So Hannah accepts a job as live-in director of the Wright Historic House, a museum dedicated to an obscure nineteenth-century philosopher whose life was marred by tragedy.At first, life in this old, creaky house feels cozy. Nick and Hannah explore the deserted museum at night, wandering the twisting halls and sneakily trying out the former owners' original master bed. But as summer turns to fall, Hannah begins to have trouble sleeping; reluctantly, she tells Nick she's hearing whispers in the night. Then one morning, Nick wakes up to find Hannah gone. In his frantic search for her, Nick will discover the hidden legacy of Wright House: a man driven wild with grief, and a spirit aching for home.

    Author-journalist John Pinkney has investigated several thousand hauntings,and this collection contains many of his most intriguing cases. Against a background of authentic photographs and artwork, Pinkney's unique book describes *The case of the newsreader who died at the microphone - then haunted his radio station for the following 25 years. *The 'asphalt apparitions' that haunt highways worldwide - prompting some authorities to install roadsigns warning living drivers. * The mansion owner who, after intense detective work, discovered her resident ghost's horrific secret.*The drowned man's face that invaded an official police photograph. *The furious phantom that shocked a million TV viewers.* Telephone calls from the tsunami dead. And much more. This enthralling book is a comprehensive survey of modern hauntings - offering authentic reports and analysis of supernatural events in the 20th and 21st centuries. ALSO by JOHN PINKNEY IN EBOOKS: Alien Airships Over Old America...The Mary Celeste Syndrome...Australia's Strangest Mysteries... A Paranormal File...Thirst: An Inheritance of Evil...The Girl Who Touched Infinity...The Key and the Fountain.

    Mark Mason has embarked on a tour of the country, immersing himself in Britain's history on a roundabout journey from AB to ZE. On the lookout for interesting place names and unusual monuments, along the way he discovers what the Queen keeps in her handbag, why the Jack Russell has a white coat and how Jimi Hendrix got confused by the M1. He visits the Harrogate hotel where Agatha Christie hid for eleven days, a bungalow in Kent that can't get a mobile phone signal because of the Second World War and the grave of a Scottish duke whose legs had to be cut off so he could fit in his coffin.At the same time Mason paints an affectionate portrait of Britain int he 21st century, from aggressive seagulls in Blackpool to 'seasoned' drinkers in Surrey. And his travels offer the perfect opportunity to delve into the history of the Royal Mail, compete with pillar boxes, posties and Penny Reds - plus Oscar Wide's unconventional method of posting a letter.A charming mix of fact, anecdote and overheard conversation, Mail Obsession plays homage to Britain's wonderful past and its curious present.

    . .But after a scandalous Hollywood divorce, Blythe Stowe considered it damage control for body and soul. The pain, the humiliation, the daily tabloids shouting details as her famous husband dumped her for her own sister demanded a serious getaway: to the wild coast of Cornwall and a cottage by the sea that her Wyoming grandmother claimed had been home to her ancestors.Some might call it chance . . .But Blythe encountered more than just a quaint retreat nestled amid vivid skies and gorgeous ocean. And she had the odd sensation that her wickedly handsome neighbor Lucas Teague was more than a British gentleman going broke. He might be her destiny . . .

    Here too are the famous convention halls, parks, and racetracks of a great American city whose architectural treasures have been, and continue to be, recklessly squandered.Rare photographs and prints, many of them published here for the first time, document the transformative architectural achievements of such giants as Dankmar Adler, Louis Sullivan, John Wellburn Root, Daniel Burnham, William Holabird, and Frank Lloyd Wright. But this remarkable book is much more than a portfolio of now-vanished buildings; within its pages are evocative sketches of scores of Chicago personalities, from the world-famous (Abraham Lincoln, Theodore Dreiser, Clarence Darrow, Ben Hecht, Jane Addams, Cyrus McCormick, George Pullman, and Gustavus Swift, to name just a few) to the locally notorious.

    There's been much coverage of punk, postpunk and the acid-house rave era of the early 90s, but the scene surrounding independent guitar-based music of the mid-80s has been largely overlooked. "A Scene In Between" looks at Britain's fashions, personalities and youth cultures from that era. Bands featured include Television Personalities, My Bloody Valentine, The Jesus and Mary Chain, The Smiths, The Pastels, The Vaselines and more obscure bands such as The Shop Assistants, The Flatmates and countless others. Author Sam Knee has reconnected with a vast network of people and resources to unearth literally hundreds of previously unpublished photographs of the bands, fans, clubs and street fashion of the time. Taking a sartorial angle, he looks at anoraks, oversized jumpers, leather trousers, bowl-cut hairdos, blouse shirts, stripey tees and box jackets. Dave Conway of My Bloody Valentine and Douglas Hart of The Jesus and Mary Chain contribute reminiscences.

    The weirder the better, we say, and Michigan falls perfectly into that category. Oh, sure, big-time heroes like Charles Lindbergh and Madonna hail from here, and so does President Gerald Ford, but do they compare to superhero Captain Jackson, who strolls around town in a purple cape doing good deeds? Well, yes, maybe they do, but the captain, in our opinion, is more representative of our fine state. Because, let's face it, Michigan has a great big quantity of . . . weirdness. That's how we were able to entice best-selling author Linda Godfrey to swim over from Wisconsin, grab a notebook, and track down all kinds of serious weirdness for you, Motown flowing through her headphones the whole time. Just turn the pages and see what she found. Read about the guru of toilet paper, the Devil's Soup Bowl, a bottle house and a bottle tower, our own Bigfoot, a pickle barrel house, the world's fastest cow, a fire breather and an eyeball smoker, the Outhouse Classic, UFOs of every size and shape, crop circles, and brown goo. Just don't, no matter how tired you are, even think about sitting in the Witch's Chair. It's a great state. Especially since we have lots of lake monsters and all our residents live no more than six miles from an inland lake—at least that's what our state's official Web site says. But Linda will take you way beyond what the governor's office will tell you—to say nothing of what your history teacher left out of the lesson plans. We think you'll agree that Weird Michigan, a brand-new entry in the best-selling Weird U.S. series, is a trip no self-respecting Michigander (or Michiganian, if you prefer—and that's pretty odd, don't you think?) would ever want to miss.

    Here, Mary Street Alinder--who collaborated with Adams on his memoir and was his assistant in later life--is not reticent about the major emotional episodes in Adams's life, including his marriage and extramarital affairs, and his not-altogether-successful fatherhood. She explores the major artistic influences on his work and gives in-depth profiles of the significant figures in his circle. She also explains the technique and style Adams developed to obtain his unique vision, as well as his uneasiness at becoming a commodity. Ansel Adams: A Biography is an intimate and provocative portrait of the world's most famous photographer.

    He charts the long struggle toward nationhood, explores the roots of the original Scots, and examines the extent to which Scotland was shaped by the Romans, the Picts, the Vikings, and the English. Encompassing everything from the first Mesolithic settlers in 7000 B.C. to the present movements for independence, Scotland: The Story of a Nation is history on an epic level, essential reading for anyone interested in the rich past of this captivating land.

    Magic and magicians appear in early Babylonian texts, the Bible, Judaism, and Islam. Secret words, spells, and incantations lie at the heart of nearly every mythological tradition. But for every genuine magus there is an impostor.During the Middle Ages, religion, science, and magic were difficult to set apart. The Middle Ages also saw the pursuit of alchemy—the magical transformation of base materials—which led to a fascination with the occult, Freemasonry, and Rosicrucianism.The turn of the twentieth century witnessed a return to earlier magical traditions, and today, magic means many things: contemporary Wicca is practiced widely as a modern pagan religion in Europe and the US; “magic” also stretches to include the nonspiritual, rapid-fire sleight of hand performed by slick stage magicians who fill vast arenas.The Occult, Witchcraft and Magic is packed with authoritative text and a huge and inspired selection of images, some chosen from unusual sources, including some of the best-known representations of magic and the occult from around the world spanning ancient to modern times.

    From the tale of a sixteenth-century shoemaker from Breslau whose ghost terrorized everyone in the city, to the testimony of a doctor who presided over the exhumation and dissection of a graveyard full of Serbian vampires, his book is fascinating reading.

    Diana, Princess of Wales was certainly one of the most photographed women of all time; even in her childhood she was frequently photographed due to her father's interest in amateur photography.

    From Big Ben to the grimy Victorian streets of Dickens novels on up to the sleek high-rises that dot the skyline of the twenty-first-century metropolis, the urban landscape of London is steeped in history, while forever responsive to the changing dictates of progress, industry, and culture. In London: A Life in Maps, acclaimed historian Peter Whitfield reveals a wealth of surprising truths and forgotten facts hidden in the city’s historic maps.Whitfield examines nearly 200 maps spanning the last 500 years, all of which vividly demonstrate the vast changes wrought on London’s streets, open spaces, and buildings. In a rich array of colorful cartographic illustrations, the maps chronicle London’s tumultuous history, from the devastation of the Great Fire to the indelible marks left by World Wars I and II to the emergence of the West End as a fashion mecca. Whitfield reads historic sketches and detailed plans as biographical keys to this complex, sprawling urban center, and his in-depth examination unearths fascinating insights into the city of black cabs and red double-deckers. With engaging prose and astute analysis he also expertly coaxes out the subtle complexities—of social history, urban planning, and design—within the rich documentation of London’s immense and constantly changing cityscape.London: A Life in Maps lets readers wander through the past and present of London’s celebrated streets—from Abbey Road to Savile Row—and along the way reveals the city’s captivating history, vibrant culture, and potential future.

    Vermeer left no record of his method and indeed we know almost nothing of the man nor of how he worked. But by a close and illuminating study of the paintings Steadman concludes that Vermeer did use the camera obscura and shows how the inherent defects in this primitive device enabled Vermeer to achieve some remarkable effects--the slight blurring of image, the absence of sharp lines, the peculiar illusion not of closeness but of distance in the domestic scenes. Steadman argues that the use of the camera also explains some previously unexplainable qualities of Vermeer's art, such as the absence of conventional drawing, the pattern of underpainting in areas of pure tone, the pervasive feeling of reticence that suffuses his canvases, and the almost magical sense that Vermeer is painting not objects but light itself.Drawing on a wealth of Vermeer research and displaying an extraordinary sensitivity to the subtleties of the work itself, Philip Steadman offers in Vermeer's Camera a fresh perspective on some of the most enchanting paintings ever created.

     James came together with two other brilliant and charismatic thinkers of the day-Richard Hodgson, a converted skeptic, and James Hyslop, a natural grandstander who would often visit mediums unannounced, a hooded mask covering his face-to form the core of the American Society for Psychical Research. They eventually merged with the British Society for Psychical Research, adding to the group the Cambridge philosopher Henry Sidgwick and his tiny, ferociously smart wife Eleanor, as well as the mythically handsome Edmund Gurney and others. While studies of ESP and ghostly visitations have occurred since the days of the society, at no other time have scientists of the caliber of James and his colleagues devoted themselves in such an ambitious and driven way for evidence of a life beyond. James and his band of brothers staked their reputations, their careers, even their sanity, on one of the most extraordinary (and entertaining) psychological quests ever undertaken, a quest that brought its followers right up against the limits of science. This riveting book is about the investigation of the ghost stories-the instances of supernatural phenomena that could not be explained away-and it is about the courage and conviction of William James and his colleagues to study science with an open mind. At the heart of the story is the ongoing tension between empiricism and spiritualism-between a way of explaining the world that is grounded in the purely tangible and a way that is grounded in a mixture of the evident and the hidden. Pulitzer Prize-winning author Deborah Blum uses her extraordinary storytelling skills and scientific insight to explore nothing less than the nexus of science and religion. It is a territory as fascinating to us now as it was to William James and his colleagues then.