the way will inspire any reader.

    (Women who leave wet teaspoons in sugar bowls need not apply)."I haven't woken up with a cup of tea by the bed for seven years. It seems such a small thing but it's one of a thousand things I miss about having someone around to take care of me. I have spent my entire adult life getting things the way I want them and all I want now is someone to give it all up for." Jon RichardsonIs your filing faultless? Your CDs, apostrophes, cutlery all in the right places? Can you eat a biscuit in the correct way? Then Jon Richardson (single for seven years and counting) could be your ideal man.Living alone in a one bedroom flat in Swindon, 27 year old Jon has had far too much time on his hands to think. In fact to obsess. About almost everything. Jon's obsessive compulsive personality disorder has seen him arrange the coins in his pockets in ascending size and colour code his bookshelves. It takes him less than 90 seconds to locate a receipt for a pair of shoes he bought in 1997. Over to the filing cabinet and R for receipts, S for shoes.But Jon doesn't want to be like this, in fact he would quite like to share his life with someone. But who could that someone be? Someone like himself, a quarrelsome perfectionist only with breasts and less body hair? Absolutely not. But who exactly is Jon looking for and where will he find her? Faced with a loveless future filled with his own peculiar quirks and perfectionism, Jon sets about his search for The One. The question is, will he mind her keeping the knives to the left of the forks in the cutlery drawer or organising the CDs by genre and not alphabetically?

    Martin’s working-class childhood, his education, and his musical influences at London’s Guildhall School of Music and Drama profoundly shaped his early career in the BBC’s Classical Music department and as head of the EMI Group’s Parlophone Records. These musical influences would become the fount out of which flowed the genius behind his seven years producing the Beatles’ incredible body of work, including such albums as Rubber Soul, Revolver, Sgt. Pepper’s Lonely Hearts Club Band, and Abbey Road. The first book of a two-part series, Maximum Volume traces Martin’s early years as a scratch pianist, his life in the Fleet Air Arm during the Second World War, and his groundbreaking work as the head of Parlophone Records during the 1950s, when Martin saved the company from ruin after making his name as a producer of comedy and spoken-word recordings. In its most dramatic moments, Maximum Volume narrates the story of Martin’s unlikely discovery of the Beatles and his painstaking efforts to prepare their newfangled sound for the British music marketplace. As the story unfolds, Martin and the band craft numerous number-one hits along the group’s progress towards The Ed Sullivan Show and such landmark songs as “Yesterday” and “In My Life”—Beatles tunes that bear Martin’s unmistakable musical signature.

    Penned by a former breakfast radio DJ on BBC 6 Music, access is granted to some of the country's brightest and best loved DJs and stations—from Terry Wogan, Chris Moyles, Johnny Vaughan, and Tony Blackburn to Heart and Capital, BBC Radio 1, and the R4's Today show. The biggest DJs and most popular shows in the country are covered, conducting an eye-opening journey through the teams who start off the morning for the general public, explanations of how they do it, and more importantly, why the British people are as in love with breakfast radio now as they ever were. Breakfast shows on local and even hospital radio are also explored, underscoring the importance of the most celebrated shows for these stations as well. From the playlists and controllers to the jingles and jokes, this hilarious handbook portrays the breakfast DJ as “celebrity,” making for a mischievous odyssey through the denizens of daybreak.

    It contains a discography, gig list and a full set of lyrics.

    En route, John Cleese describes his nerve-racking first public appearance, at St Peter’s Preparatory School at the age of eight and five-sixths; his endlessly peripatetic home life with parents who seemed incapable of staying in any house for longer than six months; his first experiences in the world of work as a teacher who knew nothing about the subjects he was expected to teach; his hamster-owning days at Cambridge; and his first encounter with the man who would be his writing partner for over two decades, Graham Chapman. And so on to his dizzying ascent via scriptwriting for Peter Sellers, David Frost, Marty Feldman and others to the heights of Monty Python.Punctuated from time to time with John Cleese’s thoughts on topics as diverse as the nature of comedy, the relative merits of cricket and waterskiing, and the importance of knowing the dates of all the kings and queens of England, this is a masterly performance by a former schoolmaster.

    The first woman to be named the Country Music Association's Entertainer of the Year, Lynn boasts sixteen #1 singles, fifteen #1 albums, and sixty other hits including “Honky Tonk Girl,” “Before I'm Over You, “ “The Pill,” and “After the Fire Is Gone. “ Loretta Lynn: Coal Miner's Daughter, a bestseller and the basis of the Oscar-winning film, is the intimate, revealing story of her journey from eastern Kentucky to Nashville to stardom to legend—told in her own voice, which rings as clear, natural, and powerful as the best of her songs.

    His magnificent new biography of Ludwig van Beethoven peels away layers of legend to get to the living, breathing human being who composed some of the world’s most iconic music. Swafford mines sources never before used in English-language biographies to reanimate the revolutionary ferment of Enlightenment-era Bonn, where Beethoven grew up and imbibed the ideas that would shape all of his future work. Swafford then tracks his subject to Vienna, capital of European music, where Beethoven built his career in the face of critical incomprehension, crippling ill health, romantic rejection, and “fate’s hammer,” his ever-encroaching deafness. Throughout, Swafford offers insightful readings of Beethoven’s key works. More than a decade in the making, this will be the standard Beethoven biography for years to come.

    His real life was only revealed after his tragic death 10 years ago, when he was found in the Mississippi river just hours before he was due to start rehearsals for the follow-up album to Grace., In this startling new bio, Jeff Buckley's friends, peers, enemies, lovers, collaborators, and others all speak of the Jeff Buckley they knew - or, in some cases, thought they knew. The contents of his many personal letters are revealed for the first time. His struggle with writer's block is explored, as are his battles with the concept of stardom, his desire for escape, and his attempts to deal with the unavoidable legacy of his equally gifted father, Tim Buckley. Even 10 years after his death, Buckley is still influential - Radiohead and Coldplay readily confess to the debt they owe him.

    Face the Music is the shocking, funny, smart, inspirational story of one of rock’s most enduring icons and the group he helped create, define, and immortalize.Stanley mixes compelling personal revelations and gripping, gritty war stories that will surprise even the most steadfast member of the KISS Army. He takes us back to his childhood in the 1950s and ’60s, a traumatic time made more painful thanks to a physical deformity. Born with a condition called microtia, he grew up partially deaf, with only one ear. But this instilled in him an inner drive to succeed in the most unlikely of pursuits: music.With never-before-seen photos and images throughout, Stanley’s memoir is a fully realized and unflinching portrait of a rock star, a chronicle of the stories behind the famous anthems, the many brawls and betrayals, and all the drama and pyrotechnics on and off the stage. Raw and confessional, Stanley offers candid insights into his personal relationships, and the turbulent dynamics with his bandmates over the past four decades. And no one comes out unscathed—including Stanley himself.People say I was brave to write such a revealing book, but I wrote it because I needed to personally reflect on my own life. I know everyone will see themselves somewhere in this book, and where my story might take them is why I’m sharing it.—Paul Stanley

    8-page color insert.