Here the commonplace wind is personified as a sinister kind of monster who tracks its victims to the ends of the earth and sucks away their lives.

    Featuring the conclusions to Issue 57's cliffhanger stories by Booker Prize nominee Oyinkan Braithwaite, Brian Evanson, and Mona Awad.

    Features a full-color foil binding attractive enough to leave unwrapped, an inscribed removable bookmark, ribbon tie, and delicate full-color illustrations--all enhancing a classic and enduring short story.

    Written to be read over a long commute or a short journey, they are original and exclusively in digital form. This is a poignant novella from Anita Brookner. 'I rather hope I shall die at the hairdresser's, for they are bound to know what to do. At least that is what I tell myself.' Solitude is a familiar burden for Elizabeth Warner. She lives in a basement flat near Victoria and leaves the house only to go shopping and to have her hair done - until a chance encounter at the hairdresser's brings unexpected change. At the Hairdresser's is a deeply moving, unflinchingly observed story about trust and betrayal by one of the greatest writers of contemporary fiction.

    Not quite what he expected, and not for the faint of heart.Founded in 2012, The Center for Fiction's Crime Fiction Academy is the first ongoing program exclusively dedicated to crime writing in all its forms. Hone your skills with bestselling crime fiction authors Alison Gaylin and Jason Starr. Attend master classes with crime fiction greats like Mary Higgins Clark, Lee Child, Harlan Coben, Linda Fairstein, Nelson DeMille, Michael Connelly, Lisa Unger, and many more. Students receive a Writers’ Studio membership with access to our extensive circulating collection, and have the opportunity to read their work to an audience filled with editors, agents, and publishing professionals at our seasonal Crime Fiction Slam. Not in New York? Check centerforfiction.org for information about our online classes.

    Matthew Bannister said he was going to reinvent the station, the most popular in Europe. But things didn't go exactly to plan. The station lost millions of listeners. Its most famous DJs left, and their replacements proved to be disasters. Radio 1's commercial rivals regarded the internal turmoil with glee. For a while a saviour arrived, in the shape of Chris Evans. But his behaviour caused further upheavals, and his eventual departure provoked another mass desertion by listeners. What was to be done? In the middle of this crisis, Radio 1 bravely (or foolishly) allowed the writer Simon Garfield to observe its workings from the inside. For a year he was allowed unprecedented access to management meetings and to DJs in their studios, to research briefings and playlist conferences. Everyone interviewed spoke in passionate detail about their struggle to make their station credible and successful once more. The result is a gripping and often hilarious portrait a much loved national institution as it battles back from the brink of calamity.

    Three classic historical spy thrillers from the master storyteller and bestselling author, Ken Follett.Thundering Good Thrillers is a great value eBook bundle including three heart-stopping thrillers all set during World War II; featuring female Special Operations agents going undercover behind German lines (Jackdaws), Hitler's prize secret agent going behind Allied lines (Eye of the Needle) and an 18-year-old Dane who stumbles across a top secret German installation whose discovery could change the course of the war (Hornet Flight).

    Unusually for Agatha Christie it was a horror short story which is not normally associated with the Great Author. The story was retrieved from the Italian Magazine on the 19th June 2013 and is only 9 pages in length. In normal circumstances, nine pages is not enough to justify a printed version of this little known and recently discovered Agatha Christie work. This book attempts to celebrate the fact that a 'new' work by the Great Author has been discovered and the fact that it can be classified as a horror short story adds to what we know about the Great Lady. The book gives some background to the story in addition to faithfully reproducing the actual Italian translation from the magazine. The English translation follows and the ends with further reference to ensure a full understanding of the story.

    http://www.baenebooks.com/chapters/97...

    When Victor is propositioned by the woman of his dreams, he knows it’s too good to be true. She offers him the perfect job, a prosperous future, and, best of all, when her tongue is in his mouth, she tastes like strawberries. But it isn’t long before Victor realizes that to keep these prizes, he must keep his client—currently in the clink for murder—from spilling the truth about what really happened the night of the killing. Is Victor ready to be bought? Hell yes. But not until he learns the truth. Someone is being protected, and Victor intends to find out who’s worth all the fuss. Because Victor Carl is willing to sell his soul, sure, especially for a bite of strawberry, but only if the price is right.

    Rock Paper Scissors is an exciting domestic thriller from the queen of the killer twist, about a couple who thinks they know each other well, but realize on a ten year anniversary trip things might not be all that they seem... Rock Paper Scissors goes on sale September 7.

    Rejected by nineteenth-century publishers for its sordid and shocking subject matter, Vandover and the Brute is a powerful novel of turn-of-the-century San Francisco.

    

    Included are also links to free audiobook verions of the novels.Edith Wharton was a Pulitzer Prize-winning American novelist, short story writer, and designer. She was nominated for the Nobel Prize in Literature in 1927, 1928 and 1930.Wharton combined her insider's view of America's privileged classes with a brilliant, natural wit to write humorous, incisive novels and short stories of social and psychological insight. She was well acquainted with many of her era's other literary and public figures, including Theodore Roosevelt. Novels included: •The Touchstone, 1900•The Valley of Decision, 1902•Sanctuary, 1903•The House of Mirth, 1905•Madame de Treymes, 1907•The Fruit of the Tree, 1907•Ethan Frome, 1911•The Reef, 1912•The Custom of the Country, 1913•Bunner Sisters, 1916•Summer, 1917•The Marne, 1918•The Age of Innocence, 1920 (Pulitzer Prize winner)•The Glimpses of the Moon, 1922 Free audiobooks available for: •The Touchstone, 1900•The Valley of Decision, 1902 - not available as audiobook at this time•Sanctuary, 1903•The House of Mirth, 1905•Madame de Treymes, 1907•The Fruit of the Tree, 1907•Ethan Frome, 1911•The Reef, 1912•The Custom of the Country, 1913•Bunner Sisters, 1916•Summer, 1917 - not available as audiobook at this time•The Marne, 1918•The Age of Innocence, 1920 (Pulitzer Prize winner)•The Glimpses of the Moon, 1922Enjoy!

    Howard was both a successful author of popular boxing stories and an avid amateur boxer himself. The sixteen stories and three poems collected in this volume show the full range of his talents for action, humor, and fistic philosophy. Ten of the stories feature the sailor Steve Costigan, a lovable, hard-fisted, and innocent semipro pugilist, who takes on dastardly villains in exotic ports of call. Howard’s brilliant blue-collar humor belies his preoccupation with the real-life issues near and dear to his heart—death, honor, pride, and a man’s love for his dog Other stories are more dramatic and somber, including “Iron Men,” which Howard called “the best fight story I ever wrote—in many ways the best story of any kind I ever wrote.” Severely edited and truncated for its original publication in 1930 in Fight Stories magazine, the tale has never been published in its original form—until now. It appears here, completely restored from Howard’s original typescript, in an authoritative version that Howard fans everywhere will appreciate. In these stories Howard created a realistic, richly populated boxing universe, with intertwining characters and histories that carry on from tale to tale. With them he takes his place in a tradition of American boxing writers but always with a uniquely Howardian twist, a gritty brooding atmosphere, and a reserve of humor that captures the often brutal ambiance of the 1930s.