Random visitors, regulars, and, most notably, her colleagues—three gravediggers, three groundskeepers, and a priest—visit her as often as possible to warm themselves in her lodge, where laughter, companionship, and occasional tears mix with the coffee that she offers them. Her daily life is lived to the rhythms of their hilarious and touching confidences.Violette’s routine is disrupted one day by the arrival of a man—Julien Sole, local police chief—who insists on depositing the ashes of his recently departed mother on the gravesite of a complete stranger. It soon becomes clear that the grave Julien is looking for belongs to his mother’s one-time lover, and that his mother’s story of clandestine love is intertwined with Violette’s own secret past.With Fresh Water for Flowers, Valérie Perrin has given readers a funny, moving, intimately told story of a woman who believes obstinately in happiness. Perrin has the rare talent of illuminating what is exceptional and poetic in what seems ordinary. A #1 best-seller in France, Fresh Water for Flowers is a delightful, atmospheric, absorbing fairy tale full of poetry, generosity, and warmth.

    Within days, she is captivated by Tamara, a Russian émigré whose arts of enchantment include lingering kisses, sudden dismissals, and savage, rapturous reunions. As long as she submits to Tamara, Hélène is permitted to stay near her: reading forbidden novels, meeting Tamara’s bohemian friends, and learning more 'refinements of depravity' than the gossiping matrons of her provincial French town could imagine existed.

    Single, and having left behind her dream to become a renowned photographer, she is struggling to find out who she is and what she wants. In order to help and guide her younger self, she must finally face herself and her past. When Luisa finds herself attracted to a female neighbor, things become even more complicated... Insightful and funny, this is a feel-good coming-of-age story.

    "In fact, I'm very modern. Why do you look at me like that?"Left to her own devices in Biarritz, fourteen-year-old Russian Liza meets an older English boy, Cromwell, on a beach. He thinks he has found a magical, romantic beauty and insists upon calling her Isolde; she is taken with his Buick and ability to pay for dinner and champagne. Disaffected and restless, Liza, her brother Nikolai and her boyfriend Andrei enjoy Cromwell's company in restaurants and jazz bars after he follows Liza back to Paris - until his mother stops giving him money. When the siblings' own mother abandons them to follow a lover to Nice, the group falls deeper into its haze of alcohol, and their darker drives begin to take over.First published in 1929, Isolde is a startlingly fresh, disturbing portrait of a lost generation of Russian exiles by Irina Odoevtseva, a major Russian writer who has never before appeared in English.

    Will they manage to pick up the thread of their strange love story, interrupted almost as soon as it began and then lost in the tides of history? The truth is that after such a long absence "their memories no longer match." We always believe that our memories coincide with those of the person we loved, that we experienced the same thing. But this is just an illusion. Then again, what can we expect of our weak memory? It records only "an insignificant, minuscule particle" of the past, "and no one knows why it's this bit and not any other bit." We live our lives sunk in a vast forgetting, a fact we refuse to recognize. Only those who return after twenty years, like Odysseus returning to his native Ithaca, can be dazzled and astounded by observing the goddess of ignorance firsthand.Milan Kundera is the only author today who can take such dizzying concepts as absence, memory, forgetting, and ignorance, and transform them into material for a novel, masterfully orchestrating them into a polyphonic and moving work.Author Biography: The Franco-Czech novelist Milan Kundera was born in Brno and has lived in France, his second homeland, for more than twenty years. He is the author of the novels The Joke, Life Is Elsewhere, The Farewell Party, The Books of Laughter and Forgetting, The Unbearable Lightness of Being, and Immortality, and the short story collection Laughable Loves, all originally written in Czech. Like Slowness, his two earlier nonfiction works, The Art ofthe Novel and Testaments Betrayed, were originally written in French.

    Yet the spirited young beauty only has eyes for Rafael Alfandari, the handsome Jewish son of an esteemed court physician. In defiance of their families, they marry, fleeing to Paris to build a new life.But when the Nazis invade France and begin rounding up Jews, the exiled lovers will learn that nothing—not war, not politics, not even religion—can break the bonds of family. For after they learn that Selva is but one of their fellow citizens trapped in France, a handful of brave Turkish diplomats hatch a plan to spirit the Alfandaris and hundreds of innocents, many of whom are Jewish, to safety. Together, they must traverse a war-torn continent, crossing enemy lines and risking everything in a desperate bid for freedom. From Ankara to Paris, Cairo, and Berlin, Last Train to Istanbul is an uplifting tale of love and adventure.

    Ripley --that speaks to identity, war, exile, love, betrayal, and heartbreak. In the devastation of post-Communist Albania, inseparable young friends Bujar and Agim feel trapped: Bujar struggling to come to terms with the loss of his father, Agim facing dangerous realizations about his sexuality and his feelings for Bujar. When shame, guilt, and the ruins of authoritarianism push Bujar and Agim to leave everything behind and flee to Italy, the unfamiliar life of an immigrant and asylum seeker sets Bujar on a path of reinvention. He follows an impulse to remake himself--as a man or woman of infinite nationalities and pasts--the burning desire to be seen and heard spurring a desperate search for a different existence to be seized at any cost. But Bujar's quest for identity and belonging is haunted by the mystery of what happened to Agim--his one, true beloved, who somehow got lost along the way. Like Statovci's acclaimed debut, My Cat Yugoslavia, Crossing is a powerful and symbolic novel of both unending war and unattainable love, but most of all, of the lies that give stories a singular power.

    Awarded the prestigious Goncourt Prize, this novel vaulted author Jean Rouaud from anonymity to acclaim as the freshest literary voice in France in decades.

    This is a story narrated from the point of view of a nine-year old girl, Tamara, who takes in the intricacies of the survival strategies of the world she inherits, marked by poverty, unspeakable trauma, trapped scenarios. Theatre of War takes us on a desolate journey into the reconstruction of memory – a universal question that here turns into a reflection on how giant historical events can affect the seemingly insignificant lives of nameless individuals. Tamara, protagonist and narrator, faces the ghosts of a very tangible past that includes her father’s war (an immigrant from former Yugoslavia), a very conflictive family life, suicides, lost landscapes, inherited trauma, absent siblings and a mother who, due to an undefined illness, has suffered from partial memory loss and cannot recognise her own daughter. Andrea Jeftanovic's debut novel, is an exploration of the empty theatre of operations her memory provides for the domestic war she was part of as a child. The Chilean novelist approaches the ruins of memory to source from them the love needed to build her identity as an adult. An impressive, sensitive, harrowing, widely praised first novel from one of the most important female novelists of Latin America.

    Not after it stole her future. She’s only on the island to settle her late father’s estate and, hopefully, reconnect with her long-absent best friend, Beatrice, who fled their dreary lives for a more glamorous one. Yet Crow Island is brimming with temptation, and the biggest one may be her enigmatic new neighbor. Mysterious and alluring, Emmeline Delacroix is a figure shadowed by rumors of witchcraft. And when Annie witnesses a confrontation between Bea and Emmeline at one of the island's extravagant parties, she is drawn into a glittering, haunted world. A world where the boundaries of wickedness are tested, and the cost of illicit magic might be death.

    The city is beginning to emerge from hibernation and an obscure spirit of social and political renewal is in the air. Yet Théo, his twin sister Isabelle and Matthew, an American student they have befriended, think only of immersing themselves in another, addictive form of hibernation: moviegoing at the Cinémathèque Française. Night after night, they take their place beside their fellow cinephiles in the very front row of the stalls and feast insatiably off the images that flicker across the vast white screen.Denied their nightly 'fix' when the French government suddenly orders the Cinémathèque's closure, Théo, Isabelle and Matthew gradually withdraw into a hermetically sealed world of their own creation, an airless universe of obsessive private games, ordeals, humiliations and sexual jousting which finds them shedding their clothes and their inhibitions with equal abandon. A vertiginous free fall interrupted only, and tragically, when the real world outside their shuttered apartment succeeds at last in encroaching on their delirium.The study of a triangular relationship whose perverse eroticism contrives nevertheless to conserve its own bruised purity, brilliant in its narrative invention and startling in ints imagery, The Dreamers (now a film by Bernardo Bertolucci) belongs to the romantic French tradition of Les Enfants Terribles and Le Grand Meaulnes and resembles no other work in recent British fiction.

    Seventeen of the best young adult authors across the queer spectrum have come together to create a collection of beautifully written diverse historical fiction for teens. From a retelling of Little Red Riding Hood set in war-torn 1870s Mexico featuring a transgender soldier, to two girls falling in love while mourning the death of Kurt Cobain, forbidden love in a sixteenth-century Spanish convent or an asexual girl discovering her identity amid the 1970s roller-disco scene, All Out tells a diverse range of stories across cultures, time periods and identities, shedding light on an area of history often ignored or forgotten.StoriesRoja - Anna-Marie McLemoreThe Sweet Trade - Natalie C. ParkerAnd They Don`t Kiss at the End - Nilah MagruderBurnt Umber - Mackenzi LeeThe Dresser & the Chambermaid - Robin TalleyNew Year - Malinda LoMolly`s Lips - Dahlia AdlerThe Coven - Kate ScelsaEvery Shade of Red - Elliot WakeWillows - Scott TraceyThe Girl with the Blue Lantern - Tess SharpeThe Secret Life of a Teenage Boy - Alex SanchezWalking After Midnight - Kody KeplingerThe End of the World as We Know It - Sara FarizanThree Witches - Tessa GrattonThe Inferno & the Butterfly - Shaun David HutchinsonHealing Rosa - Tehlor Kay Mejia

    Every summer he visits his grandmother in a dusty village overlooking the vast steppes. Here, during the warm evenings, they sit on Charlotte's narrow, flower-covered bacony and listen to tales from another time, another place: Paris at the turn of the century. She who used to see Proust playing tennis in Neuilly captivates the children with stories of Tsar Nicholas's visit to Paris in 1896, of the great Paris flood of 1910, of the death of French president Felix Faure in the arms of his mistress. But from Charlotte the boy also learns of a Russia he has never known, of famine and misery, of brutal injustice, of the hopeless chaos of war. He follows her as she travels by foot from Moscow half the way to Siberia; suffers with her as she tells of her husband - his grandfather - a victim of Stalin's purges; shudders as she describes her own capture by bandits, who brutalize her and left her for dead. Could all this pain and suffering really have happened to his gentle, beloved Charlotte? Mesmerized, the boy weaves Charlotte's stories into his own secret universe of memory and dream. Yet, despite all the deprivations and injustices of the Soviet world, he like many Russians still feels a strong affinity with and "an indestructible love" for his homeland.

    While the US starts sending troops to the front, the March family of Concord, Massachusetts grieves their own enormous loss: the death of their daughter, Beth.Under the strain of their grief, Beth's remaining sisters fracture, each going their own way with Jo nursing her wounds and building planes in Boston, Meg holding down the home front with Marmee, and Amy living a secret life as a Red Cross volunteer in London--the same city where one Mr. Theodore Laurence is stationed as an army pilot.Each March sister's point of view is written by a separate author, three in prose and Beth's in verse, still holding the family together from beyond the grave. Woven together, these threads tell a story of finding one's way in a world undergoing catastrophic change.

    Jing of the north, and Wei of the south.One was the Prince of the grass plains who had no worries nor sorrow. One was a lawful Princess who received exclusive favour of the Emperor.A war turned the Prince of the grass plains into an orphan, she who had laid dormant for ten years had originally planned to become a sycophantic official, to manipulate the enemy kingdom into chaos, but was appointed as Fuma at the Chionglin banquet.Wait and see, how this debt of grudge from a fallen kingdom and devastated home will be settled.