. . ' The extremists have taken over. Again the weapon is oil. Masterminding the plan to destroy Israel, Sheik Gamal Tafak has hired professional terrorists - including LeCat, the French killer, and Winter, the enigmatic Englishman.The action races from Cairo to Hamburg, Paris, London and California. The worldwide conspiracy unfolds. Russia and the West are stunned. A super-tanker bound for San Francisco is hi-jacked, armed with a nuclear bomb. The extremists sail for the Golden Gate Bridge, threatening to annihilate America's most beautiful city. Only two people can turn the tide - Winter, professional adventurer, and Betty Cordell, expert markswoman. Colin Forbes 'Has no equal' "Sunday Mirror"

    But David Wyatt has developed a sixth sense about hurricanes. He is convinced that Mabel will change course to strike the island of San Fernandez and its capital, St Pierre. But nobody believes him, and the hurricane is only one of the problems that threaten San Fernandez…BAHAMA CRISISTom Mangan was a sharply successful entrepreneur who lured the super-rich to his luxury hotels in the sun-soaked Bahamas. Then violent tragedy struck: his own family disappeared, and a series of misfortunes, accidents and mysterious epidemics began to drive the tourists away and wreck Mangan's livelihood. Fatally, he becomes determined to confront his enemy - and the hunt is on…Includes a unique bonus - Desmond Bagley's introduction to the Crime Wave anthology, and his own author biography, both written in 1981.

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    She used to work for the U.S. government, but very few people ever knew that. An expert in her field, she was one of the darkest secrets of an agency so clandestine it doesn't even have a name. And when they decided she was a liability, they came for her without warning. Now she rarely stays in the same place or uses the same name for long. They've killed the only other person she trusted, but something she knows still poses a threat. They want her dead, and soon. When her former handler offers her a way out, she realizes it's her only chance to erase the giant target on her back. But it means taking one last job for her ex-employers. To her horror, the information she acquires only makes her situation more dangerous. Resolving to meet the threat head-on, she prepares for the toughest fight of her life but finds herself falling for a man who can only complicate her likelihood of survival. As she sees her choices being rapidly whittled down, she must apply her unique talents in ways she never dreamed of. In this tautly plotted novel, Meyer creates a fierce and fascinating new heroine with a very specialized skill set. And she shows once again why she's one of the world's bestselling authors.

    But when those dearest to him are murdered on the day of his homecoming, Reece discovers that this was not an act of war by a foreign enemy but a conspiracy that runs to the highest levels of government.Now, with no family and free from the military’s command structure, Reece applies the lessons that he’s learned in over a decade of constant warfare toward avenging the deaths of his family and teammates. With breathless pacing and relentless suspense, Reece ruthlessly targets his enemies in the upper echelons of power without regard for the laws of combat or the rule of law.An intoxicating thriller that cautions against the seduction of absolute power and those who would do anything to achieve it, The Terminal List is perfect for fans of Vince Flynn, Brad Thor, Stephen Hunter, and Nelson DeMille.

    A catlike psychopath whose love for the creature comforts of her luxurious lifestyle is second only to her love of the game, she specializes in murdering the world's richest and most powerful. But when she murders an influential Russian politician, she draws a relentless foe to her tail. Eve Polastri (not a codename) is a former MI6 operative hired by the national security services for a singular task: to find and capture or kill the assassin responsible, and those who have aided her. Eve, whose quiet and otherwise unextraordinary life belies her quick wit and keen intellect, accepts the mission. The ensuing chase will lead them on a trail around the world, intersecting with corrupt governments and powerful criminal organizations, all leading towards a final confrontation from which neither will emerge unscathed. Codename Villanelle is a sleek, fast-paced international thriller from an exciting new voice in fiction.

    A trio of investigators—Sergeant Jordan Stone, a military forensic expert; Father Rhun Korza, a Vatican priest; and Dr. Erin Granger, a brilliant but disillusioned archaeologist—are sent to explore the macabre discovery, a subterranean temple holding the crucified body of a mummified girl.But a brutal attack at the site sets the three on the run, thrusting them into a race to recover what was once preserved in the tomb’s sarcophagus: a book rumored to have been written by Christ’s own hand, a tome that is said to hold the secrets to His divinity. But the enemy who hounds them is like no other, a force of ancient evil directed by a leader of impossible ambitions and incalculable cunning.From crumbling tombs to splendorous churches, Erin and her two companions must confront a past that traces back thousands of years, to a time when ungodly beasts hunted the dark spaces of the world, to a moment in history when Christ made a miraculous offer, a pact of salvation for those who were damned for eternity.Here is a novel that is explosive in its revelation of a secret history. Why do Catholic priests wear pectoral crosses? Why are they sworn to celibacy? Why do the monks hide their countenances under hoods? And why does Catholicism insist that the consecration of wine during Mass results in its transformation to Christ’s own blood? The answers to all go back to a secret sect within the Vatican, one whispered as rumor but whose very existence was painted for all to see by Rembrandt himself, a shadowy order known simply as the Sanguines.In the end, be warned: some books should never be found, never opened—until now.

    Now he utilizes his unique skill set in the private sector—until the night Frank Ortega, former director of the FBI, calls in a favor. A deep-cover federal agent has vanished, along with a ton of Semtex explosives, and Ortega needs them found—fast. Because for him, this mission is personal: the missing agent is his grandson. And Nathan McBride is the only man he trusts to save him.But it quickly becomes clear that something bigger than even Ortega could have imagined is at stake. Within days of accepting the assignment, McBride finds himself trapped between a ruthless adversary hell-bent on revenge and a group of high-ranking federal officials who will stop at nothing to reap their own brand of justice. Here there are no rules, no protocol, no backup. Only McBride…

    Their existence is as essential as it is illegal. Commissioned at the highest level of the U.S. government. Protected from the prying eyes of Congress and the media. Built around the top operators from across the clandestine, intelligence, and special forces landscape. Designed to operate outside the bounds of U.S. law. Trained to exist on the ragged edge of human capability.Pike Logan was the most successful operator on the Taskforce, his instincts and talents unrivaled-until personal tragedy permanently altered his outlook on the world. Pike knows what the rest of the country might not want to admit: The real threat isn't from any nation, any government, any terrorist group. The real threat is one or two men, controlled by ideology, operating independently, in possession of a powerful weapon. Buried in a stack of intercepted chatter is evidence of two such men. The transcripts are scheduled for analysis in three months. The attack is mere days away. It is their bad luck that they're about to cross paths with Pike Logan. And Pike Logan has nothing left to lose.

    As part of the 1845 Franklin Expedition, the first steam-powered vessels ever to search for the legendary Northwest Passage, they are as scientifically supported an enterprise as has ever set forth. As they enter a second summer in the Arctic Circle without a thaw, though, they are stranded in a nightmarish landscape of encroaching ice and darkness. Endlessly cold, with diminishing rations, 126 men fight to survive with poisonous food, a dwindling supply of coal, and ships buckling in the grip of crushing ice. But their real enemy is far more terrifying. There is something out there in the frigid darkness: an unseen predator stalking their ship, a monstrous terror constantly clawing to get in.When the expedition's leader, Sir John Franklin, meets a terrible death, Captain Francis Crozier takes command and leads his surviving crewmen on a last, desperate attempt to flee south across the ice. With them travels an Inuit woman who cannot speak and who may be the key to survival, or the harbinger of their deaths. But as another winter approaches, as scurvy and starvation grow more terrible, and as the terror on the ice stalks them southward, Crozier and his men begin to fear that there is no escape.

    . . and an old nightmare.Eeny, meeny, miny, moe. Catch a tiger by its toe.It's seared into Atlee Pine's memory: the kidnapper's chilling rhyme as he chose between six-year-old Atlee and her twin sister, Mercy. Mercy was taken. Atlee was spared.She never saw Mercy again.Three decades after that terrifying night, Atlee Pine works for the FBI. She's the lone agent assigned to the Shattered Rock, Arizona resident agency, which is responsible for protecting the Grand Canyon.So when one of the Grand Canyon's mules is found stabbed to death at the bottom of the canyon-and its rider missing-Pine is called in to investigate. It soon seems clear the lost tourist had something more clandestine than sightseeing in mind. But just as Pine begins to put together clues pointing to a terrifying plot, she's abruptly called off the case.If she disobeys direct orders by continuing to search for the missing man, it will mean the end of her career. But unless Pine keeps working the case and discovers the truth, it could spell the very end of democracy in America as we know it...

    Salvation appears in Stella—a woman as damaged, and resourceful, as he. But when a coded distress call from his former CO leads him to a shadowy NSA operative, Tom is recruited for a “black op” to bring back the now-rogue man who saved his life.As he searches for Cahill, Tom quickly uncovers a much larger web of treason and betrayal that calls his entire world into question—and forces him into the ultimate no-win scenario.

    A sprawling erotic thriller that swings from postwar Japan to present-day New York in a relentless saga of violence and terror elaborately designed for the most savage vengeance of all...

    With the help of childhood friends, he learns to watch others around him and mimic their behaviors, in order to conceal the fact that his mind operates more like a computer that he has spent years programming. That program is what allows Noah to pass himself off as normal, by establishing parameters of right and wrong that are completely inviolable to him.As a young adult, Noah finds structure in the U.S. Army, and becomes an excellent and exemplary soldier, but when his self-imposed programming is put to the test by the murderous acts of the superior officer, Noah finds himself quickly made expendable, charged with crimes he did not commit and facing the possibility of execution. Without any reasonable hope for a reprieve, Noah's logic-based mind accepts his fate.Sometimes, though, things are not all as they seem to be, and Noah is offered one chance to save himself. It was his disability, his lack of emotion, that made him the soldier he had become. Now, an ultrasecret organization known as E & E wants Noah's talents, offering him a chance to survive…As the most deadly assassin the world has ever known.

     Meticulous research, crisp narratives, plots as current as today's headlines-Frederick Forsyth has helped define the international thriller as we know it. And now he does it again. What if you had carte blanche to fight evil? Nothing held back, nothing off the table. What would you do? For decades, the world has been fighting the drug cartels, and losing, their billions of dollars making them the most powerful and destructive organizations on earth. Until one man is asked to take charge. Paul Devereaux used to run Special Operations for the CIA before they retired him for being too ruthless. Now he can have anything he requires, do anything he thinks necessary. No boundaries, no rules, no questions asked. The war is on-though who the ultimate winner will be, no one can tell...