Published the same year as her first novel, Adam Bede, this overlooked work displays the gifts for which George Eliot would become famous—gritty realism, psychological insight, and idealistic moralizing. It is unique from all her other writing, however, in that it represents the only time she ever used a first-person narrator, and it is the only time she wrote about the supernatural. The tale of a man who is incapacitated by visions of the future and the cacophony of overheard thoughts, and yet who can’t help trying to subvert his vividly glimpsed destiny, it is easy to read The Lifted Veil as being autobiographically revealing—of Eliot’s sensitivity to public opinion and her awareness that her days concealed behind a pseudonym were doomed to a tragic unveiling (as indeed came to pass soon after this novella’s publication). But it is easier still to read the story as the exciting and genuine precursor of a moody new form, as well as an absorbing early masterpiece of suspense.The Art of The Novella SeriesToo short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature's greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

    With a nervous energy and obsession to match his protagonists, Matt Bell’s prose burrows, forensically, into the layers of the brothers’ lives, employing a multilinear narrative structure and a frenetic plurality of perspectives to reach a core of despair that is both terrifyingly primal and distressingly familiar. Matt Bell's THE COLLECTORS was chosen by Brian Evenson as the runner-up manuscript in the 2008 Caketrain Chapbook Competition.

    When her firm becomes embroiled in what could be an international scandal around a key client and Brad begins asking questions about her past, an overwhelmed Mimi begins to sink into emotional chaos. One glance at herself in an old mirror leads her to dig into her past and courageously relive the traumas of her childhood. Thus begins the heart of Uyen Nicole Duong’s Mimi and Her Mirror, a poetic, passionate, and sometimes chilling novel about Vietnam and a girl known as Mimi Suong Giang, whose youth was destroyed as she attempted to escape during the fall of Saigon. Readers share young Mimi's hopes, dreams and courage as she valiantly struggles to find her way into the light.

    A dark ritual turns a woman obsessed with supernatural powers against the people who love her most. A possessed TV proves that old B-Movie monsters can still terrify an unsuspecting audience…Scare Street’s roster of authors brings you eleven new tales of supernatural horror, in one blood-chilling volume. This macabre collection of short stories is guaranteed to get your pulse racing, and send shivers down your spine.Each deliciously dark tale will haunt your dreams, and keep you reading long past the witching hour. But wait…What was that noise? Did something move in the shadows?Just keep telling yourself… it’s only a story.

    Beautiful and talented, Harriet will gain the affections of many of the men and women she meets and a bright future seems assured for her.But there is something strange about Harriet. Everyone she gets close to seems to sicken or die. Doctor Phillips has a theory: the blood of the vampire flows through Harriet's veins, and she is draining the life out of those she loves. Are the misfortunes that seem to follow Harriet merely coincidence? Or is she really afflicted with the curse of the vampire?One of the strangest novels by the prolific Florence Marryat (1837-1899), "The Blood of the Vampire" was the "other vampire novel" of 1897, appearing the same year as "Dracula." Marryat's novel is fascinating not only for its sensational plot and bizarre characters, but also because of its engagement with many of the issues that haunted the late Victorian imagination, such as race, heredity, women's roles, Spiritualism, and the occult. This edition includes the unabridged text of the exceedingly rare 1897 first edition and a new introduction by Brenda Hammack.

    Immensely popular for years, the novel led to a hit play, a series of popular films, Trilby products from hats to ice-cream, and streets in Florida named after characters in the book. The setting reflects Du Maurier's bohemian years as an art student in Paris before he went to London to make a career in journalism. A celebrated caricaturist for Punch magazine, Du Maurier's drawings for the novel--of which his most significant are included here--form a large part of its appeal.

    Few, if any, of the most imaginative writers of love stories have or could have envisioned the experiences of this couple.

    As in his previous best-selling novels Mortal Friends and Family Trade, James Carroll seamlessly blends fiction and history to create a gripping tale of family bonds and ethnic violence, vows and betrayals, and political intrigue in the inner sanctums of both church and state.

    Something happened to her in the manor when she was fourteen, but she can’t remember any of it. A whole month of her childhood is just blank, and nobody will tell her what caused it. Shortly after, her parents sent her to boarding school without any explanation and she thought she would never go back again. A decade on, Tamara can’t sleep. She has nightmares about the house and the brooding woods. She sees a dark place in her dreams, a place she knows she mustn’t go. Something is waiting in the woods of Towneley Manor, and the only thing Tamara can remember is the symbol she sees in her dreams. An eye surround by a black sun. Watching her. Never letting her go. The Towneley family keep dark secrets, and the manor holds the worst of them. Children dying in the walls, servants disappearing. As Tamara unwinds the secrets of her family, she starts to discover what happened to her all those years ago. When her memory unfolds and she finds out what haunts the halls of Towneley Manor, she soon wishes she had never gone back…

    But she will not run. For the beauty of Silverhill's setting hides more than one family's secrets. And Malinda must fight for both her sanity and her life before she discovers the full, horrifying truth about the past evil and present terrors that may engulf her....

    Newly designed and typeset in a modern 5.5-by-8.5-inch format by Waking Lion Press.

    The bird flu out of China has mutated. Now able to latch on and replicate within humans, the virus will spread swiftly throughout the world. When you spread a virus before you even know you have it, everyone becomes a carrier. There is no preparation, and there is no cure. You can only hope that you are one of the few who are immune, or can survive long enough to fight. Wendy and Arthur have spent their lives in service to others. Having raised one child, and learned to live off the land, their only wish is for their son to give them grandchildren. They want to retire in comfort, knowing that they are self-sufficient and able to take care of themselves. Having never been apart for more than a few nights, Wendy has the opportunity to take a well deserved ladies vacation. Little do they know that their entire world will change in an instant, and they ll be left alone to live, or to die, a thousand miles apart.

    Witches, spells, ghosts, pacts with the Devil, occult rituals, love triangles, popes and the Anti-Christ are some of the ingredients of this chilling early horror work (set in the middle-ages) by Marjorie Bowen that some consider to be the ultimate Gothic Novel.

    When detectives arrive, they find not only the broken body of the victim, but a child who remembers nothing of who she is or how she came to be at the scene. Because the little girl has no known home, a gentle-hearted detective inspector named Charles St. Clair takes her to his home, and from that point on, his life will never be the same. Over the course of the next ten years, he’ll learn not only all about the girl but also about himself. And St. Clair will learn the truth about a supernatural battle that has been raging across England for four hundred years. The Redwing Saga presents an alternative telling of history, pulling back the veil of secrecy put into place by those who would deceive and destroy. Geopolitics, criminal investigation, and science merge with secret societies, angelic warfare, and human free will. Book One of the series, Blood Lies , introduces the characters—both human and non-human—as well as their backstories, and it starts us on a journey that will eventually lead from Whitechapel to World War.

    In decaying Northampton, eternity loiters between housing projects. Among saints, kings, prostitutes, and derelicts, a timeline unravels: second-century fiends wait in urine-scented stairwells, delinquent specters undermine a century with tunnels, and in upstairs parlors, laborers with golden blood reduce fate to a snooker tournament. Through the labyrinthine streets and pages of Jerusalem tread ghosts singing hymns of wealth and poverty. They celebrate the English language, challenge mortality post-Einstein, and insist upon their slum as Blake’s eternal holy city in “Moore’s apotheosis, a fourth-dimensional symphony” (Entertainment Weekly). This “brilliant . . . monumentally ambitious” tale from the gutter is “a massive literary achievement for our time—and maybe for all times simultaneously” (Washington Post).