A story of friendship, love, betrayal, and obsession. Rudra, a stranger Arya didn't remember meeting; but he knew more about her than she did about herself. Who was this stranger? Why did he seem so familiar? Why was she attracted to him? From the day he visited Arya’s house, Rudra had wanted to take her in his arms and tell her everything. But, he refrained himself and decided to wait for her to remember... and recognize him. Will she remember him... or will he have to lose her once again. 'Bestowed' - A saga of love!https://notionpress.com/read/bestowed

    Renowned for her natural talent and haunting beauty, Waheeda Rehman’s career spans an astonishing array of key films in Indian cinema, including Pyaasa, Abhijan, Mujhe Jeene Do, Guide, Teesri Kasam and Rang De Basanti.In this engaging book of conversations with Nasreen Munni Kabir, Waheeda Rehman proves to be a lively raconteur, speaking about her life and work with refreshing honesty, humour and insight: from the devastating loss of her parents when she was young to making a life in cinema on her own terms, from insightful accounts of working with extraordinary film practitioners like Guru Dutt, Raj Khosla, Satyajit Ray, Raj Kapoor, Dev Anand and Vijay Anand to her friendship with stars like Nargis and Nanda.A slice of cinema history told through compelling anecdotes and astute observations, Conversations with Waheeda Rehman provides a rare view of a much-adored and award-winning actress of Indian cinema.

    To make matters worse, Nikita is in love with her best friend Aziza's boyfriend, Raghav Shetty, who is a radio jockey on the popular radio station, Spruce FM. And that's not all; Nikita doesn't even like, let alone love Deepak, the man she's in a relationship with! Tired of her life going nowhere, Nikita decides to change her life. On the night of her cousin Natasha's wedding, she makes a list of things she will never do. She vows to never marry for money, never doubt her abilities, never have feelings for an unavailable man, never stay in a relationship with someone she doesn't love, never get completely drunk in public and never wear velvet! But life seldom goes according to plan and Nikita learns that you should never say never...

    It is a dark world, shot through with flashes of joy and lunacy."I used to be human once. So I'm told. I don't remember it myself, but people who knew me when I was small say I walked on two feet, just like a human being..." Ever since he can remember, Animal has gone on all fours, his back twisted beyond repair by the catastrophic events of "that night" when a burning fog of poison smoke from the local factory blazed out over the town of Khaufpur, and the Apocalypse visited his slums. Now just turned seventeen and well schooled in street work, he lives by his wits, spending his days jamisponding (spying) on town officials and looking after the elderly nun who raised him, Ma Franci. His nights are spent fantasizing about Nisha, the girlfriend of the local resistance leader, and wondering what it must be like to get laid. When Elli Barber, a young American doctor, arrives in Khaufpur to open a free clinic for the still suffering townsfolk -- only to find herself struggling to convince them that she isn't there to do the dirty work of the Kampani -- Animal gets caught up in a web of intrigues, scams, and plots with the unabashed aim of turning events to his own advantage. Profane, piercingly honest, and scathingly funny, Animal's People illuminates a dark world shot through with flashes of joy and lunacy. A stunning tale of an unforgettable character, it is an unflinching look at what it means to be human: the wounds that never heal and a spirit that will not be quenched.

    In this book, Nikhil continues taking his readers along for a journey which try to solve the riddles of basic human existence - riddles of love, of childhood's lost and found, of relationships and of our day to day trials.His characters vary from a gangster who chooses love over looting, a couple trying to steal their first kiss in a right-wing nightmare, children playing one-tip one-hand cricket to an early jobber trying to rise above his mundane job to an old man contemplating the purpose of life after getting replaced by technology.Nikhil's characters are immensely relatable and his stories are his voice speaking out your own stories. This book reminds you of the smell of summer sunshine hitting garden leaves and takes you to back to a kinder gentler and simpler time.

    The familiar facets of village life like the family feuds,assasinations etc. are certainly tribes of men who charished values more than their own lives and devotedly work

    He is also opposed to city living, to meddlesome neighbours, to wacky grandfathers and to caustic grandmothers. But when he’s blessed with all of the above, what’s man to do?

    It deals with the cultural history too. A must read for the students of history and anyone with a curiosity to go through the history of this land.

    

    Babu of Bhokarwadi dons the mantle of magician (‘Jadugaar’) to prove this point! Bajaba makes a complaint about a robbery in the hotel; but then also gives a written submission that the theft never took place (‘Chori zalich nahi’)! Fed up with the local politics (‘Gavgundi’), the newlyappointed lady teacher decides to quit her job and leave the village! Babu and Chengtya too face the same travails (‘Vanvaas’) as Rama had to. The Government issued an Ordinance legalizing corruption (‘Bhrashtaachar’); but this only serves to double Balu’s workload since he is a government servant! Bapu Patil did complete the adoption formalities (‘Dattakvidhi’) for his son, but Babu and Chengta manage to mess things up! Dagadu Gawali one conducts the class (‘Taas’) otherwise taken by the Std. IV Maths teacher who took pleasure in caning the boys! Siva Jamdade, Rama Kharat, Gana Mastar, Nana Chengat, and Babu Pailwan go for a picnic (‘Company’)! Fun…Irony…Advice…Sharp criticism…and tragedy too…such is the nature of this collection of stories.

    Rather than relying on abstract generalizations and theories, van Manen offers an alternative that taps the unique nature of each human situation.The book offers detailed methodological explications and practical examples of hermeneutic-phenomenological inquiry. It shows how to orient oneself to human experience in education and how to construct a textual question which evokes a fundamental sense of wonder, and it provides a broad and systematic set of approaches for gaining experiential material that forms the basis for textual reflections.Van Manen also discusses the part played by language in educational research, and the importance of pursuing human science research critically as a semiotic writing practice. He focuses on the methodological function of anecdotal narrative in human science research, and offers methods for structuring the research text in relation to the particular kinds of questions being studied. Finally, van Manen argues that the choice of research method is itself a pedagogic commitment and that it shows how one stands in life as an educator.

    

    The author has tried to bridge the gap between historical research and popular perception of this controversial phase in Indian history.

    Vikram Sampath, in this remarkable book, brings forth little known details of this fascinating woman who was known for her melodious voice, her multi-lingual skills, poetic sensibility, irresistible personality and her extravagant lifestyle. From her early days in Azamgarh and Banaras to the glory years in Calcutta when Gauhar ruled the world of Indian music, to her sad fall from grace and end in Mysore, the book takes the reader through the roller-coaster ride of this feisty musician. In the process, the author presents a view of the socio-historical context of Indian music and theatre during that period.

    In this fascinating account, Bipan Chandra traces the events that led up to this moment and makes some startling revelations. He finds that there was a real danger of the JP movement turning fascist, given the fuzzy ideology of Total Revolution, its confused leadership and dependence on the RSS for its organization. At the same time, despite the authoritarianism inherent in the Emergency, particularly with the rising power of Sanjay Gandhi and his Youth Congress brigade, Indira Gandhi did end it and call for elections.Finely argued, incisive and original, this book offers significant insight into those turbulent years and joins the ever-relevant debate on the acceptable limits of popular protest in a democracy.