As Mark Twain, he was the Mississippi riverboat pilot, the satirist with a fiery hatred of pretension, & the author of such classics as Tom Sawyer & Huckleberry Finn. As Mr Clemens, he was the star who married an heiress, built a palatial estate, threw away fortunes on harebrained financial schemes & lived the extravagent life that Twain despised. Set against the richly drawn background of the post-Civil War period that Twain dubbed the "Gilded Age," Mr. Clemens & Mark Twain is sure to entertain & enlighten both general readers & scholars alike.

    Born in America, Henry James was educated both there and in Europe before settling in London, where he was to spend most of his life, in 1876. His novels represent the culmination of the 19th-century realist tradition of Austen, George Eliot, Flauberty and Balzac, and a decisive step towards the experimental modernism of Woolf and T.S. Eliot. His works often focus upon an innocent American in Europe, and assess the qualities and dangers of both American and European culture at the time, as well as showing their vast differences.

    Jackson Bate delves deep into the character that formed Johnson's awesome intellect and fueled his prodigious output. The first great modern biography of Johnson, it confirms that his statements and judgments on literature, politics, religion, behavior - on all human experience - are as relevant in our age as when they were first uttered. This new edition brings a modern classic back into print and includes a new preface from the author.

    A man massive in his size, his passions, and his gifts, Wolfe has long been considered something of an unconscious genius, whose undisciplined flow of prose was shaped into novels by his editor, the celebrated Maxwell Perkins.In this definitive and compelling biography, Pulitzer Prize-winning historian David Herbert Donald dismantles that myth and demonstrates that Wolfe was a boldly aware experimental artist who, like James Joyce, William Faulkner, and John Dos Passos, deliberately pushed at the boundaries of the modern novel. Donald takes a new measure of this complex, tormented man as he reveals Wolfe's difficult childhood, when he was buffeted between an alcoholic father and a resentful mother; his "magical" years at the University of North Carolina, where his writing talent first flourished; his rise to literary fame after repeated rejection; and the full story of Wolfe's passionate affair with Aline Bernstein, including their intimate letters.

    Vladimir Nabokov) brings to shimmering life one of the greatest literary love stories of our time. Vladimir Nabokov--the émigré author of Lolita; Pale Fire; and Speak, Memory--wrote his books first for himself, second for his wife, Véra, and third for no one at all."Without my wife," he once noted, "I wouldn't have written a single novel." Set in prewar Europe and postwar America, spanning much of the century, the story of the Nabokovs' fifty-two-year marriage reads as vividly as a novel. Véra, both beautiful and brilliant, is its outsized heroine--a woman who loves as deeply and intelligently as did the great romantic heroines of Austen and Tolstoy. Stacy Schiff's Véra is a triumph of the biographical form.

    Lawrence's inner life and his historically significant actions. Extensive research provides the basis for Mack's sensitive investigation of the psychological dimensions of Lawrence's personality and with the history, sociology, and politics of his time. 27 photos.

    After providing an engrossing account of Machiavelli's childhood and the period following his imprisonment and torture, the book turns to an examination of The Prince. The details of Machiavelli's life never cease to weave in and out of the narrative, as we read how his ideas gather power and coalesce into a unified vision of humankind and the world."De Grazia's achievement is to present a totally comprehensive view of Machiavelli mediated entirely through Machiavelli's own language."--Journal of Modern History

    In the skilled hands of A. Scott Berg, this is at once Lindbergh the hero--and Lindbergh the man.Awarded the 1999 Pulitzer Prize for Biography.From one of America's most acclaimed biographers comes the definitive account of the life of one of the nation's most legendary, controversial, and enigmatic figures: aviator Charles A. Lindbergh.

    But I feel now that the time is come when even a woman or a child who can speak a word for freedom and humanity is bound to speak." Thus did Harriet Beecher Stowe announce her decision to begin work on what would become one of the most influential novels ever written. The subject she had hesitated to "meddle with" was slavery, and the novel, of course, was Uncle Tom's Cabin. Still debated today for its portrayal of African Americans and its unresolved place in the literary canon, Stowe's best-known work was first published in weekly installments from June 5, 1851 to April 1, 1852. It caused such a stir in both the North and South, and even in Great Britain, that when Stowe met President Lincoln in 1862 he is said to have greeted her with the words, "So you are the little woman who wrote the book that created this great war!" In this landmark book, the first full-scale biography of Harriet Beecher Stowe in over fifty years, Joan D. Hedrick tells the absorbing story of this gifted, complex, and contradictory woman. Hedrick takes readers into the multi-layered world of nineteenth-century morals and mores, exploring the influence of then-popular ideas of "true womanhood" on Stowe's upbringing as a member of the outspoken Beecher clan, and her eventful life as a writer and shaper of public opinion who was also a mother of seven. It offers a lively record of the flourishing parlor societies that launched and sustained Stowe throughout the 44 years of her career, and the harsh physical realities that governed so many women's lives. The epidemics, high infant mortality, and often disastrous medicalpractices of the day are portrayed in moving detail, against the backdrop of western expansion, the great social upheaval accompanying the abolitionist movement, and the entry of women into public life. Here are Stowe's public triumphs, both before and after the Civil War, and t

    In the thirties and forties, along with Arshile Gorky and Jackson Pollock, he became a key figure in the revolutionary American movement of abstract expressionism. Of all the painters in that group, he worked the longest and was the most prolific, creating powerful, startling images well into the 1980s.The first major biography of de Kooning captures both the life and work of this complex, romantic figure in American culture. Ten years in the making, and based on previously unseen letters and documents as well as on hundreds of interviews, this is a fresh, richly detailed, and masterful portrait. The young de Kooning overcame an unstable, impoverished, and often violent early family life to enter the Academie in Rotterdam, where he learned both classic art and guild techniques. Arriving in New York as a stowaway from Holland in 1926, he underwent a long struggle to become a painter and an American, developing a passionate friendship with his fellow immigrant Arshile Gorky, who was both a mentor and an inspiration. During the Depression, de Kooning emerged as a central figure in the bohemian world of downtown New York, surviving by doing commercial work and painting murals for the WPA. His first show at the Egan Gallery in 1948 was a revelation. Soon, the critics Harold Rosenberg and Thomas Hess were championing his work, and de Kooning took his place as the charismatic leader of the New York school—just as American art began to dominate the international scene.Dashingly handsome and treated like a movie star on the streets of downtown New York, de Kooning had a tumultuous marriage to Elaine de Kooning, herself a fascinating character of the period. At the height of his fame, he spent his days painting powerful abstractions and intense, disturbing pictures of the female figure—and his nights living on the edge, drinking, womanizing, and talking at the Cedar bar with such friends as Franz Kline and Frank O’Hara. By the 1960s, exhausted by the feverish art world, he retreated to the Springs on Long Island, where he painted an extraordinary series of lush pastorals. In the 1980s, as he slowly declined into what was almost certainly Alzheimer’s, he created a vast body of haunting and ethereal late work.This is an authoritative and brilliant exploration of the art, life, and world of an American master.

    With compelling detail and remarkable insight, the dramatic narrative captures Jones's tenacity and fierce dedication and loyalty to his men and country, despite ill treatment and only begrudged recognition from his superiors. Jones's incredible victories at sea form an important part of the book. Morison's description of the battle between Jones's Bonhomme Richard and HMS Serapis is considered one of the most vivid accounts of a naval battle in the English language.

    The blithe, boisterous son of the last great Puritan minister, he seemed destined to be overshadowed by his brilliant siblings—especially his sister, Harriet Beecher Stowe, who penned the century’s bestselling book Uncle Tom’s Cabin. But when pushed into the ministry, the charismatic Beecher found international fame by shedding his father’s Old Testament–style fire-and-brimstone theology and instead preaching a New Testament–based gospel of unconditional love and healing, becoming one of the founding fathers of modern American Christianity. By the 1850s, his spectacular sermons at Plymouth Church in Brooklyn Heights had made him New York’s number one tourist attraction, so wildly popular that the ferries from Manhattan to Brooklyn were dubbed “Beecher Boats.” Beecher inserted himself into nearly every important drama of the era—among them the antislavery and women’s suffrage movements, the rise of the entertainment industry and tabloid press, and controversies ranging from Darwinian evolution to presidential politics. He was notorious for his irreverent humor and melodramatic gestures, such as auctioning slaves to freedom in his pulpit and shipping rifles—nicknamed “Beecher’s Bibles”—to the antislavery resistance fighters in Kansas. Thinkers such as Emerson, Thoreau, Whitman, and Twain befriended—and sometimes parodied—him.And then it all fell apart. In 1872 Beecher was accused by feminist firebrand Victoria Woodhull of adultery with one of his most pious parishioners. Suddenly the “Gospel of Love” seemed to rationalize a life of lust. The cuckolded husband brought charges of “criminal conversation” in a salacious trial that became the most widely covered event of the century, garnering more newspaper headlines than the entire Civil War. Beecher survived, but his reputation and his causes—from women’s rights to progressive evangelicalism—suffered devastating setbacks that echo to this day.Featuring the page-turning suspense of a novel and dramatic new historical evidence, Debby Applegate has written the definitive biography of this captivating, mercurial, and sometimes infuriating figure. In our own time, when religion and politics are again colliding and adultery in high places still commands headlines, Beecher’s story sheds new light on the culture and conflicts of contemporary America.

    Yet Swift also wrote many other influential works, was a major political and religious figure in his time, and became a national hero, beloved for his fierce protest against English exploitation of his native Ireland. What is really known today about the enigmatic man behind these accomplishments? Can the facts of his life be separated from the fictions?In this deeply researched biography, Leo Damrosch draws on discoveries made over the past 30 years to tell the story of Swift’s life anew. Probing holes in the existing evidence, he takes seriously some daring speculations about Swift’s parentage, love life, and various personal relationships and shows how Swift’s public version of his life - the one accepted until recently - was deliberately misleading. Swift concealed aspects of himself and his relationships, and other people in his life helped to keep his secrets. Assembling suggestive clues, Damrosch re-narrates the events of Swift’s life while making vivid the sights, sounds, and smells of his English and Irish surroundings.Through his own words and those of a wide circle of friends, a complex Swift emerges: a restless, combative, empathetic figure, a man of biting wit and powerful mind, and a major figure in the history of world letters.

    in the Depresson years and World War II that has ever been written."—Harrison Salisbury.

    Yet during Louisa's youth, the famous Alcott was her father, Bronson—an eminent teacher and a friend of Emerson and Thoreau. He desired perfection, for the world and from his family. Louisa challenged him with her mercurial moods and yearnings for money and fame. The other prize she deeply coveted—her father's understanding—seemed hardest to win. This story of Bronson and Louisa's tense yet loving relationship adds dimensions to Louisa's life, her work, and the relationships of fathers and daughters.