With a mother who can barely look at her without wincing, classmates who whisper behind her back, and a father whose violent crime rocked her small town, Aysel is ready to turn her potential energy into nothingness.There’s only one problem: she’s not sure she has the courage to do it alone. But once she discovers a website with a section called Suicide Partners, Aysel’s convinced she’s found her solution: a teen boy with the username FrozenRobot (aka Roman) who’s haunted by a family tragedy is looking for a partner. Even though Aysel and Roman have nothing in common, they slowly start to fill in each other’s broken lives. But as their suicide pact becomes more concrete, Aysel begins to question whether she really wants to go through with it. Ultimately, she must choose between wanting to die or trying to convince Roman to live so they can discover the potential of their energy together. Except that Roman may not be so easy to convince.

    Stella always had a drink in her hand and a new boyfriend every few months, and when things got out of hand, she would whisk Lemon off to a new town for a fresh beginning. Now, just as they are moving yet again, Lemon discovers that she is pregnant from a reckless encounter—with a guy Stella had been flirting with.On the verge of revisiting her mother’s mistakes, Lemon struggles to cope with the idea of herself as a young unmarried mother, as well as the fact that she’s never met her own father. Determined to have at least one big adventure before she has the baby, Lemon sets off on a cross-country road trip, intending not only to meet her father, but to figure out who she wants to be.

    Three years later, Kennedy walks in on that same boyfriend cheating with her best friend—and wishes she had made a different choice. But when Kennedy hits her head and wakes up in the version of her life where she chose to attend the private school, she finds that maybe it’s not as perfect of a world as she once thought.

    Laurel chooses Kurt Cobain because her sister, May, loved him. And he died young, just like May did. Soon, Laurel has a notebook full of letters to people like Janis Joplin, Amy Winehouse, Amelia Earhart, Heath Ledger, and more -- though she never gives a single one of them to her teacher. She writes about starting high school, navigating new friendships, falling in love for the first time, learning to live with her splintering family. And, finally, about the abuse she suffered while May was supposed to be looking out for her. Only then, once Laurel has written down the truth about what happened to herself, can she truly begin to accept what happened to May. And only when Laurel has begun to see her sister as the person she was -- lovely and amazing and deeply flawed -- can she begin to discover her own path in this stunning debut from Ava Dellaira, Love Letters to the Dead.

    For as long as Samantha can remember, she’s wanted to be a professional ballerina. She’s lived for perfect pirouettes, sky-high extensions, and soaring leaps across the stage. Then her body betrayed her.The change was gradual. Stealthy.Failed diets. Disapproving looks. Whispers behind her back. The result: crippling anxiety about her appearance, which threatens to crush her dancing dreams entirely. On her dance teacher’s recommendation, Sam is sent to a summer treatment camp for teen artists and athletes who are struggling with mental and emotional obstacles. If she can make progress, she’ll be allowed to attend a crucial ballet intensive. But when asked to open up about her deepest insecurities, secret behaviors, and paralyzing fears to complete strangers, Sam can’t cope. What I really need is a whole new body.Sam forms an unlikely bond with Andrew, a former college football player who’s one of her camp counselors. As they grow closer, Andrew helps Sam see herself as he does—beautiful. But just as she starts to believe that there’s more between them than friendship, disappointing news from home sends her into a tailspin. With her future uncertain and her body against her, will Sam give in to the anxiety that imprisons her?

    McManus, New York Times bestselling author of One of Us Is LyingWe Were Liars meets Goodbye Days in this thrilling debut novel that sweeps readers away as they try to solve the mystery of what happened then to make Ellory so broken now.It’s hard to find the truth beneath the lies you tell yourself.Then: They were four—Bex, Jenni, Ellory, Ret. (Venus. Earth. Moon. Sun.) Electric, headstrong young women; Ellory’s whole solar system.Now: Ellory is alone, her once inseparable group of friends torn apart by secrets, deception, and a shocking incident that changed their lives forever.Then: Lazy summer days. A party. A beautiful boy. Ellory met Matthias and fell into the beginning of a spectacular, bright love.Now: Ellory returns to Pine Brook to navigate senior year after a two-month suspension and summer away—no boyfriend, no friends. No going back. Tormented by some and sought out by others, troubled by a mysterious note-writer who won’t let Ellory forget, and consumed by guilt over her not entirely innocent role in everything and everyone she’s lost, Ellory finds that even in the present, the past is everywhere.The path forward isn’t a straight line. And moving on will mean sorting the truth from the lies—the lies Ellory has been telling herself.

    Violet shares a blood type with Erica; soon, thanks to surgery and blackmail, she has the same face, body, and DNA. She knows every detail of the Silvermans’ lives, as well as the PTSD she will have to fake around them. And then, when the time is right, she “reappears”—Erica Silverman, brought home by some kind of miracle. But she is also Violet, and she has a job: Stay long enough to steal the Silverman Painting, an Old Master legendary in the Vegas crime world. Walking a razor’s edge, calculating every decision, not sure sometimes who she is or what she is doing it for, Violet is an unforgettable heroine, and Pretending to be Erica is a killer debut.

    When the body of a student is found in the dorms just before the start of their final year, Marine and Kate begin to ask themselves what they would do to win the ultimate prize: to be the one girl selected to join the Opera’s prestigious corps de ballet. Would they die? Cheat? Seduce the most talented boy in the school, dubbed the Demigod, hoping his magic would make them shine, too? Neither girl is sure.But then Kate gets closer to the Demigod, even as Marine has begun to capture his heart. And as selection day draws near, the competition—for the prize, for the Demigod—becomes fiercer, and Marine and Kate realize they have everything to lose, including each other.

    But that doesn't matter—the villagers think she is and have staked her out on a hillside as a sacrifice to the local dragon. It's late, it's cold, and it's raining, and Alys can think of only one thing—revenge. But first she's got to escape, and even if she does, how can one girl possibly take on an entire town alone? Then the dragon arrives—a dragon that could quite possibly be the perfect ally. . . .

    But when a beloved teacher gives her his worn copy of The Bubblegum Reaper--a mysterious, out-of-print cult classic--the rebel within Nanette awakens. As the new and outspoken Nanette attempts to insert her true self into the world with wild abandon, she learns that rebellion can sometimes come at a high price...and with devastating consequences.

    His hallucinations include a cast of characters that range from the good (beautiful Rebecca) to the bad (angry Mob Boss) to the just plain weird (polite naked guy). An experimental drug promises to help him hide his illness from the world. When Adam meets Maya, a fiercely intelligent girl, he desperately wants to be the normal, great guy that she thinks he is. But as the miracle drug begins to fail, how long can he keep this secret from the girl of his dreams?

    She knows it’s unusual, but give her a break—she’s had a rough 10 days. In the past 10 days she: lost her boyfriend (#13 on the list), lost her best friend (Kim), lost all her other friends (Nora, Cricket), did something suspicious with a boy (#10), did something advanced with a boy (#15), had an argument with a boy (#14), drank her first beer (someone handed it to her), got caught by her mom (ag!), had a panic attack (scary), lost a lacrosse game (she’s the goalie), failed a math test (she’ll make it up), hurt Meghan’s feelings (even though they aren’t really friends), became a social outcast (no one to sit with at lunch) and had graffiti written about her in the girls’ bathroom (who knows what was in the boys’!?!). But don’t worry—Ruby lives to tell the tale. And make more lists.

    But each time, something good, no matter how small, stops him. Violet Markey lives for the future, counting the days until graduation, when she can escape her Indiana town and her aching grief in the wake of her sister’s recent death. When Finch and Violet meet on the ledge of the bell tower at school, it’s unclear who saves whom. And when they pair up on a project to discover the “natural wonders” of their state, both Finch and Violet make more important discoveries: It’s only with Violet that Finch can be himself—a weird, funny, live-out-loud guy who’s not such a freak after all. And it’s only with Finch that Violet can forget to count away the days and start living them. But as Violet’s world grows, Finch’s begins to shrink. This is an intense, gripping novel perfect for fans of Jay Asher, Rainbow Rowell, John Green, Gayle Forman, and Jenny Downham from a talented new voice in YA, Jennifer Niven.

    . . who is too busy hating everyone to know what love is. Set in London, this girl-loves-boy-loves-boy-loves-girl romp is set against a theatrical production of The Taming of the Shrew, and features enough on- and off-stage drama to satisfy teens looking for a beach read—or a read all year round.