Its lyrical scenes still etch a portrait of Cyrano as a man of uncompromising bravery except in matters of the heart. They come off beautifully in the intimate off-Broadway-size Roundabout Theater. To the open minded, Langella's work will hardly seem felonious and it may be a breakthrough!" --David Patrick Stearns, U S A Today"Frank Langella has abridged the text and given the play a bare-bones production shorn of extravagance. CYRANO is compelling enough in its characterizations, dialogue and situations to withstand minimalism." --Frank Scheck, Hollywood Reporter"Frank Langella's adaptation is relatively short, fast and intimate. The speed of the shortened version allows the ideas behind the play to emerge with great force and clarity. The result is a terrifically enjoyable and surprising thought-provoking piece of theater." --Fintan O'Toole, Daily News, New York

    We've spread to other galaxies and continue to thrive as a vast civilization. But calamity looms on the horizon. Little do our people know that a long-gestating killer, called The Keresian Virus, will soon decimate 99.99% of our population.  One of the few people aware of the government cover-up is Cutler Copeland. Not only is he immune to the virus, he's also a scout who's spent his life finding inhospitable planets with just the right attributes to facilitate terraforming into living ecosystems. But now, with his ex-wife dead, Cutler must return to Earth to fetch his teenage daughter, Kit, and somehow remain undetected by the government conspirators hellbent on stealing the secrets that will soon come into Cutler's possession.Will he succeed in reconnecting with his daughter, and get away just before the slaughter, or will his enemies track him down and use him for their own nefarious plans?P.S. Visit SimeonGraves.com to get a free copy of the never-to-be-published prequel to The Last Builder. ​

    The best of the best. And now he's gone Rogue... His entire life, all James 'Red' Maddox has known is war. He was born on a dust rock called Genesis-526, conscripted into the Federation military with thousands of other recruits, and somehow stumbled into the Mech Corps. It was a moment that changed his life. Mech Corps pilots are the best of the best. They sit in the cockpit of iron beasts that tower into the sky, fighting alongside men and women who have been bred for their task since birth. Perfect reaction times. An almost inhuman level of concentration. The courage to throw themselves into the fight day after day, year after year, knowing that their mechs are sent into the crucible of the fight, into the heart of danger—and expected not just to survive, but to win... But Red is getting real tired of putting down rebellions on colony planets he's never heard of. Of pulverizing alien planets before he ever even learns their name. Of losing friends, lovers, and brothers in the service of an empire that doesn't care whether he lives or dies. Every man has his breaking point. And Red just found his...

    And she has strange powers. What can feed her challenge-addiction now? Fighting crime? There is plenty of it.

    Worlds will end. Humanity’s conflict with the Raggers shows no sign of ending. The aliens have no respect for the boundaries of war and they will attack any target, civilian or military. Luckily, the Unity League is in possession of stolen intel which points to the location of three of the enemy’s critical manufacturing planets. A huge fleet carrying thousands of nuclear bombs is sent to lay waste to everything. Captain Jake Griffin is with the fleet and in charge of a new heavy cruiser called Hurricane. Any hope that the Raggers would leave their primary facilities unguarded are soon dispelled and he finds himself in the middle of a brutal engagement in the skies of a world in flames. To add to the difficulties, a completely unexpected discovery makes things much more complicated. A distress call from the surface requires a deployment of troops. It’s Lieutenant Tanner Conway who is given the job. His mission leads to a top-secret research lab where the Raggers have been working on something new and unpleasant. Conway and his squad will be tested to the limit as they try to complete their mission and escape before the worst outcome imaginable becomes a reality. The universe holds many surprises and sometimes it’s best to remain ignorant… Death Skies is a fast-paced military sci-fi shooter filled with spaceships, guns, tech and warfare. It follows on from book 3 in the Fire and Rust Series: Havoc Squad.

    A romantic comedy that recognizes the absurdity of life.

    It is a fast and furious metropolitan crash of people, scenes and decades, as three sisters attempt to navigate their dislocated lives and loves, while their dysfunctional father, a brilliant scientist, predicts global catastrophe.Mike Bartlett's contemporary and directed dialogue combines a strong sense of humanity with epic ambition, as well as finely-aimed shafts of political comment embedded effortlessly into every scene. Earthquakes in London represents modern playwriting at its most exciting and ambitious.It's Cabaret, we've got our heads down and we're dancing and drinking as fast as we can. The enemy is on its way, but this time it doesn't have guns and gas it has storms and earthquakes, fire and brimstone…. You were the glimmer. At the end of the tunnel. And you went out.

    MacLeod’s young protagonist enters all the bright open avenues of peer-group play and the dark blind alleys of individual and collective terror, as she discovers within herself both the capacity for and the conflict between impulses of good and evil. In thinking back on the history of her own tight-knit group of friends, she begins to see how in the excitement of belonging to a ritualized, secret collective, the self is created by the increasing dehumanization of the other—of both the bully and the victim. The Shape of a Girl goes far beyond a simple dramatization of the seemingly inexplicable code of silence and tacit complicity which surrounded the sensationalized Reena Virk murder in 1997 on which the play is based. It speaks eloquently and compassionately to a world increasingly dominated by all forms of collectivised and ritualized tribalist hatred, and offers the embrace of trust as the only way out of this circle of violence.Jewel is also based on a real-life catastrophe—the sinking of the Ocean Ranger, an oil rig off the coast of Newfoundland, on Valentine’s Day, 1982. Three years later, a widow, Marjorie Clifford, at home in her trailer in Fort St. John, British Columbia, begins to take the first step in understanding that the humanity of love, in all of its tentative frailty, uncertainty and promise, can free a life paralyzed and dominated by loss.

    Oscar Milke and other settlers are rejoicing in the land they’ve claimed and have plans for its future. However, they soon discover that it’s occupied by two outlaw brothers who declare the land theirs. The dispute sets in motion a violent series of events that will end in a deadly clash.

    Her plays have been produced in many theatres across the U.S. including Second Stage (NY), South Coast Rep (Costa Mesa), Yale Repertory Theatre (New Haven), Alliance Theatre (Atlanta) and Steppenwolf (Chicago). She has won the Heideman and the White Bird awards and was a runner-up for the Susan Blackburn award.

    A sympathetic werewolf, a vampire and an Egyptian princess brought to life when her tomb is opened make this a comedy that has everything."Far and away the funniest two hours on a New York stage....What more meaningful gift could Ludlam bequeath [audiences

    "What Lenny Bruce was to the 1950s, Bob Dylan to the 1960s, Woody Allen to the 1970s--that's what Eric Bogosian is to this frightening moment of drift in our history."--Frank Rich, The New York Times

    The entire saga starts here, with a thrilling tale featuring a disguised queen, a young hero, and two fearless knights facing a hidden, vengeful enemy.'Tis a true Shakespearean drama, filled with sword fights, soliloquies, and doomed romance... all in glorious iambic pentameter and coupled with twenty gorgeous Elizabethan illustrations. Hold onto your mini-chlorians: The play's the thing, wherein you'll catch the rise of Anakin!

    

    These “seven stories” lead to a charming and surprising ending.Cast of 2 women and 3 men.